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lunes 31 de marzo de 2008

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Exactly 60 years ago, Egon Erwin Kisch, a german-speaking Czech journalist and novelist, died in Prague, Czech Republic.

Egon Erwin Kisch was "der rasende Reporter" ("the raging reporter"), a journalist whose interest in marginalized parts of society and the world outside Europe endeared him to a large number of readers. He became a figurehead in the fight against fascism. Later generations of journalists regarded his documentaries as exemplary and pioneering. He is admired to this day for the high literary quality of his journalitic work.

Kisch was born into a German-speaking Jewish family in Prague, at that time part of the Austro-Hungarian Empire, and began his journalistic career as a reporter for a local German language newspaper in 1906. His early work is characterised by an interest in crime and the lives of the poor of Prague, taking Jan Neruda, Emile Zola and Charles Dickens's Sketches by Boz as his models. He deserted from the army in World War I in October 1918 as the war came to an end and played a leading role in the left-wing revolution in Vienna in November of that year. Although the revolution failed, in 1919, Kisch joined the Communist party, a political allegiance he maintained for the rest of his life.
Between 1921 and 1930 Kisch, though a citizen of Czechoslovakia, lived primarily in Berlin, where his work found a new and appreciative audience. In books of collected journalism such as "Der rasende Reporter" (1924), he cultivated the image of a witty, gritty, daring reporter always on the move, a cigarette clamped doggedly between his lips. His work and his public persona found an echo in the artistic movement of "Neue Sachlichkeit", a major strand in the culture of the Weimar Republic.
On February 28 1933, the day after the Reichstag Fire, Kisch was one of many prominent opponents of Nazism to be arrested. He was briefly imprisoned in Spandau, but as a Czechoslovakian citizen, was expelled from Germany. His works were banned and burnt in Germany, but he continued to write for the Czech and émigré German press, bearing witness to the horrors of the Nazi takeover.
In 1937 and 1938, Kisch took part in Spanish Civil War. He travelled across the country speaking in the Republican cause and his reports from the front line were widely published.

Following the "Munich Agreement" of 1938 and the subsequent Nazi occupation of Bohemia six months later, Kisch was unable to return to the country of his birth. Once war broke out, Paris, which he had made his main home since 1933, also became too dangerous for an outspoken Jewish communist whose native land no longer existed. In late 1939, Kisch and his wife Gisela, sailed for New York where, once again, he was initially denied entry. He eventually landed at Ellis Island on December 28, but as he only had a transit visa moved onto Mexico in 1940.
He remained in Mexico for the next five years, one of a circle of European communist refugees, notable among them Anna Seghers and Ludwig Renn.

Kisch died two years after his return to Prague, shortly after the Communist party seized complete power. There are contradictory reports of his attitude - as a German-speaking Jew - to the party in this period as it began to develop the anti-semitism which culminated in the "Prague Trials" of 1952 and supported the expulsion of most of Czechoslovakia's ethnic Germans.

To remember his great work, here is "Erinnerungen an den rasenden Reporter", a wonderful feature in german language about Egon Erwin Kisch.


(192 kbps, front cover included)

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Last night was a classic showdown between the cream of the crop and the cream of the crap. The Miami Heat fielded a squad full of cats I'm used to seeing at NBA Summer League contests and free agent camps. Besides NBA vets (and former Celtics) Ricky Davis and Mark Blount this team featured a motley crew of whatshisfaces (Stephane Lasme, Blake Ahern, Joel Anthony, Kasib Powell, etc.) and nobodies (Chris Quinn, Earl Barron, Alexander Johnson). Jason Williams, Shawn Marion and Daequan Cook all registered DNP-CD's for the contest as well.

If the Celtics have blown out two of the best teams in the entire NBA (Phoenix Suns and New Orleans Hornets) at home then what would they do to this pathetic squad? The answer was evident when the Celtics were up 27-4 after just 7 minutes of play. The starters got significant rest and the Celtics still lead 50-30 at halftime with little chance for resistance from a Miami team with only 9 available bodies on the bench.

This game was a sad sight as the Celtics held the hapless Heat to 17-59 shooting (.288) and 4-21 from 3 point range (.190) and none of the Celtics starters even played longer than 25 minutes. The Celtics stifling defense managed to hold the Heat to an NBA record low 17 total field goals, the lowest ever total of the Shot Clock Era. Wow.

The game ended with the Celtics winning 88-62 and the fans being treated to yet another early appearance by Gino on the Jumbotron. The C's were led by Leon Powe's 17 points and 13 rebounds (6 offensive) in 27 minutes. Kevin Garnett racked up 12 points, 8 rebounds and 5 assists in just 21 minutes, Paul Pierce contributed 10 points 4 assists and 2 steals in 24 minutes and Ray Allen had 10 points, 5 rebounds and 3 assists in 25 total minutes. James Posey scored 7 points off the bench and had a team high 4 steals.

Tomorrow, the 58-15 Boston Celtics play the 29-44 Chicago Bulls in Chicago. Hopefully they lose by less than 20...we don't need the Celtics to get big headed on us with playoff time coming up soon.

One.
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1.Canario Y Su Grupo 'Heroes de Borinquen'
2.Quinteto Borinquen 'Sara'
3.Orquesta Euterpe 'Laura Y Georgina'
4.Trio Borinquen 'Si Me Quieres'
5.Trio Boricua 'Purupita'
6.Trio Boricua 'Pobre Gaviota'
7.Grupo Quisqueya 'Pobre Gaviota'
8.Grupo Borinquen 'Bon Ye'
9.Trio Borinquen 'Mi Patria Tiembla'
10.Pleneros Surenos 'No Le Llores Miguel'
11.Pleneros Surenos 'Las Navidades'
12.Los Jardineros 'Antiquo Seis Borinqueno'
13.Los Reyes De La Plena 'Josefina, Josefina'
14.Los Reyes De La Plena 'El Nuevo Gobernador'
15.Los Reyes De La Plena 'Los Misterios De Lenox'
16.Los Reyes De La Plena 'Que Dulces Son Las Canciones'
17.Trio Ponceno 'Adios Borinquen'
18.Trio Ponceno 'Cusita'
19.Los Jardineros 'Mercedes'
20.Trio Boricua 'Anhelos'
21.Grupo Antillano 'Fuego En La Cantera'
22.Grupo Antillano 'Fausto Y Su Ford'
23.Grupo Antillano 'A Lolita'
24.Grupo Antillano 'Todo Es Mentira'
25.Los Reyes de la Plena 'Esperame En El Porton'

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... including the insane "basher no. 5" and "baby baby". It's all excellent stuff, and the rest of the album is just as wild! Late 50's, early 60's rawness.

