General judgment holds the Buzzcocks' peerless singles, the definition of punk-pop at its finest, as the best expression of their work. However, while the singles showcased one particular side of the band, albums like the group's long-playing debut, "Another Music in a Different Kitchen", showcased the foursome's other influences, sometimes brilliantly. The big secret is Pete Shelley's worship of Krautrock's obsessive focus on repetition and rhythm, which transforms what would be "simply" basic punk songs into at-times monstrous epics. The ghost of Can, in particular, hovers even on some of the shorter songs — unsurprising, given Shelley's worship of that band's guitarist, Michael Karoli. "Moving Away From the Pulsebeat" is the best instance of this, with a rumbling John Maher rhythm supporting some trance-like guitar lines. As for the sheer rush of pop craziness, "Another Music in a Different Kitchen" is simply crammed with stellar examples. The leadoff track, "Fast Cars," starts with the opening of "Spiral Scratch"'s "Boredom"'s intentionally hilarious two-note solo intact, before ripping into a slightly bemusing critique of the objects in question. Most of the similar tracks on the album may be more distinct for their speed, but Shelley, in particular, always seems to sneak in at least one astonishing line per song, sometimes on his own and sometimes thanks to Howard Devoto via older co-written tunes redone for the record. One favorite standout: "All this slurping and sucking/It's putting me off my food!" on "You Tear Me Up." Top all this off with any number of perfect moments — the guitar work during the breaks on "Love Battery," the energizing yet nervous coda of "Fiction Romance," the soaring angst throughout "I Don't Mind" — and Another Music flat-out succeeds. [The 2001 reissue offers four tracks from the two singles released just before the album: "Orgasm Addict," "Whatever Happened To...?," "What Do I Get?," and "Oh Shit."] [Source: AMG]


THE BUZZCOCKS - FAST CARS (LIVE 1981)

Track Listing:

1. Fast Cars (2:26)
2. No Reply (2:16)
3. You Tear Me Up (2:27)
4. Get On Your Own (2:26)
5. Love Battery (2:09)
6. Sixteen (3:38)
7. I Don't Mind (2:18)
8. Fiction Romance (4:27)
9. Autonomy (3:43)
10. I Need (2:43)
11. Moving Away From The Pulsebeat (7:06)
12. Orgasm Addict (2:01)
13. Whatever Happened To? (2:14)
14. What Do I Get? (2:55)
15. Oh Shit (1:35)

Download:
Buzzcocks - Another Music in a Different Kitchen (1978) [2001 Reissue w/Bonus Tracks]

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REUP LA PESTE NEGRA #Spain# Genre: Deathrock "¡Esas calaveras estaban en tu lugar!" Band Members : LADY STARDUST:Vox, Guitar and Lyrics.EMMANUELLE:Bass, Whispers, Vox.DAVID:Guitar and Keys.CALÍGULA:Keys, Programming, Vox.FER:Drums.ALLAN KARDEC:Drum-machine and Paranormal Recordings. Influences : Deathrock, Old School Goth, Post Punk, Creepy Sounds!** Christian Death, 45 Grave, Lydia Lunch,

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"Blue Demon's Mexican Rock And Roll Favorites" VAtraxfromwax:
1. Los Hooligans - Pitagoras 2. Los Ovnis - Pequena Ayuda De Mama 3. Los Apson - Viaje Submarino 4. Los Monstruos - Tenemos Que Irnos Aqui 5. Los Teen Tops - Buen Rock Esta Noche 6. Los Locos Del Ritmo - Morelia 7. Los Rockin' Devils - Venta Nena 8. Los Apson - El Tren 9. Los Psicodelicos Xochimilcas - Susie Q 10. Los Monstruos - Hey Monstro 11. The Crazy Boys - El Nino Popis 12. Los Hitters - Mary Y Juana 13. Los Strwck - Rompiendo Corazones 14. Los Strwck - Dijiste No 15. Los Locos Del Ritmo - Pedro Pistolas 16. Los Johnny Jets - Dam Dam 17. Los Freddy's - Lupe 18. Los Babys - Jinettes En El Cielo
...served by Gyro1966...

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As an admittedly old ass hip hop fan, I personally got to experience an amazing era in hip hop history.

Not because of the fact that I was old enough to remember clearly and actually buy, read and memorize the liner notes of albums released in both Golden Eras of Hip Hop (1986-1989 and 1992-1996). Not because I got to be there firsthand when legends like Run DMC, LL Cool J, Too Short, Rakim, KRS One, N.W.A., Big Daddy Kane, Kool G Rap, Ice T, Roxanne Shante, MC Lyte and Queen Latifah FIRST broke onto the scene. Believe it or not, it also wasn..t because I got to experience the culture of hip hop in it's truest and rawest form, either.

It was amazing because when I was growing up Black people actually bought and listened to intelligent, original, conscious or Afrocentric music en masse....those days are over and now long gone.

The world was different back in the late 80's and early 90's. Crack had just hit and ravaged the inner cities of America, they were in ruin and brown people nationwide suffered due to the Reagan/Bush administration and their terrible policies. Apartheid was still in effect in South Africa and Nelson Mandela was still serving time in prison. The Black Panther Party, The Young Lords Party, The Weathermen/The Weather Underground as well as AIM and the Incident At Oglala weren't too far off for that previous generation to relate to.

The turmoil and changes of the 60's hadn't yet dissappeared from the conscience of the people in the 70's. The same generation that witnessed the fallout of the Vietnam War and the assassinations of Malcolm X, Martin Luther King and Bobby Kennedy were the ones rhyming about revolution and upliftment in the mid to late 80's and early 90's. They were born in the mid to late 60's or early 70's themselves so these ideals were still fresh in their minds.

This current hip hop generation was robbed of the same music that challenged us and made us think and question the world around us (at least on the mainstream level) by three different factors. First up, the Ice T "Cop Killer" controversy back in 1992 in which Time Warner and it's affiliates began dropping any artist that was controversial in any way following the threat of a nationwide boycott and fallout from bad press.

Secondly, the Telecommunications Act of 1996. With artist having to go for radio spins and MTV/BET video rotation, any conscious artists or group left on major labels would begin getting phased out and/or dropped due to "low record sales". By 1999, none of them were left signed to major labels.

Lastly, the national tragedy of 9/11 pretty much put the kebosh on any radical or conscious music groups on a major label. The last group of that kind signed was when Loud signed Dead Prez in 1999, the only LP they recorded on Loud Records was their debut "Let's Get Free". All of the groups and artists like Public Enemy, Brand Nubian, Poor Righteous Teachers, King Sun, Lakim Shabazz, Paris, X Clan, K.M.D., Movement Ex, The Coup and Two Kings In A Cipher were completely irrelevant to this current generation of hip hop listeners.

With no foundation in conscious music on the radio or video stations, conscious/Afrocentric music was deemed as corny. Take for example, Arrested Development. They were media darlings and widely acclaimed by music publications, but never truly accepted by the hip hop community. They made sing song rap and wore weird headdresses, kinte cloth and long flowing clothes. Since they were garnering so much attention during the early years of Gangsta Rap's takeover of the industry, there was a backlash against them from the Hip Hop community.

The same thing happened to PM Dawn who had the hit "Set Adrift Of Memory Bliss". They had a weird image, often wearing paisley and huge tie dyed robes with beads and dreads. They also made some kind of weird sing songy rap that the media and music critics loved, but the average hip hop fans dreaded. To get a proper idea as to how much these groups were frowned upon, think of the disdain that the Black Eyed Peas receive nowadays by the average rap fan...now multiply that by 20.

PM Dawn was ultimately thrown off of a stage by KRS One after they made some not too bright comments about him as well as Public Enemy in different magazine interviews. Arrested Development lost some members after their successful first album and by the time they released their second album, no one was checking for them.

The rise of West Coast gangsta rap and East Coast underground grimy hip hop pretty much proved to be the undoing of "positive" hip hop on the mainstream level as well. Given that these acts were considered not ..real hip hop.. and corny (well, they were), no one wanted to hear anything from any group resembling them in hip hop. By 1992, the age of the African medallion, Afrocentric/conscious hip hop crews like the Native Tongues and the Stop The Violence Movement were dead and gone forever.

After the Telecommunications Act, the focus turned to status symbols and material possessions. A group was judged no longer by the quality of it's music or lyricism/beats, but by how many records they sold, how many diamonds were on their watches or chains, or if they had a certain car, etc. With the wealth and opulence displayed in videos and name dropped in songs by Bad Boy Records, No Limit Records and later Cash Money Records, the Jiggy/Shiny Suit/Bling Bling Era had begun. Ever since then, if you weren't about making money, then it didn't make sense (cents).

Unfortunately for us that grew up with our parents Last Poets, Gil Scot-Heron, Umar Bin Hassan, Amiri Baraka, Mutabaruka and records playing and the Gods and Ansaars on the corner or the train station selling incense while selling books have to exist in a hip hop environment where grown men proudly carry around the title of "The Kufi Smacker" and revel in ignorance (Just so it's clear, I'm talking about the DipSet...no subliminals, fuck them niggas...Dig a hole, g'head, bury yourselves).

In this hip hop climate, artists like The Roots, Talib Kweli, Mos Def, Jean Grae, Common and Little Brother are immediately lumped into the same category..."backpacker music". Related R & B/Soul artists such as Raphael Saadiq, Dwele, Bilal, Erykah Badu, Amel Larrieux, Jill Scott, and Teedra Moses are all lumped into the Okayplayer category as well.

Both genre designations point to one thing "artists who have more White people than Black people buying their albums". To anyone with common sense, this is stupid. Why? Because any "popular" music act, regardless of race or genre, has more White people than Black/Latino people buying it out of sheer numbers.

With Blacks making up between 12-13% of the United States 300 million residents (approximately 1 out of every 8 Americans), and White consumers making up between 60%- 70% of the units bought in urban music, to use the "more White people than Black people buy their music" argument is beyond stupid.

If you look through the CD collections and iTunes libraries of most White college students across America, you'll find plenty of T.I., Ludacris, Young Joc, Young Jeezy and Rick Ross albums...so that says what about them exactly?

The fact does remain, that if you were to go to a show for most hip hop acts from the early to mid 90's or any underground crew, the audiences are overwhelmingly White...but whose fault is that?

It takes me back to the legendary dialogue from Spike Lee's film "Mo' Better Blues" between Denzel Washington's Bleek and Wesley Snipes' Shadoe about why Black people abandoned the Blues and Jazz as well as stopped frequenting Blues and Jazz clubs.