"MINNESOTA ROCK-A-BILLY ROCK" - Vol. 4 VAtraxfromwax:
1. baby baby - Mike Waggoner & The Bops 2. basher no. 5 - Mike Waggoner & The Bops 3. hey mama - Mike Waggoner & The Bops 4. good rockin' tonight - Mike Waggoner & The Bops 5. coming up - Mike Waggoner & The Bops 6. guitar man - Mike Waggoner & The Bops 7. bye bye johnny - Mike Waggoner & The Bops 8. three little pigs - Mike Waggoner & The Bops 9. scramble - Eddie Barkdall & The Corvets 10. wailin' wailin' party - Eddie Barkdall & The Corvets 11. revel rock - The Reveliers 12. i still love her - Jr. Buchwitz & The Reveliers 13. memphis - Wally Shoop & The Zombies 14. work with me anne - Mike Waggoner & The Bops
...served by Gyro1966...
Link - Mon, 31 Mar 2008 04:49:15 GMT - Feed (2 subs)

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... that your teeth may ache by the end of it.

THE SAILS "The Sails"But everyone loves a good sugar buzz, and this U.K. quintet delivers the glucose-laden goods. Lead singer/songwriter Michael Gagliano is clearly enamored with all things Beatles and Byrds, circa 1965 and 1966, and if the end results are highly derivative (and they are), he at least has the good sense to imitate some of the most glorious pop music ever recorded. "Chocolate" and "Peter Shilton" feature letter-perfect "Ticket to Ride" jangly guitar lines and harmony-drenched singalong choruses, while "Can You Hear Me" recaptures the magic of "Rain," backwards tape loops and all. Even the band's lightweight lyrics encapsulate the era in microcosm, and hark back to a time when countless British Invasion groups could ride their chiming guitars and "stay" and "away" rhymes right to the top of the charts. It's a classic sound, but one that could easily grow stale. Fortunately, Gagliano's strong melodic gifts transform one of the hoariest of all rock & roll templates into something fresh and memorable. "Make My Day" and "Firebell Alley" update the template slightly, honing in on the late Beatles psychedelia of Magical Mystery Tour. Although songs such as "See Myself" and "Wonderland" venture dangerously close to Herman's Hermits territory, and all its attendant sickening sweetness, for the most part Gagliano manages to stay just this side of the bubblegum machine. The Fab Four have been inspiring new music almost from their inception, and every decade sees the rise of new acolytes, from the Raspberries and Badfinger through the Smithereens and Crowded House through Oasis and Franz Ferdinand. The Sails follow in that grand tradition of doing little new, and doing it gloriously. They've produced a delectable homage to the Beatles, and have emerged with yet another fine variation on a seemingly inexhaustible sound. - Review by Andy Whitman (ALL MUSIC GUIDE)

trax:
1. See Myself 2. The Slow Down 3. Make My Day 4. Wonderland 5. Chocolate 6. Let's Get Started 7. Can You Hear Me? 8. The Losers 9. Fireball Alley 10. Peter Shilton 11. She Is All That Matters 12. Be Everything
...served by Gyro1966...
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domingo 30 de marzo de 2008



It has been a while since i have posted any crusty grindcore so i think i will take some time to do that right now to show that i still love this type of music. This is some very sweet grindcore from Washington d.c. right here. There is only 3 people in this band and they do not have a bass player. Which is sort of strange. You can find there myspace here.

Bitrate: 224 kBit/s
Size: 93.7 MB



Buy this album!
Link - Sun, 30 Mar 2008 16:54:20 GMT - Feed (1 subs)

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1.down at the end of memory lane 1939
2.in my heart you'll always be mine 1939
3.the last letter 1939
4.born to be blue 1939
5.never break a promise 1939
6.what else can i do 1940
7.why should i care 1940
8.it's hard but it's true 1998
9.the last trip of the old ship 1939
10.why do you treat me like the dirt under your feet 1939
11.walls of white 1939
12.i'm still a fool over you 1940
13.my blue heaven 1940
14.two more years (and i'll be free) 1939
15.leanin on the old top rail 1939
16.you are my sunshine 1940
17.your promise was broken 1940
18.i'd love to call you sweetheart 1940
19.old timer 1940
20.baby your mother (like she babied you) 1940
21.roll along, kentucky moon 1940
22.there's a chill on the hill tonight 1940
23.writw a letter to your mother 1940
24.my mother's bible 1940
25.why should i be to blame 1940
26.i feel the same as you 1940
27.you're my darling 1940

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Nederbeat Dutch Nuggets 63-69 - Vol. 1
Disc 1
1. The Chums - She'll Marry Me
2. The Skope - Wanna Dance
3. The First Move - My Love Has Gone
4. Chapter II - East Of My Place
5. George Cash - The Phantom Of My Past
6. The Shane - Lady Bountiful
7. You And Me - Take Me Or Break Me
8. Johnny & His Cellar Rockers - I Love You (Yes I Do)
9. The Sharons - Turn On The Coloured Light
10. Disillusion '21 - Think Of The Good Times
11. The Dukes - Blue Revelations
12. 4PK - As Tears Go By
13. The Mods - Moef Ga Ga
14. Linda Van Dyck - Sunday Kind Of Feelin'
15. The Tower - Captain Decker
16. Attention! - I Can't Help Myself
17. Dragonfly - Celestial Empire
18. Group Gloria - So Good To Dance
19. The Nicols - Delighted To See You
20. The Caps - When You're Feelin' Blue
21. Het - She'll Stay
22. Short '66 - Going My Way
23. The First Move - He Looks Like A Swine
24. Roek Williams & The Fighting Cats - I Know What I Want
25. Q65 - Feel Her Still
Disc 2
1. The Chums - You're The Sweetest Girl
2. The Skope - Stop Quarreling Now
3. The First Move - A Hard Night's Fight
4. Chapter II - She Sends Me Away
5. George Cash - Long Hard And Dry
6. The Shane - Gotta Hold On
7. You And Me - Oh The Way She Held Me Tight
8. Johnny & His Cellar Rockers - Why
9. The Sharons - That's My World
10. Disillusion '21 - Distance
11. The Dukes - Join-In
12. 4PK - I Laugh At You
13. The Mods - Land Of 1000 Dances
14. Linda Van Dyck - You Don't Love Me
15. The Tower - Steps Into Space
16. Attention! - Picture Me Fool
17. Dragonfly - Prince Of Amboyna
18. Group Gloria - So It Goes
19. The Nicols - It's Easy To Say
20. The Caps - Enough For Two
21. Het - I Got You (I Feel Good)
22. Short '66 - Come The Day
23. The First Move - There Is More
24. Roek Williams & The Fighting Cats - Let's Forget
25. Ro-d-ys - Flowers Everywhere

part1
part2 part3

pw = posted_first_at_chocoreve
Link - Sun, 30 Mar 2008 13:13:44 GMT - Feed (2 subs)

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OZZY OSBOURNE - BLIZZRD OF OZZ
weno, aprovechando q ozzy se presentara aqui en chile en unos dias mas, subo algo del maestro. personalmente me gusta mas ozzy cuando estaba en black sabbath, pero este disco en solitario (el primero) es bastante bueno. contiene temas clasicos de ozzy, los singles crazy train y mr. crowley, pero tambien trae otros que son bastante notables, como suidcide solution, y ya como es casi normal en bandas de hard rock, una balada rocker , goodbye to romance.
el disco abre con i don't know, un tema mas bien rockero, que sigue la clasica linea de temas de ozzy, para darle paso a la ya conocida y nombrada anteriormente crazy train; fue uno de los primeros temas que conoci de ozzy, y me gusto harto, el riff es como nose, entre pegajoso, rockero, bailable XD. muy buen tema. goodbye to romance, ya mecionada, le da un toque mas suave al disco, como una pausa entre crazy train y suicide solution. (dee va entre suicide solution y goodbye to romance, pero al ser un tema con tarras acusticas, y tan corto pasa piola. se parece mas auna into de un tema q un tema en si). suicide solution y el polemico mr crowley continuan con la linea rockera del disco, con una velocidad mas bien lenta, y unas distorsiones densas y poderosas, me recuerda mucho a lo que era ozzy en black sabbath.
no bone movies, con un riff mas bien "happy" le da un toque mas rock n roll al disco, que luego pasa a tener otro tema lento; revelation. pero ya para finalizar, steel away parte con energia, tambien con un toque mas rockanrolero que sus precesores.

en general un buen disco, como dije al comienzo, tiene de todo, temas rockeros, temas mas pesados, temas lentos. una buena porduccion de ozzy. espero q les guste!