The same dialogue was used in The Roots.. classic album "Things Fall Apart"..if you aren't familiar with it, you should definitely see it (this coming from a dude that knows Questlove's Roots album liner notes by heart).

It is distressing to know that artists that grow up on the blackest of Black music and emulate those same masters of Black music on their projects will fall on deaf ears when they try to release their music to an audience of Black people that, in essence have no taste for "Black" music.

The music that is marketed to "Black" or urban markets is ACTUALLY really pop music in nature, being that it's made by major labels that are looking to move units. Just because it's played on BET means nothing...BET is, after all, a Viacom network.

I understand that people, regardless of color don..t like being preached to or having anyone acting like they are holier than thou...if you then take that and add it to an entertainment medium that people use to ESCAPE the problems and ills of the real world, you now have a TURNED OFF captive audience.

Whereas in the 60's and 70's Blacks and Latinos were actively fighting for their freedoms and the right to be considered more than subhuman/third class citizens are they actively SEARCHED for music that empowered them and gave them a sense of pride in their identity , the youth of today aren't doing that anymore...even though they clearly should be MORE conscious of what..s going on in the world considering it is the Information Age.

We've already been through the what, when ,why, and how's that conscious music disappeared from the mainstream, became remanded to the underground and is now regarded as "corny" or wack to the majority of listeners..the question remains? How is solely the fault of the music industry? Don't these kids have parents, aunts, uncles and older siblings that can tell them about Assata Shakur and Elaine Brown so were not relying on Common to do it?

BET has a new show premiering soon called "American Gangster" that will highlight the lives and crimes of figures like Stanley "Tookie" Williams and "Freeway" Rick Ross...wouldn't it be MORE beneficial to the youth if they made programming that highlighted the lives of former activists like Canada Lee and Paul Robeson or members of the Young Lords or Black Panthers? Or are they afraid that it wouldn't be "entertaining" enough.

The bottom line is that you as an individual have to choose whether or not you want to buy or listen to Afrocentric or conscious music. If you choose not to it's your prerogative. It just doesn't make sense to immediately dismiss it as corny or lame...unless you think that all of those people that fought for freedoms they'd never live to experience and died for you to just have the right to be here and respected as a human being as corny or lame.

Do you think "Freeway" Rick would've put his life on the line to SAVE his people as opposed to poisoning them for financial gain? No...but Medgar Evers and Fred Hampton did. Now that's gangsta.

One.

This blog was originally posted by myself on AllHipHop.com's Ill Community November 25th, 2006. This should give you all an idea of the direction this blog will be taking in February.

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LE BAGMAN - Profession: Meurtrier Le Bagman: Español: Un cortometraje que llega a menos de media hora y producida en Quebec. La historia es familiar: un asesino con una bolsa en la cabeza mata teenagers de maneras violentas y monstruosas. Lo que hace esta subir sobre tu tipico "slasher" es que el poco dinero que tenian lo pusieron a buen uso en las escenas de gore. Tripas, piscinas de sangre,

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La semana pasada tuvimos el privilegio de ser invitados a la proyección de "La question humaine", una de las películas que se están exhibiendo en Barcelona con motivo del ciclo de Cine Ambigú. Éste es un ciclo de cine inédito y contemporáneo organizado por el colectivo 100.000 retinas. Las proyecciones tienen lugar los martes en el Cine Maldá del Barri Gòtic.

"La question humaine" es una película francesa del año 2006, dirigida por Nicolas Klotz y protagonizada por Mathieu Amalric y Michael Lonsdale. Del primer actor seguro que os suena la cara de alguna otra película, mientras que el segundo lo recordaréis por ser el malo de la película de James Bond "Moonraker". Mathieu Amalric hace el papel de Simon, el psicólogo responsable del departamento de recursos humanos de una compañía petroquímica alemana que tiene un complejo industrial en París.

Un día Simon recibe el encargo de sus superiores de elaborar el perfil de uno de los directivos de la compañía (Michael Lonsdale), porque sospechan que este último ya no está capacitado para ejercer sus funciones.

Conforme sus investigaciones y análisis van profundizando más en la mente del directivo, Simon va perturbándose poco a poco a consecuencia de lo que va descubriendo: los fundadores originales de la compañía, de origen alemán, fueron nazis que participaron activamente en el exterminio de judíos.

El veterano ejecutivo caracterizado por Lonsdale está atormentado por su pasado y por su relación con el resto de la cúpula directiva de la empresa, por eso sus propios colegas intentan anularlo psicológicamente a través de un informe médico que afirme que está trastornado. Pero no será presa fácil pues el directivo, con su ingenio y sus tablas adquiridas después de tantos años al frente de una gran compañía, hará partícipe al psicólogo de sus propios demonios. Con todo lo que eso conlleva.

Hasta aquí, más o menos, la sinopsis de "La question humaine". Como valoración decir que es ésta una película larga (dura 143 minutos), lenta e intensa. Hay que estar atento a lo que ocurre en la pantalla pues la trama se va desarrollando progresivamente hasta llegar a la revelación final, la cual da sentido al conjunto.

También se trata de un film arriesgado (por la relación que deja apuntada entre el nazismo y la política neoliberal de las multinacionales) y cargado de instantes surrealistas (Simon pasa de un fotograma a otro de ser un metódico psicólogo a ser un borracho de 40 años que baila sin parar en una rave). Esta cinta fue proyectada en su día en prestigiosos festivales de cine como el de Cannes y el de Gijón, obteniendo varios premios.

A destacar especialmente la interpretación de Mathieu Amalric, haciendo tan creíble su papel de psicólogo riguroso y bien vestido como su actuación de cuarentón mujeriego y desfasado.

Durante el mes de febrero continúan las proyecciones del Cine Ambigú, así que intentaremos conseguir alguna invitación más para seguir viendo películas que se salen de las temáticas habituales y que no tienen sitio en los circuitos comerciales. Quien esté interesado en esta propuesta puede visitar la siguiente página web:

http://www.retinas.org

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Noches de domingo diferentes. Eso es lo que ofrece el club Heliogábal, en pleno barrio de Gràcia de Barcelona. Así, el domingo pasado se pudo disfrutar de un concierto de buena música en el que el primero en tocar fue Peter Thompson, un cantautor que lo hizo bastante bien según me comentó una chica guapa que conozco. Me fiaré de ella pues llegué demasiado tarde como para poder comprobarlo por mí mismo.

Pero lo que importa es que llegué a tiempo de ver en directo a Brazzaville. Ésta es una de esas bandas que se disfrutan más en un pequeño club que en un gran escenario, debido sobretodo a su formato (voz suave, guitarra acústica pero enchufada, contrabajo, batería, órgano y percusiones). Brazzaville es la banda del que fuera durante años el saxofonista de Beck, David Brown, el cual fichó a tres miembros catalanes con el fin de redirigir un proyecto que nació en Los Angeles allá por 1998.

Con varios discos editados, la ocasión del show en el Heliogábal era la de presentar su último trabajo, "East LA Breeze", antes de embarcarse en una gira que les llevará a tierras tan lejanas como Estambul, San Petersburgo, Moscú o Dublín. Seguro que los turcos, rusos e irlandeses también saben apreciar el feeling que desprende la música de esta banda al igual que lo hicieron los barceloneses, los cuales llenaron el club e incluso se quedó gente fuera sin poder entrar por estar abarrotado el aforo.

Formada en un porcentaje del 40% por estadounidenses y en un 60% por músicos catalanes, Brazzaville mezcla en su sonido las cualidades del pop, del rock y del jazz. De hecho, David Brown parece un auténtico crooner de los de antes, con su chupa de cuero, sus tejanos, la acústica colgando del cuello, la barba de una semana y el pelo despeinado. Eso sí, supo conectar perfectamente con el público asistente gracias a unas cuantas frases en castellano y algún que otro baile sin complejos.

Lo dicho, un show agradable y un ambiente de buen rollo para una noche de domingo diferente. No se me ocurre una forma mejor para acabar la semana.

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NISEI + ZA
Sábado 2 de Febrero
Incivic Zone, 23h.
5 euros (con cerveza/refresco incluido).

Disponible el vinilo de Nisei "Continents". Una edición limitada en vinilo de 180gr. y que incluye un cupón de descarga del disco completo en mp3. Puedes comprarla desde el siguiente enlace:

http://www.bcoredisc.com/discoBD.php?id_disco=195

Más info:

http://www.myspace.com/niseiband
http://www.myspace.com/putosza
http://www.myspace.com/inciviczone

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I found this at some forums and blogs... enjoy it ;) DANZIG Click to enlargue Danzig - Live at Rockpalast, Koln Germany 1998 DVD - Intro - Mother - 7th House - It΄s Coming Down - Until You Call On The Dark - Sacrifice - Snakes Of Christ - Dirty Black Summer - Her Black Wings - Deep - Twist Of Cain - Bringer Of Death - Death Comes Ripping * 00:46:04 - TV PRO Shot Video - 470 MB Mpeg * - Video:

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THE DEAD PETS #Leeds, UK# Genre: Punk'n'Roll/Punkabilly "UR DEAD AND U NO U R! BAD SPELLIN AND KNEE CAPPIN!" Band Members : ???? Influences : PUNK ,ROCK N ROLL ,ALT ,INDIE , 2 TONE , REGGIE , DUB, METAL, HARDCORE, BRASS BANDS,OI,BAD NEWS ,PLUS MENY MORE ...OVER THE YEARS WE HAVE PLAYED WITH (sorry about the spelling im so dislixic) MARKY RAMONE ,G.B.H , U.K SUBS, COCKSPARRER,

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THE MANOR FREAKS (ex-R.I.P.'s) #France# Genre: Psychobilly/PsychoPunk/Punkabilly Band Members : VINCE (bass). GREG (vocal). TONY (drum). STEF (guitar) Le groupe se produit régulièrement dans divers café-concert et festivals enFrance et en Suisse essentiellement, distillant un Rock'N'Roll sauvage entre Psychobilly et Punk. Après 3 ans d'existence sous le nom de "R.I.P.'s", et 2

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CHRISTIAN DEATH + AVA INFERI (Mayhem & Moonspell members) BARCELONA, [01:FEB:08] Sala KGB Apertura de puertas: 21:00h Puntos de venta: Revolver, Bibian Blue, Overstocks, Undead y Demonix. Anticipada: 20€ / Taquilla: 23€ MADRID, [02:FEB:08] Sala Live! Apertura de puertas: 21:00 Puntos de venta: Arise, Escridiscos, Diskpol, La Morgue, Rara Avis, Sun Records. Reservas: escalera.reserva@

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"THE WORLD FOR US" 18 Euro-Beat Swingers 1965-1967 VAtraxfromwax:
1. The Sad Sack Set - The World For Us 2. Roosters - Waiting For You Baby 3. The Mascots - I Want To Live 4. Group $oall - By My Side 5. The Rolling Beats - Sweeter Than You 6. Les Sauterelles - Forget It All 7. Les 5 Gentlemen - Si Tu Reviens Chez Moi 8. Goblins - We Like The Rain 9. Het - Allen Op Het Kerkhof 10. The Moonjacks - Come On 11. The Moonjacks - I Remember Her Smile 12. The Bintangs - Groovin' 13. Ragges - Make Me Love 14. Les Problemes - Je Ne Vois Rien 15. The Hound Dogs - Clarabella 16. The Matadors - Sing A Song Of Six Pence 17. The Sheiks - Running For You 18. The Humbugs - A Little Bit Time
...served by Gyro1966...