ROCK N ROLL!!!!!!!!


Tracklist:
01. I don't Know
02. Crazy Train
03. Goodbye to Romance
04. Dee
05. Suicide Solution
06. Mr Crowley
07. No Bone Movies
08. Revelation
09. Steal Away
Link - Sun, 30 Mar 2008 08:45:26 GMT - Feed (1 subs)

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p1060695.JPGp1060696.JPGWell, somebody has got to do it and I guess the joke’s on me.
LEAD WEIGHT was one of the most important NWOBHM or - generally speaking - Metal compilations ever made. Nevertheless, it’s never been re-released in its orginal form and that, ladies & gents, is a major Rock’n'Roll crime! Guess it’s kinda hard to explain what this album meant (& means) to me and many others back in the days before internet, personal computers, cell phones or shaved buttholes. I could just go on, telling you stories about “authenticity”, “true” or “false” music or “how it was”, but honestly, I don’t give a rat’s arse. What’s an earthquake in the desert when nobody registrates it? Earlier this day, I played PAGAN ALTAR’s “Lords of Hipocrisy” and during the title track (?), the singer starts his falsetto-lamento that nothing in this world is true. “Bullshit”, I thought to myself, “you Heavy Metal Morons” (HMM). Of course it’s exactly the other way round. Everything is real. And that’s what made me think of this compilation, of what “truth” and “biography” have in common, how such categories structure what simpler minds might call “taste” or “preference” and I imagined Slavo Zisek grinning at me, tapping me on my back, saying “well, my friend, if at least you’d listen to better music”.

So here we have one such moment of overall Dalai Lamaness again and I tell you, as soon as I’m sick of repeating it (it lasted 341 posts so far!), I’ll call it a day here: This blogs only serves me. If you wanna follow me into the depths of idiotic music played by idiotic people (for idiotic people), sometimes barely capable of holding their instruments, sometimes wanking so hard on them it gives you a stiffy or wetty yourself, then you’re welcome. If not, well, no offense but I just don’t care. You may put on your original 1977 leather jacket and just go fuck yourself with it.
Ooops, in vino veritas. Let’s imagine, you’d ask me which song I liked best here. Guess I’d say it’s WHITE SPIRIT’s “Cheetah”. Music never and I tell you that - never! - got or gets any better than this. I know, you heard that before, maybe from myself even, but trust me - you can burn all the records you have and just save yourself this song. Let’s say you’d be the last man (or woman or else) on earth and so was I and you had the fortune of meeting me in the ruins of Newcastle, under a sky of the color of molten lead, you’d just have to sing the chorus of “Cheetah”. I’d lower my guns and invite you to spend a nice evening or a couple years at that with me. So it goes with the rest of this comp, basically. VENOM has an early version of “Angel Dust”, a straight edge song, ARAGORN tickles you with “Noonday” and RAVEN calls for the “Inquisitor”, just in time, before the lads from FIST are “Throwing in the Towel”, because the AXIS’s “Messiah” is “Down the Road” (according to BITCHES SIN). Well, don’t you mind SATAN’S EMPIRE’s “Soldiers of War” “Flying high” - WARRIOR told you so. And, fuck me, BLITZKRIEG’s “Inferno” may come to me any day!

Download “Lead Weight – H.M. Rock Compilation from Neat” here. It’s a rather large file (102 MB).

Link - Comments - Admin - Sat, 29 Mar 2008 07:20:37 GMT - Feed (1 subs)
User comment: By: Pär
Killer comp that I´ve never heard. Every time I hear Raven I think to myself "Why don´t I put on All for one more than I do?" Long live Raven!
User comment: By: John Scharpen
I still have this record, but haven't listened to it in awhile (too many records, not enough time). Thinking back, I'd have to say that the Aragorn song is my favorite, closely followed by Venom, Raven, and Blitzkrieg. I'm glad to see you posting it here in its entirety.
User comment: By: Geoff
Incredibly good compilation. I bought it when it hit the shops and just like you I'm still so much in love with it. Thanks so much for your blog. It's the best thing the internet has to offer to me. The sound quality of your rips is astonishing (I'm an audio engineer) and the write-ups deserve to be collected and published in a book or magazine. Please make follower 341 more postings!!
User comment: By: Admin
Steve - I normally do not endorse suggestions from my readers, haha, but in this case, it makes perfect sense.
User comment: By: Steve
I'll have to have a friend with hi-speed internet to download this but I sure appreciate the post! There were a lot of killer singles on Neat maybe some of them you could post someday. How about a repost of that Blitzkrieg 7" (hint hint)?
User comment: By: Frank Mossi
:-) Love your alcoholic prose. The comp is indeed PHANTASTIC! Great how much of the 70s you still hear in the majority of songs. This makes VENOM really stand out. They were BRUTAL in 1981. "Better to reign in hell than to serve in heaven". YES!!!!!!!!!!!!!!!!!!
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blitzkrieg_front.jpgblitzkrieg_back.jpgRepost from September 2006. Freshly ripped in interstellar sound quality. For more of this NWOBHM group, check the recent “Lead Weight” post.

My summer of 1977 came a bit later. I don’t recall whether it was just one single record or much rather a chain of happenings and music that opened my ears to new music (and my eyes to girls). Sometimes I think it was the first Iron Maiden LP that started it all, then again I remember how much Judas Priest’s “British Steel” sounded “new”. But maybe it was the rawer stuff from what was called The New Wave Of British Heavy Metal, like the bands on “Lead Weight”, a compilation album from Neat Records. During the summer of 81, I checked out whatever was freshly released and looked un-pop. Be it the Dead Kennedys, Venom, Minor Threat, Killing Joke or else; I liked some better than the other and bought whatever I could afford (and I hated Minor Threat because of the singer). When somebody would tell me that Venom sounded like a bad punk band, I couldn’t care less, like I didn’t give a shit about AC/DC not being “cool” enough for the trendies. One or two years later, when the first storm was over, labels would become more important to me because correct labeling would signify the expert and I wanted to become one. Also, the village in which I was doomed to live, had its first few Punks hanging around. They all went to high school and had nice middle class parents. I hated them all. Living on the countryside, far away from the bigger cities, Heavy Metal was Punk.
BLITZKRIEG impressed me one helluva lot. The song “Lead Weight” still had that 70s feeling but on the same hand already sounded “modern”. The 7″ was of another caliber. Twin guitars, consequent riffing (listen to “Buried Alive” - is that so far from “Hillside Strangler” from The Hollywood Squares?) and a slightly more aggressive singing was of a quality that was unheard of. It’s strange with my taste, I sometimes think: Some old records I like because they sound like they were recorded half an hour ago. Others I appreciate because their sound is deeply rooted within a specific moment in time. BLITZKRIEG belongs to the latter category.
Everybody kept saying how rare this 7″ was, so I just thought I might try and contact the band directly. It was one of my first fanboy letters in english. I sat there for quite a bit of time really, picking word from word from a dictionary I had used years before, when I started teaching myself some english by translating AC/DC lyrics (I never had english in school or later, so blame all my mistakes and bad grammar on those song lyrics). However, to my great pleasure, I received a package a few weeks later with a whole bunch of BLITZKRIEG 7″s, autographs and some stickers. It had worked!

Here’s the complete 7″ for you - and don’t you say this is not spectacularly good!

Buried alive.mp3
Blitzkrieg.mp3


Link - Comments - Download - Admin - Sat, 29 Mar 2008 10:48:00 GMT - Feed (1 subs)
User comment: By: Sean Hogan
"I didn't give a shit about AC/DC not being "cool" enough for the trendies" Absolutely, I'm all about NO guilty pleasures...the ultimate "punk act" is to not give two shits what other so-called punks think about you for "daring" to listen. I can't think of too much more that's MORE juvenile than judging people for liking other sorts of music. And Killing Joke is the SHIT...just got a shirt of the first LP!
User comment: By: Mike
So i just downloaded Lead Weight, jammed the Blitzkrieg track and remembered how bad ass they were. I searched for more and came across this post from a long time ago but the links were broken. 20 minutes later it's reposted! THat's fuckin Sweet. Thanks!
[...] leaves me breathless whenever I hear it. "Court in the Act", the album from 1983, had BLITZKRIEG's Brian Ross on the micro, one of my fave singers ever. This LP is one you must have. The weird style [...]
User comment: By: JONAS
LINKS ARE DEAD! PLEASE, RE UPLOAD
User comment: By: Turd
would have never beleived punk and hc people would love this. saw BLITZKRIEG many times live in the early days of nwobhm and it always was a mjaor blast! to me there was only band infleshing the nwobhm monicker more and that was ANGEL WITCH.
User comment: By: E.
You're quite right, brother in metal. In the meantime I mamaged to get a copy of the LP on soulseek and now I know why I didn't keep it ... A real letdown. They even mangle a SATAN song.
User comment: By: Anonymous
great to see a punk with taste!
forget the blitzkrieg lp (time of changes). it's nothing compared to the 7". you will be disappointed!
User comment: By: Anonymous
Correction: Blitzkrieg was on the Creeping Death 12" not the $5.98 ep my mistake, sorry about the momentary brain freeze.
User comment: By: Anonymous
Misfits also got very popular after Metallica covered them and the price of Misfits records went through the roof.
User comment: By: E.
Oh yes, definately! Also the untitled first DIAMOND HEAD lp (later released as "lightnng to the nations") has obviously been highly influential to "kill em all". they're all great records, couldn't value the one higher than the other, but sometimes I find it a bit sad to see that diamond head or blitzkrieg are more or less forgotten nowadays (and again: "am I evil" got really popular when metallica covered it. i too knew it from the "creeping death" ep).

two more severe cases of rock'n roll injustice.
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... all from the original 45's!

"60 SECOND SWINGER" - USA Garage Greats 1965-1967 (and beyond!) VA (GYRO RECORDS)Everyone will have a different favorite here, but my faves include The Missing Lynx, Little Phil, The Journeymen, The Epics. Too many more cool ones here to list!traxfromwax:
1. she's a tiger (Suncrest) - The Invaders 2. honda come back (Suncrest) - The Invaders 3. humpty dumpty (Love) - The Epics 4. homesick (Love) - The Epics 5. realities in life (Tee Pee) - The Journeymen 6. you're a better man than i (Tee Pee) - The Journeymen 7. here comes the pain (Warner Bros) - The Legends 8. don't be ashamed (Warner Bros) - The Legends 9. heavy music-pt.1 (Cameo) - Bob Seger & The Last Heard 10. in a dream (Decca) - Groundspeed 11. chase yourself (Universal) - The Crabs 12. bye bye my little girl (Universal) - The Crabs 13. my kinda woman (Music Mill) - The Images 14. a swingin' summer (Music Mill) - The Images 15. gypsy lady (X-Bat) - The Englishmen 16. lil' red riding hood (X-Bat) - The Englishmen 17. hang around (United Sounds) - The Missing Lynx 18. louie go home (United Sounds) - The Missing Lynx 19. 60 second swinger (Gaye) - Little Phil & The Night Shadows 20. in the air (Gaye) - Little Phil & The Night Shadows 21. please stay (Show Case) - The Shan Dells 22. this sporting life (Dagonet) - The Children 23. semi-psychedelic (Coral) - Pepper & The Shakers 24. i'll always love you (Coral) - Pepper & The Shakers 25. like me (Ty Tex) - The Revolvers 26. when you were mine (Ty Tex) - The Revolvers 27. everybody knew but me (Boss) - Me & The Other Guys 28. runaround girl (Boss) - Me & The Other Guys 29. the spider & the fly (Ivanhoe) - Von Ruden 30. judy (Ivanhoe) - Von Ruden 31. don't come running to me (Prince) - The Pebbles
...served by Gyro1966...
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... Van Dyke Parks' third album stands as perhaps his most straightforward set of independent songs.

Van Dyke Parks "Clang Of The Yankee Reaper" 1976Though CLANG includes none of Parks' original compositions, the set contains the essence of his sound and shines a light on his skills as an orchestrator and as an arranger. The title song is classic Parks, its lyrics evocative of movement, changing times, and Americana. The steel band sound that had empowered DISCOVER AMERICA is again employed to fine effect, most notably as one of the orchestral flavors in "Another Dream." A wonderful parade-band version of Pachebel's "Canon In D"--sounding like football game halftime entertainment commandeered by a group of scholars--closes the album.trax:
1. Clang Of The Yankee Reaper 2 .City On The Hill 3. Pass That Stage 4. Another Dream 5. You're A Real Sweetheart 6. Love Is The Answer 7. Iron Man 8.Tribute To Spree 9. Soul Train 10. Cannon In D 11. Amazing Grace (Slow Version) 12. Amazing Grace (Toe-Tapper)
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While just about all of their albums are winners, for many fans "Harsh 70s Reality" is the unquestioned best Dead C release, a fact it's hard to argue with. Art and sheer rock power collide beautifully on this album, which transforms murky noise and open-ended jams into serenely chaotic wonder. That may sound like a strange assessment, but "Harsh 70s Reality" is as ambient as it is feedback-riddled, and the creative threesome behind it all know just how to balance everything out. "Driver UFO," the 22-minute-long opener, demonstrates this knack quite well, with a gentle keyboard part emerging halfway through against the rumbling hum and scrape of the guitars. It's arguably also the most song-oriented album from the group in a traditional sense, though the usual combination of recording approach and performance isn't exactly going to win over the VH1 audience. When the three add in vocals to the mayhem, everything sounds even more distanced and unsettling. Thus, on "Sky" the lead vocal sounds like the singer is on the verge of collapse and the backing shouts hollow and creepy, even as the main riff makes for one of the band's most accessible efforts. "Constellation," one of the most violent numbers (though as ever the quality of the recording makes it feel more gauzy and interesting), benefits even further from the gently deadpan vocal, like Sonic Youth but not so concerned about making things clear. One of the funnier moments comes with the start of the audibly from-the-other-side-of-the-venue live recording "Suffer Bomb Damage," especially since Robbie Yeats sounds like he's about to break into War's "Lowrider." Though "Harsh 70s Reality" is available on CD, the original vinyl is worth seeking out for the extra two tracks that couldn't fit on the digital format, especially the astonishing "Shark." [Source: AMG]