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The Bishops "LIVE!" 1978 - 10"LPFrom the best looking rock band this side of The Motors . . . The Bishops' particular variety of rowdy, rumbustious R&B has always functioned best live, which is why this album cuts their studio elpee to shreds fairly effortlessly.
About three quarters of the material has shown up on previous Bishops' recordings ("Sometimes Good Guys Don't Wear White", "I Need You", "Baby You're Wrong", "Takin' It Easy" and the sublime "Train Train") but all of 'em with the possible exception of "Train" sound a lot better here.
The whole thing's topped off with a couple of comparative newies ("I Don't Live It" and "Too Much Too Soon" composed by singer Dave Tice and rhythm guitarist Zenon De Fleur) and a sprinkling of revibes: ("Somebody's Gonna Get Their Head Kicked In" from the repertoire of, believe it or not, Fleetwood Mac, though it must be said that Mac ain't played that song for a while), Sonny Boy Williamson's "Don't Start Me Talkin'" and The Strangeloves' "I Want Candy" (featuring - gulp - a drum solo).
Right now, The Bishops have a single - a revival of Sam And Dave's classic "I Take What I Want" on Radio One's playlist, plus another studio album lined up and ready for Chiswick to disgorge upon a suspecting public. If the world is once again ready for an enthusiastic and finely crafted brew of tough guy pop and drunken R&B, then they might as well get it from The Bishops as from anybody else, because in the two or three years that they've been going they've waved the flag for their kind of music as hard as anybody against both apathy and more restrictive types of New Wave mentality.
This album is as convincing a demonstration as could be required. Miss out and it's your loss. - Charles SHAAR MURRAY / NEW MUSICAL EXPRESS, May 27, 1978THE BISHOPS:
Dave Tice: Vocals, Zennon De Fleur: Guitar, Johnny Guitar: Guitar, Pat McMullen: Bass, Paul Balbi: Drums

trax from 10" wax:
01. Too Much, Too Soon 02. Till The End Of The Day 03. Taking It Easy 04. Train, Train 05. Someone's Gonna Get Their Head Kicked In Tonight 06. Sometimes Good Guys Don't Wear White 07. Don't Start Me Talking 08. Baby You're Wrong 09. I Don't Like It 10. (I Want) Candy

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... Chock Full Of Stooopidity as usual. Charlie White Eagle's Unbelievable Cover of the Stones Classic is a Personal Favourite" - No Hit Records Web Site

"THE BIG ITCH" Vol. 6 VAtraxfromwax:
1. The Speckulations - Hula Hoop 2. DDT & The Repellants - The Fly Swatter 3. Duck Flowers - Wicked Chicken 4. Brendan Hanlon & The Batmen - Christmas Party 5. Los Saicos - Demolicion 6. Gene Jenkins - Short Stuff 7. Attila & the Huns - Mojo Cools 8. Connie Lingus - Fuck Me Forever 9. Yvon Bonneville - Monsieur Jean 10. Charlie White Eagle - Get Off Of My Cloud 11. The Deltrons - Tonja 12. The Deltrons - I Found My Baby In Bad Axe 13. The Shades - Walkin' Wanda 14. Bill Spiller - Hot Pants Girls 15. Ourselves - Money 16. Duck Flowers - Okey Doke 17. The Big Inners - Ethymoiditus Cum Polyposis 18. Rick Kay & his Shades Of Today - Red Man, White Man
...served by Gyro1966...

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... work initially done in Memphis, as a real precursor to that city's soul scene, and later cut also in Chicago, with a really hard-wailing approach!

JACKIE BRENSTON "The Mistreater"Tracks here originally appeared on the Chess and Federal labels - and although Jackie started out working with Ike Turner's group, he's later featured with a host of other players, including Memphis jazzmen Phineas and Calvin Newborn! CD features notes on Jackie's brief rise to fame, plus session details - and titles include the classic "Rocket 88", plus "Tuckered Out", "Juiced", "Hi Ho Baby", "I Want To See My Baby", "True Love", "Mule", "You Won't Be Coming Back", "The Mistreater", "Much Later", "Leo The Louse", and "My Real Gone Rocket".
Recorded at Sun Studios in march 1951 by Ike Turners Kings Of Rhythm, with vocal by sax player Jackie Brenston, the complexities of Sam Phillips' Sun Records deal with the Chess brothers required it to be credited to Jackie Brenston and The Delta Cats! Ike was so miffed when the record hit number 1 that he would not let Jackie sing it on stage! However, Jackie was featured on many more records, on a variety of labels; raucous rockin' dancin' jump blues to die for every one! Here are the best of them - every one a classic - a jump blues dance party for sure! A rich and wonderful first time CD collection of Jackie Brenston's best! Includes many unissued gems!

trax:
1. Rocket 88 2. Come Back Where You Belong 3. Tuckered Out 4. My Real Gone Rocket 5. Independent Woman 6. Juiced 7. Hi Ho Baby 8. Leo The Louse 9. Blues Got Me Again 10. Starvation 11. Make My Love Come Down 12. I Want To See My Baby 13. My Baby Left Town 14. Fat Meat Is Greasy 15. Jackie's Chewing Gum 16. You Won't Be Coming Back 17. 88 Boogie 18. Lovin' Time Blues 19. True Love 20. Mule 21. Gonna Wait For My Chance 22. What Can It Be 23. Mistreater 24. Much Later
...served by Gyro1966...

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Yeaaaaaa Mother Fucker , Body Count in the House . Um pouco de Heavy Metal não faz mal a ninguém , e quanto tempo voces não ouviam esse disco . Aqui coloquei de bonus uma canção do Black Sabbath , que tem a participação do Ice T , e o disco todo de 95 foi produzido pelo Erne C , o guitarrista do BC . A música é The Illusion Of Power do disco Forbidden , lembraram ? Oque teve de neguinho tendo um ataque por causa disso foi muito engraçado .

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Psychedelic Archaeology - Vol. 4
01 - sound vendor - mr. sun
02 - lynx - look at me
03 - the collectors - ring the bells
04 - the collectors - uncle wiggley
05 - accents - friendly stranger
06 - beautiful - shadows in the sun
07 - sixth day creation - cherry pie
08 - velvet haze - last day on earth
09 - act of creation - yesterday noontime
10 - east river drive - hard way to go
11 - enemys - mo-jo woman
12 - aluminum dream - strangers calling
13 - benjamin carry ltd - old man
14 - medicine mike - i've never been so high
15 - merlin - dirty woman
16 - rose garden - here's today
17 - sagittarius - virgo
18 - sawdust - sunbeam
19 - shane - woman don't you go
20 - turquoise - 53 summer street
21 - the cellar - think about now
22 - the raves - mr. man
23 - hugh mccracken - you blow my mind
24 - act of creation - i've just seen you
25 - chateaux - reference man pt. 2

part1

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I'm sure some of you readers have seen other blogs report on it but my boy What It Is from Tree Beats is starting up a new beat battle site at I Hook A Beat Up starting Sunday, February 3rd. Basically, a song is provided (from the likes of Mr Mass from Mass Corporation, Dr OK from And It Don't Stop, DJ Nes from Dirty Waters, or Scholar from Souled On) then several producers will take the song and sample it and flip it the way they want over the next week. The beats are then posted and a panel (including Travis from WYDU, Eric from WTR, Max from Hip Hop Isn't Dead, Mike Dikk from Dumpin.Net, Andrew from Strictly Beats and King E from the Justus League boards) will discuss what they liked and/or didn't like and then it goes to a public vote. If you remember the Lawn Jawns, it's very similar.

The same concept is used on sites like FutureProducers.com and the list goes on. If you wanna be down with the League Of Extraordinary Hip Hop bloggers then hit up the site and show 'em what cha got a la Just Blaze. As for myself, I'm still in the middle of writing yet another colossal blog and researching a huge project coming up in the near future (February is gonna be crazy over here..believe it!).

So if you gotta crew, betta tell 'em. We can battle in the alley around the corner with a big boombox and maybe later we can all get together and put on a big ass show to save Miracles...We need all the help we can get (and $250, 000)!

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Ultimo concierto de la Banda de straightedge formada en 1995 en boston.
el concierto cuenta con un buen sonido por que parece que fue extraido del DVD de TYF.









01.Back On Track
02.Pit Of Equality
03.Proud To Be Straight
04.Hardcore Pride
05.Salad Days (Minor Threat)
06.Changes (With Mark Porter Of Floorpunch)
07.The Only Way
08.Still holding on
09.Running Scared
10.First And Ten

Descargar

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Um dia um jovem motorista de caminhão entrou em um pequeno estudio para gravar um disco pra sua mãe...

Tracklist:
01. That's All Right
02. Blue Moon of kentucky
03. Good Rockin' Tonight
04. I Don't Care If The Sun Don't Shine
05. Milcow Blues Boogie
06. You're a heratbreaker
07. Baby Lets Play House
08. I'm Left, You're Right, She's gone
09. Mystery Train
10. I Forgot To Remember To forget
11. I Love You Because
12. Blue Moon
13. Tomorrow Night
14. I'll Never Let You Go
15. Just Because
16. Trying To Get To You
17. Harbor Lights
18. I Love you because - take 2
19. That's All Right
20. Blue Moon Of Kentucky
21. I Don't Care If The Sun Dont Shine
22. I'm Left, You're Right, she's gone - take 9
23. I'll Never Let You Go24. When It Rains It Really Pours
25. I Love You because - take 3
26. I Love You because - take 5
27. I'm Left, You're Right, she's gone - take 7
28. I'm Left, You're Right, she's gone - take 12

Download

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01 Niquitown
02 El cambio es ahora
03 Calle navajas
04 Los santos inocentes
05 Bloque Samoré
06 Niquitown (en vivo)
07 Dub (en vivo)
08 Revuelta en el ghetto (en vivo)
09 Para el tren

Descarga:
http://www.badongo.com/file/7564950

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Damaged Goods 90s sampler of all things Garage Punk! Dirty & wild, loud & primitive, more low-fi than the low-fi itself! For your pleasure only ...!
1.Thee headcoats-Deer stalkin man
2.Armitage Shanks-Dagger attack
3.Holy Golitghtly-In you
4.Cee Cee Beaumont-led pedal
5.Spitbaby-Cherry muffin time
6.Sexton Min & Diamond Gussets-YMAH
7.The Stewed-Get out of my love
8.The Kravin A's-The picker
9.The Green Hornets-Out of my head
10.The Phantom Pregnancies-Project P-KO
11.Problem Hair-Bitch
12.Hodads-Haywire hodaddy
13.Jesse Hector & The Sound-Lies you told
14.Capmus Tramps-Knocked out cold
15.Fire Dept-Touch on me
16.Thee cybermen-Snake Eyes suzy
http://rapidshare.com/files/87840859/HMTGIOMF.rar.html

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ZOMBIE WALK - SPOOKY WALK PRIMERA ZOMBIE WALK DE BARCELONA No intentes correr, no mires atrás... Camina como ellos en la Zombie Walk!! La Oscura Ceremonia hace un llamado a la todos los zombis, no-muertos, y cualquier ente (mounstros, hombres-lobos, gente vampirizada, momias, fantasmas) que se quiera unir a esta mounstrosa concentración zombi para participar en la primera ZOMBIE WALK de

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Click para agrandar ANTROPOPHAGUS PRODUCTIONS presenta ¡¡¡EL GORE ALEMAN ATERRIZA EN BARCELONA!!! SABADO 2 DE FEBRERO A LAS 19H. Proyección de la película 'Nikos the impaler' (2003) en V.O.S.E. con la presencia en el pase del mítico director de cine gore alemán Andreas Schnaas, responsable de películas de culto como 'Violent shit' (1989) y 'Zombie 90' (1991). Entrada gratuita. Centro

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01 Intro
02 Guerra Fría
03 Puta del Rock'n'Roll
04 Derechos y Democracia
05 Mierda es Mierda
06 Puagghhh!!!
07 Yo No Sirvo
08 Viviendo en un Mundo Fachista
09 Nada!
10 A Punto de Estallar
11 Oiga!
12 Qué Mierda Estar Así
13 Tu Generación
14 Fans
15 Derecho a la Vida?
16 Todo es Mentira
17 Mierda (Mienten)
18 Miedo a la Vida
19 Alienados
20 Carne de Cañón
21 Me Importa un Culo
22 Yo No!
23 Futuro Imperfecto
24 Y Qué!

http://www.badongo.com/file/7563769

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O Slapping Suspenders é famoso por suas letras engraçadas e violentas. Esse disco é de 2003 e envolve um fato bizarro, em 2001 Michael (Psycho-Burn) frontman da banda foi encontrado pela policia desacordado, sem dinheiro nenhum e cheio de alcool, jogado no meio da rua. Ele foi levado para a delegacia e deixado numa cela, depois de um tempo os policiais viram que ele continuava desacordado e o levaram para o hospital mais proximo, 2 horas depois ele foi dado como morto. Michael era o ultimo membro original da banda e não chegou a ver o Who The Fuck Is God terminado. O disco é muito bom e contem três covers, do Batmobile (faixa 7), Rolling Stones (faixa 5) e Stray Cats (faixa 4). Psychobilly de primeira classe, direto da Suécia.

Tracklist:
1. Raped By Turkeys
2. Sandy
3. Helmut The Frog
4. Rock This Town
5. Paint It Black
6. Duke
7. Slappin' Suspenders
8. Something
9. Bitch Bites
10. Love Me
11. Nude Girl
12. Love The Pain
13. Ebola

Download

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...1979's Cross Cuts was exactly what you wanted and expected from them.

THE BISHOPS "Cross Cuts" 1979 (Chiswick Records CWK 3009)In 1975, two rock'n'roll enthusiasts who owned the record shop "Rock On" in London, started the record company Chiswick Records. Those two guys were Ted Carroll and Roger Armstrong, today moguls in Ace Records. Their first signing to Chiswick Records were The Count Bishops. A true powerful rock'n'roll band with deep roots in rhythm & blues and soul. Combine this with the energy of punk and you might get the idea how they sounded. In other words, the perfect band to kick-start Chiswick Records.
The Count Bishops shortened their name to just The Bishops after their debut album and were counted as a British band, even none of the members were in fact British. One from Poland, one American, one Irishman and two Australians were the classic line-up. But British pubs and clubs was their playground.
The classic foot-stompin' soul hit "I Take What I Want", of Sam & Dave fame, opens this enormous party album. Faster than the original, more guitars and a very marked rhythm who goes straight to the feet. Fat guitar riffs and a powerful solo delivered by American Johnny Guitar makes this a winner! Fast and furious is also "What's Your Number" with Australian Dave Tice playing the harmonica together with his raw, but strong vocal effort. Irishman Pat McMullen got his bass steady rolling with Australian Paul Balbi keeping the beat to the feet on the slide-guitar led "Your Daddy Don't Mind", softened up a bit with some acoustic guitar. Killer track! On "Good Times", once a hit for The Easybeats, Jools Holland (now well-known music-host for BBC) joins with a few piano licks, very tasty. A tough guitar riff by the Polish Zenon de Fleur fires up "Too Much Too Soon", again a fast one with a stunning guitar solo. Party! Dave Tice uses the lower register of his raw but elastic voice, singing in a more relaxed mood on "Rolling Man", a more subdued track with good slide guitar from the start. "Somebody's Gonna Get Their Head Kicked In Tonite" was never one of the memorable moments with Fleetwood Mac, but it sure kicks ass here with all it's energy and violent power. Great! Even more energy and speed up the border of being frenetic, is "Hands On The Wheel". Pheew !! Nearly too much, but great fun! Otis Redding's soul ballad "These Arms Of Mine" gets a wonderful treatment here, Dave Tice's voice is just great together with horns and shows that the band easily handles this kind of expression as well. Outstanding track! "Mr. Jones" ends this classic pub-rock album in a perfect way, rocking good and leaves you hungry for more!
But this was the last album of The Bishops. The main reason was probably that guitarist Zenon de Fleur was killed in a car accident just before the release of this album. This release is dedicated to him.
So far "Cross Cuts" is not released on cd, but 8 of the albums 14 tracks are available on the excellent 27 track compilation "The Best Of The Count Bishops" (Chiswick CDWIKD 150) which hit the shops in 1995.THE BISHOPS:
Pat McMullen: Bass, vox / Dave Tice: Harmonica, Vox / Paul Balbi: Drums, Vox / Johnny Guitar: Guitar, Vocals, Piano, Slide Guitar / Zenon De Fleur: Guitar, Slide Guitar, Vox / Jools Holland: Piano / Noel Norris: Horn / Ruan O'Lochlainn: Horn

traxfromwax:
1. I Take What I Want 2. Could You Would You 3. What's Your Number 4. Your Daddy Won't Mind 5. Good Times 6. Too Much Too Soon 7. Rolling Man 8. I Want Candy 9. Somebody's Gonna Get Their Head Kicked In Tonight 10. Hands On The Wheel 11. Don't Start Me Talking 12. These Arms Of Mine 13. No Lies 14. Mr Jones

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"THE BIG ITCH" Vol. 5 VAtraxfromwax:
1. Tom Kerry & the Rembrandts: "The Babylon twist" 2. Sur Royal Da Count & The Parliaments: "Scream monster scream" 3. Robin & the Batmen: "Batskinner" 4. The Twilights: "Bohemian" 5. The Hustlers: "Linda" 6. T. Valentine: "Do the do" 7. The Ramrocks: "Pasha" 8. Bill Royal: "Caffeine - nicotine - gasoline" 9. Howlin' Banana: "Learn that parrot to talk part 1" 10. Howlin' Banana: "Learn that parrot to talk part 2" 11. Unknown demo, Jr.: "Blue suede shoes" (previously unissued) 12. The Concepts: "Jungle" 13. Al Herda: "Fuzzy wuzzy" 14. Baron Daemon & the Vampires: "The Transylvania twist" 15. The Spacemen: "Retro" 16. Sur Royal Da Count & The Parliaments: "Sgt. Ralph Yore, USMC" 17. The Zodiacs: "Another Little darlin'" 18. Instant Ralston: "Rock and mole"
...served by Gyro1966...

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... mostly originals but also including covers of faves like "Miserlou" and "Moon Dawg," as well as a couple of rockabillified vocal numbers.

SIR BALD DIDDLEY & HIS RIGHT HONOURABLE BIG WIGS "Surfin' With Sir Bald Diddley 1992traxfromwax:
1. bustin' bikinis 2. moon dawg 3. sally mae 4. alopecia 5. comb-manche 6. scaldin' miss baldin' 7. prowlin' 8. banzai toupee 9. snake eyed woman 10. miserlou 11. permanent wave 12. fiery eyes 13. landlocked
...served by Gyro1966...

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... Go to the shows. Support it. There are very few bands like this out there that are this accessible. Do your part.

The Paladins "El Matador" 2003"Like the Blasters, The Paladins continue to play roots music, from rockabilly, early rock'n'roll, rockin' blues, western swing and jumpin' jive. This cd covers all of these generes. If you like the early 50's Sun Records sessions, you'll love this cd, the music sounds like Sun stuff from the early 50's. Most of this cd is straight up rockabilly and some rockin' blues, and a little honky tonk western swing, in Hank Willaims Sr. tradition. The bands sparse trio sound of Guitar, slap stand up bass and Drums is true to the instrumentation of the 50's rockabilly bands. I saw this band last evening at the Doll Hut in Anahein, and they played many songs from this cd, it is without a doubt thier finest release yet (and that's saying a lot). All 9 cd's they recorded are generally exellent rockabilly roots cd's, but this one is their best yet. Pick it up and you won't be sorry." - By BigCockJohnson (Southgate, CA "Da Ghetto Baby")trax:
1. El Matador 2. Don't Come Callin' 3. Another One On The Way 4. It's Too Late Baby (Gonna Have To Let You Go) 5. Soulfarm 6. Firebird Listen 7. Hot Link 8. Midnightliner 9. Dancin' With Leela 10. You're So Fine 11. Will It Ever Get Easier 12. Lookin' For A Girl Like You 13. Goin' Nowhere Fast 14. Li'l More Love 15. Blue Cascade
...served by dernorweger...