dead c "sky" (live on nz tv)

Credits:

Drums, Guitar, Vocals, Noise - Robbie Yeats
Guitar, Organ, Drums, Tapes, Vocals - Bruce Russell
Guitars, Bass, Keyboards, Turntables, Drums, Vocals - Michael Morley
Mixed By, Producer - Dead C

Notes:

Recorded December 1989 - September 1991
Originally released in 1992

Track Listing

1. Driver U.F.O. (22:23)
2. Sky (3:38)
3. Love (11:51)
4. Suffer Bomb Damage (3:40)
5. Sea Is Violet (7:57)
6. Constellation (6:43)
7. Baseheart (6:53)
8. Hope (9:23)

Blogload:
The Dead C - Harsh 70s Reality (1992) - Part 1
The Dead C - Harsh 70s Reality (1992) - Part 2
Link - Sun, 30 Mar 2008 01:24:10 GMT - Feed (1 subs)

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sábado 29 de marzo de 2008

Many musicians have been born in or have lived in Mississippi. One of these important ones is David "Dave" Myers, a very respected person for his musical abilities. On October 30, 1926, Myers was born to Mary and Amos Myers in Byhalia, Mississippi. Both his parents were musical, but Mary played the guitar only at home, while Amos played the guitar at parties in private homes (Moon 34-35). Myers also had three brothers who were musical. Louis played the guitar in the band the "Aces." Curtis played the piano, and Bob played the harp (Living Blues 35). Myers married and has one son, Davie, Jr. (Johnson).
Myers grew up as a child listening to Lonnie Johnson, a pioneering blues and jazz guitarist and banjoist who lived in the basement of Myers' family home (Center Stage Media). Myers, along with his brother Louis, sang in a Baptist church choir Michael James states, "Myers was brought up in Mississippi where he learned how to play the guitar" However, in 1942, Myers along with his brother Louis, moved to Chicago where his career began. According to Santelli, "Dave Myers is one of the many unheralded architects of the city's post-World War II blues scene" (305).
Myers sang and played the guitar and bass. He and his brother Louis began playing house parties with Junior Wells, a harp player. Then after Junior Wells left, the brothers, with Little Walter Jacob, a blues musician who played the amplified harmonica, formed a group called The Jukes. Little Walter joined the band in 1952 and worked with Myers for most of the next three years. The Myers brothers left the harmonica player and reformed the Aces with Junior Wells and Fred Below again for a while and then with Otis Rush. David and Louis Myers played guitars and Fred Below drums. The first recordings were for the Checker subsidiary of Chess in 1952. According to Santelli, "Myers left Little Walter in 1955 and joined his brother in a new band led by guitarist Otis Rush that also included drummer Odie Payne, Jr." (Santelli 305). Myers was also hired by Fender Guitarist during the 1950's to promote and demonstrate the electric bass around Chicago (James). His percussive style earned him the nickname Thumper.
When the Aces reformed in 1969, Myers had the chance to record with the rock 'n' roll band in which Louis played and also Latisha Tucker, SHS researcheras accompanist to many other great artists (Larkin 2977). James notes, "Myers has performed and recorded hundreds of albums with literally every Chicago blues legend." He appeared on hundreds of records by artists such as J.B. Hutto, Roosevelt Sykes, Earl Hooker, Buddy Guy; Otis Spann, Robert Lockwood Jr., and many others. He released his only solo recording in 2000 called, "You Can't Do That" on the Black Top label, featuring Kim Wilson and Rusty Zinn as guest artists. Dave Myers also performed at the 1999 Chicago Blues Festival. He was the last living member of the Aces until 2001 when he died in September (James). In March of 2000, Myers's left leg had been amputated due to diabetes (Johnson). Then his right leg was amputated on August 29, 2000. Myers never fully recovered from the surgery.
On September 3, 2001, Myers died at the Waterfront Terrace Nursing Home in Chicago at the age of 74. His funeral was held on Chicago's south side at the Rayner Funeral Home" (Johnson). Dave Myers is survived by his son, David, Jr., two sisters, two grandchildren, and one great grandchild" --- by Latisha Cherrelle Tucker (SHS)

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Recorded just after Mick Taylor departed for the Stones, John Mayall eliminated drums entirely on this live recording. With mostly acoustic guitars and John Almond on flutes and sax, Mayall and his band, as his typically overblown liner notes state, "explore seldom-used areas within the framework of low volume music." But it does work. The all-original material is flowing and melodic, with long jazzy grooves that don't lose sight of their bluesy underpinnings. Lyrically, Mayall stretches out a bit into social comment on "The Laws Must Change" on this fine, meditative mood album. --- by Richie Unterberger, AMG


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The first thing that comes to mind when listening to Tiger Walk is the pair of instrumental albums recorded by Jeff Beck in the mid-seventies, Blow by Blow and Wired. Like those two recordings, this outing showcases a fiery, inventive electric guitarist in a rock and jazz-rock setting. Robben Ford, known in recent years for his blues work with his band, the Blue Line, eschews vocals here, teaming up with keyboard funk master Bernie Worrell for some chunky, funky, wah-wah-laden grooves. This music, led by Ford's blazing guitar lines, is more appropriately categorized as instrumental rock than jazz, but the rhythms recall James Brown and Worrell's alma mater, the P-Funk gang, as often as they do those of a hard rock band. Tenor saxophonist Bob Malach turns in a couple of solid solos, and the rhythm section of drummer Steve Jordon and bassist Charlie Drayton cooks throughout. --- by Jim Newsom, AMG