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... The singer-guitarist who has collaborated with filmmaker Kenneth Anger and rockabilly pionner Charlie Feathers, has spent most of the past two decades crafting a revisionist pop culture history - one that seamlessly fuses the aesthetics of Dean Martin and Jerry Lee Lewis" - David Sprague - Variety

Tav Falco's Panther Burns "Shadow Dancer" 1995"...and MUSIC MAESTRO is the perfect way to end this album: first it's like a 50's movie and a lonely weary hunk dreaming of lost loves is surrounded by giggling girls and he asks the waiter for a drink w/ chaser "to chase the blues away", then suddenly it's like it's just him and his piano and he's nursing his broken heart in the bar night after night, but still so elegant and suave and undaunted and so contemporary and continental, like how Tom waits would sound like if he's a lot more handsome…
Then we hear again, for a second, the noise of the bar around him, he gets up and says good night to the waiter and tomorrow we know he's ready for another one night stand…a short, beautiful song that captures the gorgeous cycle of melancholy and ill-fated amours that I guess love is all about, for some…" - Miss FTav Falco's Panther Burns:
Tav Falco: guitar, vocals / Alex Chilton: Maracas, Double Bass, Contrabass / Bob Marbach: Piano / Jim Dickinson: Organ, Piano / Jim Sclavunos: Percussion, Arranger, Drums, Tambourine, Vocals (Background), Handclapping, Vibraslap, Finger Snaps, Production Service, Anvil, Piano Strings, Finger Snapping, Finger Bells / Jim Spake: Saxophone / Kai Eric: Bass, Vocals (Background) / Nokie Taylor: Trumpet / Tammie Lürs: rattlers, lorino, guitar / Perry Allen: piano, emulator / Jozef Fürpas: bandoneon / Ross Johnson: trap drums

trax:
1. Invocation of the Shadow Dacner 2. Funnel of Love 3. Sway 4. Love's Last Warning 5. Lotus Blossom 6. Quando Vedrai la Mia Raggazza 7. Born to Cry 8. I'll Take Care of You 9. Have I the Right? 10. Music, Maestro, Please! 11. Guarda Che Luna [Remix] 12. Born Too Late [Film/video Version] 13. Shadow Dancer (Reprise)

"Born To Late" Expressionistic 35mm motion picture with Tav Falco filmed in Budapest at Club Feszek. Music by the UNapproachable PANTHER BURNS.

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Psychedelic Archaeology - Vol. 3
01 the trip - radio promo spot
02 velvet seed - flim flam man
03 flower pot - wantin' ain't gettin'
04 owl - spirits
05 dave heenan set - alice in wonderland
06 young californians - in a garden
07 owen b. - nowhere to run
08 eclectic mouse - where do the hounds go
09 whatt four - you're wishin' i was someone e
10 fountain of youth - day don't come
11 rogue show - make me over again
12 sweet smoke - the great evacuation of haight
13 dave travis extreme - last night the flowers bloomed
14 granny's intentions - story of david
15 rock garden - sweet pajamas
16 fair exchange - out in the open
17 this generation - the children have your tongue
18 neal ford & fanatics - movin' along
19 rumble - rich man poor man
20 cups - good as gold
21 excalibur - dreamin'
22 avengers - strange faces
23 suburban 9 to 5 - elevator operator
24 california bear - in my dreams
25 alexander rabbit - malagua

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The past month has been chock full of odd occurrences in the world of television in film (not to mention a bunch of writers being laid off by film studios). Not only is it the awards season in which the Golden Globes and SAG Awards are given out, but the Sundance Film Festival takes place in Park City, Utah.

The Sundance Film Festival and Slamdance are followed by the Independent Spirit Awards where new independent films can find audiences and studios to purchase and distribute them. The films that gained the most awards were No Country For Old Men, There Will Be Blood, Sweeney Todd: The Demon Barber Of Fleet Street, The Diving Bell And The Butterfly and Away From Her (I haven't even thought of seeing the last two of the aforementioned films)

The films that premiered at this past Sundance Film Festival that I'm looking forward to seeing on DVD/in theaters are "Choke", the adaptation of the Chuck Palaniuk (Fight Club) novel, "Trouble The Water", "Sleep Dealer", "The Wackness", "Where In The World Is Osama?", "American Teen", "Hamlet 2", "Ballast" and "American Son".

There weren't as many films being bought early on in this year's festival but I expect more films to get bought as time goes on. It sucks that the WGA strike is still going on and people are just given out awards in short, borderline terse ceremonies. At least the Independent Spirit Awards still exist...too bad they wont air until February. The final major show of the awards season is the Academy Awards, the Oscars will occur on February 24th without any pomp and circumstance (which might be a good thing).

The tragedy of this past few week is that Heath Ledger, one of the best young actors in Hollywood has passed away very recently of what's been called an accidental overdose on January 22nd. He had just recently finished filming the new Batman film "The Dark Knight" and he was so immersed in the role of The Joker that he was having trouble sleeping, he took too many Ambien (because two only helped him sleep for an hour) and he never woke up.

The loss of Heath Ledger (pictured above) stung because he was only 28 and he wasn't afraid of taking risks and doing films that weren't considered mainstream such as Lords Of Dogtown, Brokeback Mountain and I'm Not There. This loss is made all the more sadder by the fact that exactly one week prior (January 15th) troubled former child actor Brad Renfro (Sleepers, Bully, Ghost World, The Jacket, 10th & Wolf & The Informer also pictured below) passed away as well at the age of 25. Both of them will be missed by film fans the world over. Rest In Eternal Peace, Heath Ledger and Brad Renfro.


Top 5 Apple Trailers Of The Rest Of January (1.16-08-1.31.08)

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Fans del garage noventero, este es uno de los discos indispensables de esa época. Los Countdowns eran una banda de Los Angeles que solo sacaron 2 Ep´s y un disco excelente, lleno de fuzz, rockandroll y punk oscurote. Eran la banda que acompañaba a Andre Williams en su 1ª visita a Barcelona, por si le visteis. El disco fue producido por el gran Tim Kerr y está suculento: low-fi r'n'r derrochando energía y mucha clase. Digamos que son un choque frontal entre Crime, Suicide, los Raunch Hands sin saxo, Mudhoney y los Cramps. Grababan para el sello de garage Scooch Pooch Records, compañeros de The Quadrajets y otras bandas excelentes del rollo. Ahora mismo, dos de ellos tienen el grupo The Flash Express, tambien mierda de la mejor clase. NO CONFUNDIR CON LOS COUNTDOWNS DE LOS 60´S, AMIGOS MUSICOLOGOS, ESTO ES MODERNO!

Tracks:

1.: Got It Goin' On
2.: Crawlin' Back
3.: Activate Her
4.: On And On And On
5.: County Blues
6.: Wray Gunn
7.: Lover Her So
8.: I Got No Time For Fools Like You
9.: Ghetto Blaster
10.: Check Yourself
11.: You Can't Win

The Countdowns - Right On Sound

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High School Of The Dead, es un cómic manga de terror de origén japonés y traducido al español , para más información : aquí ó aquí Una buena mezcla de terror cón estudiantes y Zombies HIGHSCHOOL OF THE DEAD FANSUB: inu's revolution CAPITULOS: se sigue publicando en japon GENERO: terror,aventuras,ecchi AUTORES:daisuke sato & shouji sato IDIOMA: español PESO:entre 30 y 20 MB cada capitulo

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"GREASY ROCK 'N' ROLL" Vol. 10trax:
1. Tough Enough [non-USCanadian] - Bari & The Breakaways 2. Sand Storm - Sportmen 3. Mad Witch - Dave Gardner 4. I Go Ape [Unissued] - Mark Winter 5. That'll Be Love - Glen Reeves 6. Let's Get Acquainted - Ray Stenley 7. Toe To Toe - Frankie Mann 8. You Upset Me - Diana Lee 9. So Lonely - Bobby Jay 10. Johnny B. Goode - Mickie Most 11. Don't You Hear Me Calling - Baby - Trend-Els 12. Pity Miss Kitty - Bobby Darin 13. Double Mirror Wrap Around Shades - Andy & The Manhattans 14. Start All Over - Lee Emerson 15. Baby What Would You Do - Gene Lamarr 16. Top Man - Kenny Loran
...served by Gyro1966...

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"THE SUN COUNTRY YEARS, 1950-1959" Vol 11 VAThe final album in this box set features 12 unissued alternate versions of songs by Sun's big three country artists: Johnny Cash, Carl Perkins, and Jerry Lee Lewis. It also has 3 unissued titles by the great Onie Wheeler.
Let's get one thing clear. An unissued alternate take of a vintage Sun recording is worth many times its weight in Hot Hundred mush. When Carl Perkins or Jerry Lee Lewis sang a song, it nearly always came out differently. Johnny Cash's "Folsom Prison Blues" is an early take with a little different feel than the hit version. (Martin Hawkins)

traxfromwax:
1. honky tonk gal - unissued - Carl Perkins 2. perkins wiggle- unissued - Carl Perkins 3. Y.O.U.- unissued - Carl Perkins 4. fulsom prison blues- unissued - Johnny Cash 5. if the good lord's willing- unissued - Johnny Cash 6. i was there when it happened- unissued - Johnny Cash 7. i heard that lonesome whistle blow- unissued - Johnny Cash 8. goodnight irene- unissued - Jerry Lee Lewis 9. ole pal of yesterday- unissued - Jerry Lee Lewis 10. fools like me- unissued - Jerry Lee Lewis 11. i'll sail my ship alone- unissued - Jerry Lee Lewis 12. settin' the woods on fire- unissued - Jerry Lee Lewis 13. hazel- unissued - Onie Wheeler 14. long gone- unissued - Onie Wheeler 15. i'll love you for a lifetime- unissued - Onie Wheeler
...served by Gyro1966...

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... this album was listed as #23. (Buy his essential new power pop book at Not Lame before it goes out of print.)

THE ROOKS "Encore Echoes" 2000Finally! Their long out of print self-titled debut and "Chimes" EP are combined onto to one CD and as a bonus the tracks from "Double Dose Of Pop" are thrown in for good measure. 23 trax total from one of the most respected and much accoladed pop bands in the world. Here is the template for that praise. Wonderful liner notes from John M. Borack flesh this one out as being one of the MUST have items in any self-respecting collection of great music. Trouser Press Record Guide has this to say about this beloved material, "There have been countless Beatles imitators over the years, but few artists have demonstrated the ability to build on the group`s tuneful legacy with enough originality to add their own twists and shouts... The Rooks is one of the rare exceptions." Music Hound wrote, "They`re propelled by Kristin Pinell`s authoritative, fluid guitar leads, which add a graceful but powerful punch to Mazzarella`s words and music...Mazzarella`s songs are expressive, emotional, and well versed in both the human and pop music tradition." As classic as it gets. For more information on the amazing and truly influential The Rooks, please visit their web site: www.therooks.com

trax:
1 Love Said To Me 2 Reasons 3 Apology 4 Steeplechase 5 Night Writer 6 Down 7 Look 8 Circle Of Fools 9 Always You And Me 10 Better Start Right Now 11 Monday Morning 12 Praises 13 Music Sound Sensation 14 Waiting 15 Glitter Best 16 In A Pinwheel Spin 17 Colors 18 It's A Crying Shame 19 House Of Fortune 20 WAR 21 Friends Of Mine
...served by Gyro1966...

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Siguiendo con artistas que hacen trabajos de ensueño, traigo a l@s siempre sorprendentes señorit@s de 2 Advanced, quienes le han hecho un micrositio al fotógrafo Rachel Diamond, y como era de esperarse, ha quedado sencillamente hermoso:

Visitar web

Fuente: Plat4m

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Os presento el trabajo de Christopher Conte, artista noruego con una visión muy cyberpunk a la hora de expresar su arte.

Encontrarás más imagenes de sus trabajos visitando su portafolio.

Fuente: As palavras e as coisas

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Si señor! Por fin dimos nuestro primer concierto presentando nuestro nuevo proyecto musical basado en rock industrial.

La marcha de nuestro guitarrista no nos ha detenido, y asi nos hemos "arriesgado" a hacer la presentación con solo el bajista, un MacBook y mi voz. Contrario a lo que me esperaba, la cosa fue bastante bien y quedé con ganas de más:

+ Weblog de Zero Autocontrol

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En Web Urbanist han hecho un excelente post sobre sitios abandonados de la Ex-Unión Sovietica, con enlaces a otros post similares con otros sitios de origen.

Visitar web

Fuente: Posthuman blues

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W.T.G. - Don't They (Papa Whopper Records) 1987 St. Louis band "Whoppers Taste Good" (or W.T.G.) put out their FC/BM (food-core/beer-metal) EP "Don't They?" in 1987. The music's a bit sludgy with some heavy metal riffs and there are some goofy lyrics to go along with it. Their second record, "Haunting ...

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... a Falco LP generally features obvious mistakes that, for his fans, are more than made up for by Falco's excitement and enthusiasm.

TAV FALCO'S PANTHER BURNS "Midnight In Memphis" - 10th Anniversary Live 1989 (New Rose Rec)Sometime in the late 80's I went to a Pather Burns performance on a riverboat in yes, Memphis TN. I happened to be living with friends of the bands. If I remember, The Hellcats warmed up for Pather Burns with their hip swaying guitar. Very Sexy! Then Tav wowed us with a great live performance that included his version of "Brazil", theme to the movie. It remains one of the most desired and elusive tracks for my collection. I am not sure that this album captures that energy but I was there, swigging vodka at midnight in memphis. Reviewer: G. Schoep (Bozeman, MT USA)
When the sun was a-settin on the 1980s a memphis howlin commenced and the guitars was out of tune and everyone had to stand on the whiskey licked floor and take their turn at the big drum or the mic. Tav Falco puts together a true crime life combo of Memphistophelean proportions...Jim Dickinson...Alex Chilton...the gals from the Hellcats. Put this coaster on and burn! Reviewer: J. Kerr (Waukegan, IL United States)personnnel:
Tav Falco — band leader, lead vocals, guitar / Jim Spake — saxophone / Doug Easley — bass, bull fiddle / George Reinecke (also of Busted Flush) — lead guitar / Jim Duckworth (also of The Gun Club) — lead guitar / Jim Dickinson — keyboard / Eric Hill — synthesizer / Ross Johnson — drums / Alex Chilton (aka L X Chilton) — lead guitar / Ron Easley (aka Durand Mysterion; also of the Country Rockers) — lead guitar / Robert Palmer — clarinet / Lisa McGaughran (aka Lisa Burnette; also of The Hellcats / Memphis) — backing vocals / Lorette Velvette (real name: Lori Greene; also of The Hellcats / Memphis and The Kropotkins) — backing vocalstrax:
1. Oh, How She Dances 2. Bertha Lou 3. Shade Tree Mechanic 4. With Your Love 5. Jungle Rock 6. It's Only Make Believe 7. Big Road Blues 8. Goldfinger 9. She's the One That's Got It 10. Memphis Beat 11. Love Whip 12. World We Knew 13. Ditch Digging 14. Girl After Girl 15. Do the Robot 16. Same Thing 17. Drop Your Mask 18. Train Kept a-Rollin' 19. Red Headed Woman 20. Bourgeois Blues

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... the amazing Amos Milburn, arguably a huge influence on later rock and soul too! Like a few other key contemporaries - such as Wynonie Harris and Roy Brown - Milburn had a great way of hitting topics that were honest, open, and everyday - tales of boozing and loving delivered with very down to earth lyrics, and a good bit of wit as well. Many tunes feature some great piano lines sewn in nicely alongside the vocals - triplets that really rock the tunes nicely, although often in a gentle sort of way.

AMOS MILBURN "In The 50's-Let's Have A Party!"trax:
1. I'm Gonna Tell My Mama 2. Sax Shack Boogie 3. Bad, Bad Whiskey 4. Let's Rock a While 5. Tears, Tears, Tears 6. I Love You Anyway 7. Ain't Nothing Shaking 8. Just One More Drink 9. Flying Home 10. Thinking and Drinking 11. Long, Long Day 12. Greyhound 13. I'm Still a Fool for You 14. Rock, Rock, Rock 15. One Scotch, One Bourbon, One Beer 16. Good, Good Whiskey 17. Let Me Go Home Whiskey 18. Let's Have a Party 19. Milk and Water 20. I Done Done It 21. One, Two, Three Everybody 22. Vicious, Vicious Vodka 23. House Party (Tonight) 24. Juice, Juice, Juice 25. Chicken Shack Boogie 26. Every Day of the Week 27. Shake, Shake 28. Soft Pillow 29. We Teenagers Know What We Want
...served by Gyro1966...

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Tener un grupo de Pop-Punk MTV y regentar un pastelería son dos oficios bien distintos que a priori todo el mundo debería diferenciar, pues esta gente no lo tiene tan claro.

Parece que Epitaph ya no se conforma con hacerle el juego al mainstream, ahora quiere formar parte de él. Diría que ha perdido definitivamente los papeles pero no sería correcto pues van a llenarse los bolsillos de otra clase de papeles, de esos que tienen numeritos escritos en las esquinas. No es el primer disco que le editan a esta gente, pero con esta vez han lanzado una campaña promocional que los sitúa como su lanzamiento estrella de finales del 2007.

A lo que vamos, este disco, como máximo, se podría aprovechar para la banda sonora de alguna de esas series protagonizadas por adolescentes californianos de ojos azules, guapos, ricos y con problemas existenciales del tipo: mi padre me hará trabajar en verano si no apruebo matemáticas o, me gusta una chica que no es popular y no quiero que me vean con ella. Todos sabéis de que series hablo…

De entrada tienen un cierto parecido a Saves the Day y a otros grupos de la época dorada del pop-punk, emo o como se llame… pero no es lo mismo, Motion City Soundtrack suenan a pastelito de esos con sabor a plástico, ¿os acordáis de Bonny y Tigretón? A medida que pasan las canciones la ñoñez se hace insoportable, y sus happy-tecladillos ponen de los nervios: melodías empalagosas, estribillos superficiales incapaces de contagiar emoción alguna y unos pobres intentos de guitarrear que podrían ahorrarse.

Sinceramente, todo el disco suena a video-clip millonario, ya sabéis, de esos en los que la música es lo secundario y simplemente acompaña a las imágenes. Es que una cosa es cuidar la producción y otra sobre producir, esto no suena real.

Vamos, que no me ha gustado excesivamente.

Link - Comments - ramon mas - Mon, 28 Jan 2008 07:48:19 GMT - Feed (1 subs)

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Esta gente son realmente curiosos. Empezaron a finales de los 70's con la segunda hornada del punk británico, editando su primer E.P. "Go to Hell" en 1981, a mediados de los 80's se separaron y no volvieron a juntarse hasta que editaron "Back In Hell" en 1999". Desde siempre habían tocado un punk con sonido Discharge, con guitarras bastante heavys y ritmos aplastantes. En el 2002 les fichó el sello californiano Dr. Strange Records y desde entonces han editado un par de largos y un directo en el CBGB.

"God is not with us today" ha salido este 2007 y en él practican una especie de heavy ochenteno bastante curioso. En la mayoría de canciones suenan a Iron Maiden, con estribillos punteados y una voz épica sin llegar a ser aguda. Pero las letras son un caso aparte, no ligan para nada con ese sonido, podrían pertenecer a cualquier grupo punk: tienen sentido del humor y ganas de cagarse en el mundo.

Incluso se atreven a desmarcarse del Heavy Metal con temas como "B.F.F." donde se ríen de las letras de estos grupos y su obsesión por hablar de demonios y dragones. Es más, a lo largo del libreto dicen varias veces, y muy explícitamente, que son una banda Punk.

Pues eso, que tampoco son unos devotos del dios del metal, musicalmente hablando se les nota un pasado en el punk británico más macarrónico. Recuerdan ligeramente a cuando grupos como Gang Green o GBH se tiraron al heavy, aunque The Threats son mucho más frescos que el tostón infumable con el que nos castigaron esos grupos.

A mí particularmente el heavy me parece poco más que un chiste del que se ha hecho una religión, una broma que la gente se tomó en serio. Pero si los grupos de heavys de mi pubertad hubieran tenido estas letras y una actitud así de honesta quizás ahora no pensaría lo mismo. Sé que más de un punk, indie o hardcoreta es fan de los Maiden, pues que le echen un ojo a este disco, quizá para ellos se trate de una joya. Para mí es sólo una curiosidad, algo gracioso e inofensivo, como el jevi…

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Artista:Horrifiant
Genero:Horrorpunk
Album:Demos
Año:2007

Tracklist:

01 Lady Death
02 Last Date
03 Mischief
04 Martin

Descarga

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Como eu já disse no disco anteriormente postado, o Slade foi a primeira banda formada por brancos e que tocava rock a se identificar com os skinheads. Em 1969/1970, os integrantes da banda utilizavam o visual skinhead para tentar alcançar parte do público jovem da época. Após algum tempo, eles deixaram as botas e suspensórios de lado e enveredaram para o Glam Rock.
Esse disco foi lançado em 1972 e pode ser considerado como o primeiro álbum da fase glam rock do Slade. Foi gravado ao vivo e mostra toda a energia que eles possuíam ao vivo. É desse disco o primeiro single de sucesso da banda, a música "Get Down And Get With It".