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Jeff Beck returns two years after the ten-years-in-the-making Who Else?, and You Had It Coming isn't surprising just for its rapidity, but for its music. From the moment the electronicized, post-rave beats of "Earthquake" kick off the record, it's clear that Beck isn't content to stay in place -- he's trying to adapt to the modern world. To a certain extent, this isn't an entirely new phenomenon, since each of his records is clearly, inextricably of its time, from the crunching metal of Truth through the breezy jazz fusion of Blow By Blow to the modernized album rock of Guitar Shop. This is just another side of that, as Beck works with electronic music, both noisy and new age introspective. It's a bit clever, actually, since Beck's playing has always been otherworldly, dipping, bending, and sounding like anything other than a normal guitar. The problem is, when he's surrounded by lockstep, processed beats and gurgling synths, his guitar doesn't leap to the forefront and capture attention the way it does on his best recordings. Still, there's something to be said for the effort, because even if it doesn't sound like a Beck record, it isn't a bad record, and it's certainly a helluva lot more successful than Clapton's similar forays into these waters. Besides, knowing that he knocked this out so quickly makes it a little endearing. --- by Stephen Thomas Erlewine, AMG

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David "Honeyboy" Edwards is one of the last surviving Delta blues warriors and is among the originators of a musical style as evocative and vibrant as any this nation has ever experienced. Edwards' voice, with its ironic, colorful, weary tonal qualities and cutting, keen delivery are contrasted by a crisp, slicing guitar approach. Edwards does not rely on slickness, inventiveness, or niceties; his riffs, lines, phrases, and licks are as aggressive and fiery as his vocals. He showed what real traditional blues singing was all about when he recorded for Blue Suit in 1988. Evidence has reissued that 13-song session in splendid digital glory, as Edwards' triumphant, resounding voice rings through each number. --- by Ron Wynn, AMG

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Jimmy Ripp is a great artist, his mix of blues jazz and a little country make an awesome sound. Insanity Please is the best song on the album with Snake Eyes coming in a close second. Way Past Blue, the title track is a great slow song, with Layin' In The Cut bringing in a strong bass line.

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I hate to say "I told you so" but I told you so. Last night, the Boston Celtics were focused on not only sending a message to the rest of the NBA but they wanted to avenge their March 22nd loss to the New Orleans Hornets. After trailing 60-56 at halftime, the green team clamped down on defense and exploded offensively in the 3rd quarter outscoring the Hornets 32-15 in the quarter. David West and Jannergo Pargo, who dominated in the second half of the last contest were both held in check.
Rajon Rondo established the tempo early and drove often, several times he left leading NBA MVP candidate Chris Paul in the dust, only able to read the back of his jersey as he scored the ball. While CP3 finished with 22 points 10 assists and 3 steals he was still -25 for the game (worst on his entire squad) and Rajon Rondo went for 17 points (on 8-10 shooting), 4 assists and 1 steal and checked in at +28 in 6 fewer minutes of work.

Paul Pierce abused Peja Stojakovich (who couldn't guard a mailbox) and Bonzi Wells (he's in shape..he's round) time and time again, ultimately ending with 27 points, 6 rebounds and a team high 9 assists (he also was a perfect 13-13 from the charity stripe) and Kevin Garnett finished the night with 21 points, 13 rebounds, 4 assists and 1 block. The tandem were both showered with chants of "MVP!" from the throng of Garden faithful during the game.

The Celtics shot just under 60% for the game (44-74 .595) and the outscored the Hornets 56-32 in the second half to win the game going away (we got to see Gino on the Jumbotron again!). The final score was: Boston Celtics 112 New Orleans Hornets 92. The C's have now become the second team in the NBA (Utah Jazz) to defeat every other team in the league at least once this season. At 57-15, Boston now has a 6 game lead on the Detroit Pistons with 10 games left in the regular season.

I fully expect to see Paul Pierce and Kevin Garnett to move up that damn MVP Top 10 ranking list that scrolls at the bottom of the screen on NBA TV starting on Sunday. It' s time for the rest of the country to recognize and realize that Green is the new Black. Black is the new President and the Boston Celtics are the best team in the NBA. See you all come playoff time.

One.
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I know this stuff is pretty basic but I just want to stress the importance of this ep. Along with Bad Brains and Black Flag, (middle class etc.) this was one of the first hardcore punk records to come out. It's one of my favorites as well. This is Dischords first release. Ian Mackaye and the dischord staff folded each and everyone of these by hand and glued them all. I actually dont even like posting dischord stuff on here because I think you should support them, because their business is run how a real records company should be run. I think im justified in saying that.



Buy this album!
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Street Punk rápido, sujo e agressivo vindo diretamente das ruas de Estocolmo, Suécia. O resto é irrelevante. Para fãs de Exploited e Casualties.

Tracklist:
01-Jinx army
02-Chartbuster
03-Wake up
04-All the way
05-Dragonchase
06-Don't stand in my way
07-War
08-Never run (streetfight)
09-For exploited
10-Fire fire
11-We won't change
12-Love's just for fools

Download

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Quinteto formado em 1993 na cidade alemã de Frankfurt. Não há muito o que falar sobre a banda, já que essa é bastante conhecida no meio. O que me chamou a atenção neles foi a participação no documentário Skinhead Attitude e o fato de possuírem um saxofone (lembrando muito vagamente os franceses do Brutal Combat). Baixe e tire suas próprias conclusões.

Tracklist:
01-Drinking on and on
02-All you need is hate
03-Have your fun
04-You'll never walk alone
05-Furious and in passion
06-Far away from real life
07-Dead but not forgiven
08-Power of the city
09-Out of work
10-Politicians don't change nothing
11-The jester in our mind
12-They're watching me
13-We've got to fight

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.
The band "Extended Versions" was a duo of tall, scary, grimy Austrian leftists (Christof Kurzmann and Helmut Heiland) who made a raucous noise with scratchy guitar, fuzz bass, soprano sax, flute and an overtaxed drum machine. The were influenced by "Suicide" and "The Velvet Underground", and sounded like a less-patient "39 Clocks".

As "The More Extended Versions" they released a great cooperation CD with "Cpt. Kirk &.", a band from Hamburg. It was a Robert Wyatt tribute, but it also had Cypress Hill and Epic Soundtracks covers and other stuff which they associated with Wyatt. It was one of those both political and cultural informed projects back in the 90ies of the last century, when leftist activists and cultural protagonists tried to find a mutual way in opposition to the growing nationalism and racism in Germany. Loved this album in those days and listening to it now is still a pleasure. A worthy and intelligent supplement to the discography of Robert Wyatt.

The More Extended Versions & Cpt. Kirk &. - Round About Wyatt
(192 kbps, front cover included)
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JIMMY HENDRIX Y B.B KING - THE KING'S JAM - APRIL 9, 1968 GENERATION CLUB, NYC
weno, este disco lo pille un dia por ahi en la web, y me llamo mucho la atencion. ni weon, lo baje al tiro XD, y me gusto mucho, es re piola. mas que nada, muestra una imporvisacion de los maestros estos, ya que solo tocan 2 temas (like a rolling stone y it's my own fault) y el resto son improvisaciones (tres diferentes, dividas en tracks). eso es lo que mas me gusta del disco, me gusta mucho cuando las bandas se van en la media vola improvisando, asi como ejemplo led zeppelin con whole lotta a love en vivo, o deep purple al final de strange kind of woman, y casi en general todas las bandas de esa epoca. me hubiese gustado vivir mis 15 años a finales de los sesenta XD, pero bueno, no se pudo no mas.
eso, toy apurado, espero que lo disfruten tanto como yo

ROCK N ROLL!!!