Tracklist:
01-Hear me calling
02-In like a shot from my gun
03-Darling be home soon
04-Know who you are
05-Keep on rocking
06-Get down and get with it
07-Born to be wild

Download

Password: drunksongs.blogspot.com

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On April 5th, 2000, a new movie reached theaters and it created quite the controversy. The Palm Pictures film was called "Black and White" and it was a collaborative effort between Wu Tang Clan exec Oli "Power" Grant and writer/director James Toback (both pictured below). The movie was an experimental piece in which each performer/actor had a specific amount of information and key plot points that they were supposed to get across in each scene but other than that they were allowed to freestyle their own dialogue. It made for quite an interesting final product considering that many of the key players had never acted before and/or weren't trained thespians of any kind.

In order to show the contrasts between the lives of these Hip Hoppers and the young White students that idolized them, a wide array of Black and White pop culture icons were cast in the film. On one side we have Oli "Power" Grant in the protagonist's role as Rich Bower, the infamous Harlem gangster who's trying to get out the game and go legit as an entrepreneur/manager in the Rap game. His main artist is Cigar, played by Wu Tang Clansman Raekwon and his other artists are Raekwon's proteges American Cream Team (including the infamous Lord Superb and the now deceased Chip Banks).

Among the celebrities with roles in the film were boxer Mike Tyson, New York socialite Marla Maples, model/actress Claudia Schiffer, Quincy Jones and Peggy Lipton's fine ass daughter Kidada Jones, newcomer Kim Matulova (she is now a VCA model) and New York Knicks guard Allan Houston. The cast was supplemented with veteran performers such as Robert Downey Jr., Brooke Shields, Jared Leto, Joey Pantoliano and Ben Stiller alongside younger actors like Elijah Wood, Bijou Phillips, Gaby Hoffman, William Lee Scott, Eddie Kaye Thomas and Scott Caan. The Wu Tang Clan (Method Man, Inspectah Deck, Ghostface Killah) and Sticky Fingaz also made appearances in the film as well.

The movies opening scene shows Rich Bower (Power) having sex with two teenage White girls in a public park while Lord Superb stands by as an armed guard. It then shows the parallels between the home life of one of the girls he was smashing and himself and his associate Cigar being denied studio time at Sorcerer Sound because of Rich's reputation as a gangster. Then came a bunch of convoluted storylines that were somehow strewn together involves themes of identity and being true to yourself.

From there the movie becomes a mish mash of improvised scenes, some of which are interesting and others are just awkward. You can clearly notice where the looping and voiceovers are put in certain scenes so you aren't totally confused. In some instances they repeat unnecessary information that's already been covered (as in the case of the D.A.'s son working for Rich Bower). Some scenes (including all of the sex scenes) are pretty much just used for shock purposes. Mike Tyson's scenes are necessary viewing even though his involvement with the film is a head scratcher in itself. Scott Caan's scene was interesting considering the fact that he was in the Hip Hop group The Whooliganz with Alchemist back in the days.



Around the time of the release of the film there were several talk shows all over cable talking about the phenomenon of White youth and why they identify themselves with Hip Hop culture and Black culture (or what they believe "Black culture" to be). I taped one show that aired April 10th, 2000 on Fox News Channel called "The Full Nelson" hosted by Rob Nelson and the panel consisted of Hakim of Channel Live, William "Upski" Wimsatt, former member of The Source Mind Squad and author of the books "Bomb The Suburbs" and "No More Prisons", Smokey Fontaine, the former music editor of The Source and entertainment editor at HBO's Volume.com (he has since written "E.A.R.L: The Autobiography Of DMX") and Mia Mask, editor of Cineaste.com (she is now an associate professor in the Drama and Film Department of Vassar College).

This panel was all about the sensational aspect of the film, White youth being immersed in Hip Hop culture. Rob Nelson kept asking Upski how he felt about being a "wigger". Upski wouldn't go for it and later on Hakim of Channel Live explained that "wigger" was not an acceptable term and that the word was coined by racist Whites that didn't approve of the actions of their Hip Hop loving peers. Then the panel was steered towards the question of "Are executives trying to force White kids to act Black?". This question was shot down by the panel (especially Hakim).

It was clear that Rob Nelson was not prepared to moderate a discussion about racial politics or Hip Hop. It was then that Hakim, Upski and Smokey just took over the discussion. Nothing was learned except that White youth make up 70% of Rap music sales and that White youth loving Black music was nothing new. No fresh, eye opening exchange of ideas or new ground was broken. Just like the movie the panel inspired.



The movie was made to make people think and open up dialogue about this fascinating cultural phenomenon...that didn't happen. The film was released less than 8 years ago and damn near no one even remembers it ever even coming out. Several American Cream Team songs appear in the film (but didn't make the soundtrack) such as "Kid Encyclopedia", "Perb's World", "Where You At", "Volochi Papers", "Heavyweight Champ", "Set It Off", "Hold Your Head", "Urban Life", "Club Life" and a bunch of other Raekwon joints that had yet to be released.

Power was the executive producer of the Black And White soundtrack and the musical consultant for the film. The film was a promotional vehicle for the upcoming American Cream Team project "Only In America". The film failed to crack the Top 10 after the first week in the theaters and fell 60& in the second week. It was out of theaters after only 26 days and generated only $5.2 million dollars. It's budget was $10 million and it didn't break even for a long time even with the DVD rentals and sales. To make matters even worse, Chip Banks was shot and murdered in November 2000 and the American Cream Team album was shelved indefinitely.

I fully recommend this clusterfuck of a Hip Hop/indie film to all Hip Hop and film fanatics to see just to know what not to do. If you do rent this film then watch it with the director's commentary after you've seen it the first time and watch James Toback's video diary in the Extras to further illustrate my point about this film. Below I have included the soundtrack to round out the full "Black And White" experience.

Black And White OST (2000)
http://www.mediafire.com/?d5jmpm5gucx


One.

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Psychedelic Archaeology - Vol. 2
01 - lynx - just a friend
02 - whatt four - dandelion wine
03 - the hardtimes - they said no
04 - lyte - it's gonna work out fine
05 - the mission - calmilly
06 - tidal waves - searching for love
07 - pendragon - never gonna go back
08 - aorta - shapes of things to come
09 - she trinity - climb that tree
10 - oracle - don't say no
11 - the new phoenix - give to me your love
12 - joyride - the big bright green pleasure machine
13 - the free - what makes you
14 - american zoo - magdalena
15 - london phogg - the times to come
16 - barry mann - young electric... psychedelic band
17 - lexington ave. local - along comes mary
18 - lyte - i don't believe you
19 - shades inc - sights
20 - cyrkle - the words
21 - the mission - gailing made it
22 - underground sunshine - nine to five (ain't my bag)
23 - fenwyck - i cry
24 - moorpark intersection - i think i'll just go & find me a flower
25 - sunshine - dream selection
26 - stonybrook people - there's tomorrow

part1 part2

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THE SLANDERIN #Fullerton, California -USA# Genre: Psychobilly Band Members : L-VOX: CHRISTIAN SLANDER GUITAR : JOEY ROME/ GUITAR: RALPH ROSE/ UPRIGHT BASS: BENNY MEZA/ DRUMS: LOUIE VILLAREAL Influences : THE METEORS, THE CRAMPS, JOHNNY CASH, X, THE RAMONES, RANCID, HANK WILLIAMS, THE BEATLES, EVERLY BROTHERS, CHUCK BERRY, LITTLE RICHARD, JERRY LEE LEWIS, THE SONICS ECT...... ECT..... TOO

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HÄNDE WEG JOHNNY #Germany# Genre: Psychobilly/Garage/Trash/Psych'n'Roll Band Members : Tom Boy (bass), Scary Nic (backing vocals), B.B. Bubby (guitar), Dani Divine (vocals), Crusher (drums) Influences : Cramps, Nine Pound Hammer, Headcoatees, Meteors Hände Weg Johnny - Bikini Zone -2005 [mp3,192kbps Inc. Covers] Knock 'em out/Bikini Zone/Snails and Spiders/Cum into my mouth/Shaved

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ZZ Top ZZ Top, cariñosamente conocido por sus fans como The Little Ol' Band from Texas, es un grupo estadounidense de blues rock y Hard rock formado en 1970 en Houston, Texas. Los miembros del grupo son Billy Gibbons (voz y guitarra), Dusty Hill (bajo y voz) y Frank Beard (batería). Tienen el mérito de ser uno de los pocos grupos de rock que todavía conserva sus miembros originales después de

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... arguably one of the first great soul talents to rise from the south at the start of the 60s, but an artist who'd fallen far from fame by the time of this early 90s set!

ARTHUR ALEXANDER "Lonely Just Like Me: The Final Chapter"The record was cut at a time when Alexander had all but given up music, and was driving a bus in Cleveland - but it shows a singer who's lost none of his power over the years, and who's very much at home with his own songs. Production is by Ben Vaughn, and while it's possibly not as "authentic" as some of that done on soul revival sets in recent years, we actually like it all that much more for that. Instrumentation is mostly small combo, and features plenty of piano and organ from Spooner Oldham, guitar from Dan Penn, and work by other soul studio luminaries - on titles that include "If It's Really Got To Be This Way", "Go Home Girl", "Every Day I Have To Cry", "Lonely Just Like Me", "All The Time", "There Is A Road", and "Mr John". New version re-sequences the tracks to correspond to Vaughn's original intent - and it also adds in a huge amount of bonus tracks - including 4 songs, plus interview parts from an appearance by Alexander on Fresh Air in 1993; 4 demo tracks recorded in Vaughn's hotel room for the record; and a live version of "Anna (Go To Him)" recorded at the Bottom Line in 1991. All this, and a really cool package with pull-out inserts!

trax:
1. If It's Really Got To Be This Way 2. Go Home Girl 3. Sally Sue Brown 4. All The Time 5. Lonely Just Like Me 6. Every Day I Have To Cry 7. In The Middle Of It All 8. Genie In The Jug 9. Mr. John 10. Johnny Heartbreak 11. There Is A Road 12. I Believe In Miracles 13. Intro to Fresh Air Performance 14. Go Home Girl (Live on Fresh Air) 15. "you kinda want to get paid" 16. Genie In The Jug (Live On Fresh Air) 17. "I think that's how they heard me" 18. You Better Move On (Live On Fresh Air) 19. "I started in the church" 20. Every Day I Have To Cry (Live On Fresh Air) 21. Solitary Man (Hotel Demo) 22. Johnny Heartbreak (Hotel Demo) 23. Genie In The Jug (Hotel Demo) 24. Lonely Just Like Me (Hotel Demo) 25. Anna (Live at The Bottom Line) 26. Glory Road (Hotel Demo)
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... but a host of other great work inspired by his own genius - recorded by artists who all do a pretty darn good job of copping his groove!

"SOCK IT TO 'EM J.B." 20 Fabulous Tracks Inspired By James Brown VAThis excellent set looks at the prime years of that legacy - the late 60s/early 70s funky 45 underground, which was filled with James Brown-inspired tunes from a variety of artists from all over the country. Yet like most attempts to imitate genius, the real charm here is when the groups go slightly wrong - when they step out of line from straight JB copycatism, and bring either their own genius, or own mistakes into play on the tracks. Compiler Gilles Petard has done a wonderful job of pulling together the best of these tracks -- tunes that start out sounding a lot like James Brown, but nicely take a left turn somewhere along the way - often with surprising results! And almost even better, many of these numbers veer into real James Brown jamming territory - that great "part 2" that was almost the better part of the James Brown legacy than part 1! As with the label's Absolute Funk series, there's full notes on the music, as well as dates and original single release information - on titles that include "I Found You" by James Hanns & The Soul Entertainers, "I Can't Stand Myself" by Mona Lisa, "Funk Line (parts 1 & 2)" by Fabulous Shalimars, "Sh'Mon" by Mr Dynamite, "Soul Brother's Testify (parts 1 & 2)" by Chester Randle's Soul Senders, "Sock A Poo Poo 69 (parts 1 & 2)" by Maurice McKinnies & The Champions, "Country Girl" by Gino & The Gentlemen, and "I'm A Love Man With A Love Plan" by Jules & The Dynamics.

trax:
1. Sh'mon - Mr. Dynamite 2. Soul Brothers Testify - Chester Randle's Soul Senders 3. Soul Brothers Testify (Part 2) - Chester Randle's Soul Senders 4. It's A Fine Thing - James Hanns & THE "Soul" Entertainers 5. I Found You - James Hanns & THE "Soul" Entertainers 6. Funky Line - The Fabulous Shalimars 7. Funky Line (Part 2) - The Fabulous Shalimars 8. I Can't Stand Myself - Mona Lisa 9. Sock-A-Poo-Poo '69 - Maurice McKinnies & The Champions 10. Sock-A-Poo-Poo '69 (Part 2) - Maurice McKinnies & The Champions 11. Gettin' Soul - Aalon Butler 12. I'm A Love Man With A Love Plan - Jules & The Dyamics 13. Say Amen, Brother - Jimmy Jones, Soul Brother No. 2 14. Country Girl - Gino & The Gentlemen 15. Forgive Me - Dynamic Adam 16. Funky Superfly - Bobby Williams 17. Sock It To 'Em J.B. - Rex Garvin & The Mighty Cravers 18. Sock It To 'Em J.B. (Part 2) - Rex Garvin & The Mighty Cravers 19. I Gotta Go Now (Up On The Floor) - Rex Garvin & The Mighty Cravers 20. Sh'mon (Part 2) - The Dynamite Orchestra, The
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"Swamp Music/Modern Cajun Lovers" Music Of The Bayou & French R'n'R Vol. 4 VA... There is a ripoff/rewrite of Merle Haggard's "I Am a Lonesome Fugitive" entitled "Cajun Fugitive" and credited to Belton Richard. Also featured are the rhythms introduced by Johnnie Allan and D.L. Menard, which would be picked up later by Beau Jocque and ground out with a vengeance to the blaze of electric guitars alongside the accordion. This collection begins in 1963, when the sounds of guitars (lap steels for the most part) make their appearances for the first time, and ends in the late '80s. The Menard and Allan tracks are standouts on this volume, including Allan's wonderful "Karvilien Alleman." In fact, Allan was easily Cajun music's Elvis, full of sexy swagger and theatrical performances. There is an outstanding track by the plagiarist Richard, however, called "Roll On, Wagon Wheel," where the fiddles engage the guitars in a slippery little dexterity contest. The riff for the tune is more like Speedy & Jimmy than the Hackberry Ramblers, and it slips and shimmies all over the key of C before coming to a startling halt. By the volume's end, it's easy to see how the growing influence of electric country music and rock & roll were encroaching on the traditions of the Louisiana Cajuns. ~ Thom Jurek, All Music Guidetrax:
1. You Are A Great Lover, But You Can't Cook Cajun Food - Johnnie Allan 2. Cajun Fugitive - Belton Richard 3. La Cravate - Harry Fontenot and the Cajun Trio 4. Rebecca Ann - D.L. Menard 5. Karvilien Alleman - Johnnie Allan 6. Roll On Wagon Wheel - Belton Richard 7. If Teardrops Were Pennies - Harry Fontenot & Cajun Trio 8. Oh Yea Yi Yi - Belton Richard 9. Oh Lucille - Belton Richard 10. Samedie Soir Aux Magasin - Johnnie Allan 11. J'ai Pleuré Pour Toi - Belton Richard 12. La Bonne Cord, Mauvais Yo-Yo - Harry Fontenot and the Cajun Trio 13. She Didn't Know I Was Married - D.L. Menard 14. Where Are You My Jolie Blonde? - Johnnie Allan 15. The Water Pump - D.L. Menard 16. Mom And Dad Waltz - Belton Richard 17. Ma Belle Sophie - Johnnie Allan 18. I Can Live A Better Life - D.L. Menard

Hallo TV AGE, auf dieser Vol 4 findest Du das gesuchte "La Cravate" by Harry Fontenot and the Cajun Trio! Vol 1, 2 und 3 werde ich in lockerer Folge demnächst posten. Viel Spass erstmal hiermit! - RYP

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... This sounds like the 45's that The Untamed Youth and Deke Dickerson were inspired by for their band. This comp was hard to find when it came out, and now it is impossible to find- except right here in Twilightzone! Don't miss this, it's one of the best.

"Grab This And Dance!!" 16 Untold Party Liners! VAtraxfromwax:
1. Gregory Dee & The Avanties - The Grind 2. Ronnie & The Pomona Casuals - Everybody Jerk 3. Little Caesar & The Conspirators - New Orleans 4. The Niteriders - Whatever's Right 5. The Emperors - Laughin' Linda 6. The Embermen - Fat Girl 7. The Rockets Combo - Topless A Go Go 8. William Penn & The Quakers - California Sun 9. The Troup - I'm Going Away 10. The Niteriders - Satisfaction Guaranteed 11. Stacy's 5th - My Lovin' Baby 12. The Shademen - That's Tuff 13. Raiders - You Gotta Have A Man 14. Del Rays Inc. - I'm A Lovin' 15. The Undertakers - Rosalyn 16. The Arondies - Class Of 69
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Creo que en el vinilo vienen como tracklist 11 temas pero hay unos ocultos en el mismo, y luego las reediciones se han encargado de sumar mas temas, aqui vienen 13 (dios, el numero de la mala suerte ... MAMA, MI ROSARIO!!!). Dejandome de imbecilidades, dar gracias por este aporte y que lo hayan compartido. Christ On Parade son de San Francisco y son HxC a la vena, la voz suena similar a bandas NY, y algunos cambios de ritmo pueden hasta llegar a confundir. La vieja escuela, temas de minuto y medio y harto power. Cosecha del 85' (obviamente del siglo y milenio pasado).

01 Drop Out
02 The Plague/Mirror Image
03 Thoughts of War
04 Flash
05 Chaos Breeder
06 Untitled
07 No Truth
08 Landlord Song
09 For Your Viewing Pleasure
10 America the Myth
11 Human Laboratory

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AQUI

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Para todos los cabrones que me envian discos, para la proxima (y lo digo por este), incluyan al menos la portada, nada cuesta. A ver, son de Argentina y le dan a un cierto sonido hardcore con ciertos paisajes sonoros que no lo hacen monotono, a ratos melodicos y otras veces mas brutales, la verdad ofrece bastante este trabajo. Alguna banda similar? ... en este momento no se me vienen (lo cual es bueno), o solo estoy algo desmemoriado. Eso.

01 Breaking Fronteras/Ponte A Pensar
02 Muertos
03 Pesadillaz
04 Veronica
05 Respirar
06 Odio
07 Precios
08 Seco
09 Cobarde
10 Indiferente
11 Muerte y Soledad
12 War
13 Que Pasa
14 Crees Merecer La Libertad

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Weichafe Yo Soy Weichafe (2007) Tracks: 1. Salvador 2. Opción Laverna, 3. Pichanga 4. Me voy a encerrar 5. Pájaros de papel 6. Pan de la tarde 7. Tres Puntas 8. Ripio y soledad 9. Dios es sólo para algunos 10. De espalda al cielo 11. Las cosas simples 12. Tierra oscura del Sol 13. Sí, me saqué los dientes 14. Cuesta respirar 15. Suicidio general 16. Respiro la luz del Sol 17. No es malo 18.

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Psychedelic Archaeology - Vol. 1
01 - west coast natural gas - a favor
02 - rochelle rosenthal and the kickball queen - lottery
03 - the sandals - house of painted glass
04 - kim fowley - strangers from the sky
05 - aorta - strange
06 - american blues - say so
07 - mary maiden - the scarlet letter
08 - neal ford and the fanatics - mary wanna mary me
09 - the david - people saying, people seeing
10 - the chosen few - the earth above, the sky below
11 - the mass - raining sorrow
12 - hot water - reaction
13 - west coast natural gas - go run and play
14 - natural gas - sunnydays
15 - jefferson lee - pancake trees
16 - sound sandwich - zig zag news
17 - groundspeed - l-12 east
18 - aphrodite's child - magic mirror
19 - gregorians - dialated eyes
20 - chapter vi - oracle
21 - stone hedge - desiree
22 - mind garage - asphalt mother
23 - the raik's progress - why did you rob us tank
24 - layne martine jr - surabian lament

part1

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