TRACKLIST:
01.Like a Rolling Stone
02. Blues Jam #1, Part 1
03. Blues Jam #1, Part 2
04. Band Introduction by B.B King
05. Blues Jam #2, Part 1
06. Blues Jam #2, Part 2
07. Blues Jam #3
08. It's my own Fault.

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Last LP from the mighty Garage Beat Girls in 1999 and in great form as always!
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"SEARCHING IN THE WILDERNESS" VAtrax:
1. But I'm So Blue - The Namelosers 2. You Can Be My Baby - The Red Squares 3. For Another man - The Motions 4. Everybody knows - Sean Buckley & The Breadcrumbs 5. You Got What I Want - The Boys Blue 6. Things She Says - The In Crowd 7. Little Lover - The Cherokees 8. Won't You Listen - The Outsiders 9. I'm Losing Tonight - A Passing Fancy 10. Keep A Knockin' - The Outlaws 11. It Came To Me - Q 65 12. Chunk Of Steel - The Golden Earrings 13. I'm So Restless - Cuby & The Blizzards 14. Heartbreak Hotel - The Snobs 15. You're Holding Me Down - The Buzz 16. Searching In The Wilderness - Alan Pounds Get Rich 17. All Aboard - The Munsell Raves
...served by Gyro1966...
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... Plenty of wild and primitive vocals and guitars, all taken from small local labels.

"MINNESOTA ROCK-A-BILLY ROCK" - Vol. 3 VAtraxfromwax:
1. diggin' that rock & roll - Stinton Brothers 2. the lightning strikes - D.J. and The Cats 3. what's up doug? - The Inn-Truders 4. never been blue - Harvey Urness 5. if you want to be my baby - Danny & The Galaxies 6. ad lib - The Galaxies 7. oh yeah - The Blue Kats 8. vulcano - The Carvairs 9. come back baby - Evans Carroll & The Tempos 10. livin' doll - Jim Eddy 11. wrong kinda lovin' - Les Tucker 12. the flip - Sue Arlington 13. lost love - The Torrells 14. blue black hair - The Jades 15. surfin' crow - The Jades
...served by Gyro1966...
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"BABY WHAT'S NEW" - USA Garage Greats 1965-1967 (and beyond!) VA (GYRO RECORDS)Highlights include Peter Wheat & The Breadmen, The Briks, and The Monacles. As usual, Gyro Records travels all over the USA to bring you the many varied styles of 60's garage!traxfromwax:
1. Foolish Baby (DOT) - The Briks 2. Can You See Me (DOT) - The Briks 3. Heartaches For Me (no label) - The Monacles 4. I Can't Win (no label) - The Monacles 5. I Don't Know (Marina) - The Busy Signals 6. The Losers (Marina) - The Busy Signals 7. Fast Retreatin' Female (Atco) - Charlie Brown's Generation 8. Trash (Atco) - Charlie Brown's Generation 9. Everything's Been Wrong (Golden World) - Larry Knight & The Upsetters 10. Hurt (Golden World) - Larry Knight & The Upsetters 11. You'll Be Mine (Custom) - Brym-Stonz LTD. 12. Times Gone By (Custom) - Brym-Stonz LTD. 13.All The Time (Amber) - Peter Wheat & The Breadmen 14. Baby What's New (Amber) - Peter Wheat & The Breadmen 15. Leave Or Stay (unissued demo) - The English Muffins 16. Get It On (unissued demo) - The Nite Beats 17. If I Cry (Pyramid) - The Fabulous Wunz 18. Please (Pyramid) - The Fabulous Wunz 19. Last Train (Kingston) - The Counts 20. I Will Lose My Mind (Kingston) - The Counts 21. Come On Along With Me (Philips) - Bobby & The Dukes 22. Big Mama (WM+RC) - Bobby Simms & The Simmers 23. Country Club Life (Brookmont) - The Loved Ones 24. Together, Together (Brookmont) - The Loved Ones 25. Dance USA! (Wynwood) - The Shoremen 26. I Expect Too Much (Wynwood) - The Shoremen 27. Just A Little Bit (PYE) - The Undertakers 28. Stupidity (PYE) - The Undertakers 29. Tossin' And Turnin' (Soma) - The High Spirits 30. (Turn On Your) Love Light (Soma) - The High Spirits
...served by Gyro1966...
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... Van Dyke's sprawling, tropical fever dream. What does it sound like? I liken it to giving a bunch of Disney characters lost in Trinidad with nothing but a bottle of booze and a bag of coke. I dunno. It's a whole hill of fun and a big kick in the rubber parts. Light the tiki torches, crank it up, and relax. - By Patrick Crain (Oklahoma City, Oklahoma United States)

Van Dyke Parks "Discover America" 1972After reading reviews for other Van Dyke Parks albums, I'm amazed at how easily this one gets overlooked; Mr. Parks certainly has many strong albums which deserve heaping amounts of credit (Song Cycle and Jump! come to mind first), but to me this one is the perfect blend of the artistic sensibilities of "Song Cycle" and the listenability and pop/catchiness of "Clang of the Yankee Reaper" (The albums released just before and after "Discover America"). To my ears, this one has just the right combination of elements from both albums, and has proven to be the one I come back to listen to the most. Some people may gripe that there are a number of covers on this album (as another reviewer mentioned, "Roosevelt in Trinidad" contains a number of the original versions): But this is where Park's talent for instrumentation, arranging and personalizing material shines through. This album swells and swoons in all the right places; it is a funky feverish haze with exquisite instrumentation, arrangements, and just the right mix of artistic pretention and outright feelgood funkiness. A tropical cocktail that'll shake you! - By Josh Z. Bonder "a sound painter" (Toronto) - amazontrax:
1. Jack Palance 2. Introduction 3. Bing Crosby 4. Steelband Music 5. The Four Mills Brothers 6. Be Careful 7. John Jones 8. FDR In Trinidad 9. Sweet Trinidad 10. Occapella 11. Sailin' Shoes 12. Riverboat 13. Ode To Tobago 14. Your Own Comes First 15. G-Man Hoover 16. Stars And Stripes Forever 17. Out On The Rolling Sea Where Jesus Speaks To Me
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"Absolute Classic Masterpieces" documents the dark jangle pop of Felt between the years of 1979 and 1985; it's a best-of collection for a band that always deserved more attention. The tracks run in reverse chronological order, starting with "Primitive Painters," a song that charts the territory where The Cocteau Twins, The Fall, and The Smiths overlap, and ending with the very first demo single "Index." The order of the tracks means that you are listening to the band devolve into its influences, and the effect is enjoyable. "Primitive Painters" is a lost treat if ever one existed; along with the next three tracks, it was produced by Robin Guthrie of The Cocteau Twins. "Primitive Painters" also features Elizabeth Frazer of The Cocteau Twins on vocals. Guthrie is not the only famed producer whose work appears here; three John Leckie tracks are also included, from the "Strange Idols Pattern & Other Short Stories" album. While most of the slower songs appear toward the end of the album, making it a somewhat sleepy affair as it winds down, there are charms like "The World Is as Soft as Lace" to liven things up. "Penelope Tree" sounds a bit like Lou Reed fronting The Cure. There's great material to be found throughout the work of Felt, so this collection would work regardless of its running order. Newcomers looking for their first Felt album should start here, with the knowledge that there is quite a bit of dark atmosphere layered over the pop charms within. While these songs might not be masterpieces, as the album title would have you believe, there are many near-masterpieces of moody jangle pop just waiting to be rediscovered. [Source: AMG]


Felt - Primitive Painters

Credits:

Producer - John Leckie (tracks: 5 to 7), John Rivers (tracks: 8 to 16), Robin Guthrie (tracks: 1 to 4)

Notes:

All the Felt singles on Cherry Red compiled on to one 18 track CD. Beginning at the end with the majestic "Primitive Painters" and finishing with their first single "Index", which had only previously ever appeared on 500 long deleted 7" singles. The specially packaged booklet contains the full story of Felt plus all the lyrics.

Track Listing:

1. Primitive Painters (5:58)
2. The Day The Rain Came Down (2:57)
3. My Darkest Light Will Shine (2:55)
4. Textile Ranch (2:56)
5. Sunlight Bathed The Golden Glow (2:53)
6. Crystal Ball (2:56)
7. Dismantled King Is Off The Throne (2:50)
8. Fortune (3:35)
9. Dance Of Deliverance (8:23)
10. The Stagnant Pool (8:25)
11. Red Indians (1:52)
12. The World Is As Soft As Lace (4:15)
13. Penelope Tree (3:00)
14. Trails Of Colour Dissolve (3:05)
15. Evergreen Dazed (5:00)
16. Templeroy (5:30)
17. Something Sends Me To Sleep (2:52)
18. Index (4:06)

Blogload:
Felt- Absolute Classic Masterpieces 1979-1985 (1992) - Part 1
Felt- Absolute Classic Masterpieces 1979-1985 (1992) - Part 2
Link - Sat, 29 Mar 2008 00:53:13 GMT - Feed (1 subs)

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viernes 28 de marzo de 2008


POWERPOP THE PUNK!
Neste sexto volume, Drunksongs traz uma coletanea voltada para o punk setentista com influencia do powerpop do fim dos anos 60, começo dos anos 70, 16 punk blasts, totalmente energéticos!
Podemos definir o Powerpop, como sendo a mistura do melhor do rock, com o melhor do pop, ou seja, a energia do rock com a abrangencia do pop, dentro dessa proposta, nasceram otimas bandas, que por sua vez, influenciaram muito o punk setentista, principalmente inglês, Carpettes, The Boys mostram claras influencias do genero, e nunca deixando de lado o punk rock em suas musicas, o mesmo se aplicando as outras bandas, como os canadenses do Pointed Sticks, e os ingleses naturais de manchester do Fast Cars, essa duas ultimas, sendo referencias dentro do Punk/Powerpop.
A DrunkComp#6 ainda traz os americanos do Criminals, seus conterrâneos da maravilhosa Real Kids.
Completando essa coletanea, Incredible Kidda Band demonstra como se faz 'powerpop for the punk generation' e fechando as bandas dessa coletaneas, os mod/pop/punks do Jags.
Esperamos que curta mais essa coletanea, recheado de classicos e de bandas menos conhecidas dentro dessa vastidão que se chama punk rock.

Various Artists
DrunkComp#6
Powerpop the Punk!
2008
size:68,7MB

01.The Pointed Sticks - I'm Numb (2:03)
02.The Pointed Sticks - Out of Luck (2:32)
03.Real Kids - Solid Gold (Thru And Thru) (2:08)
04.Real Kids - All Kindsa Girls (3:38)
05.Jags - Party Games (5:22)
06.Jags - Back Of My Hand (3:16)
07.Criminals - The Kids Are Back (2:43)
08.Criminals - The Cops Are Coming (2:18)
09.Carpettes - Dead Or Alive (4:56)
10.Carpettes - The Reason I'm Lonely (2:43)
11.The Incredible Kidda Band - I'm Gonna Join the Army (3:19)
12.The Incredible Kidda Band - Bullet in my Heart (3:32)
13.The Boys - Scrubber (3:20)
14.The boys - Waiting for the Lady (3:30)
15.Fast Cars - Everyday I Make Another Mistake (2:47)
16.Fast Cars - Please Please Please (2:37)

DOWNLOAD
password: drunksongs.blogspot.com
Link - Fri, 28 Mar 2008 20:14:41 GMT - Feed (1 subs)

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Dyke & The Blazers "We Got More Soul"... In a nutshell, Dyke (real name Arlester Christian… you can guess why he liked the nickname better!) was born in Buffalo, NY, got serious about music and playing bass in Phoenix, played the local circuit there for a while. James Brown at one point saw him as a serious rival. It's surprising to me how overlooked he is, even in a scene where guys like keb darge have made a business out of digging crates and publishing comps. (dyke's the first to mention the word 'funk' in a song title, I think.) some critics say he's too JB-derivative, I'd say he and JB both pushed the evolution of R&B into funk hard, JB being the more talented and original of the two. The sound's coarse and raw. Lots of hip-hop/rap types've sampled his stuff – prince, ice cube, tupac… but D&TB is generally under the radar. He wrote 'funky broadway', but most people think that's Wilson Pickett's tune. He was shot and killed at the age of 27, would've been interesting what he'd have come up with if he'd lived as long as JB.
Coupla highlights – 'shotgun slim', 'we got more soul' (those horn stabs when he's doing the call-outs are killer), 'runaway people'… if you're only going to check out one side, go for CD2, that's his Hollywood stuff ('68-'70), CD1's from the Phoenix days ('66-'67) and shows him getting his stuff together. the comp itself does a solid job of introducing his work. Tags and artwork should be fine, let me know if there's a problem with anything.
Anyway, enough rambling. Hope you enjoy this as much as I do, and thx for an incredible blog." - by ksn

trax:
disc 1
1. Funky Broadway Parts 1 & 2 2. So Sharp 3. Swamp Walk 4. Broadway Combination 5. Uhh Parts 1 & 2 6. Extra Funk 7. City Dump 8. Don't Bug Me 9. Funky Broadway Time Part 1 10. Funky Broadway Time Part 2 11. She Knows It 12. Why Am I Treated So Bad 13. Triple Funk 14. The Wrong House 15. KGFJ Promos
disc 2
1. We Got More Soul 2. Booga Jivin' 3. The Wobble 4. Bring It On Back 5. Shotgun Slim 6. Funky Bull Parts 1 & 2 7. Black Boy 8. It's Your Thing 9. Let A Woman Be A Woman, Let A Man Be A Man 10. Funky Walk Parts 1 & 2 11. Soul Cake 12. Stuff 13. My Sisters' And My Brothers' Day Is Comin' 14. Moon 15. You Are My Sunshine 16. Let's Do It Together 17. I'm So All Alone 18. Runaway People
...served by ksn...
Link - Fri, 28 Mar 2008 06:47:10 GMT - Feed (2 subs)

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... as well as happening labels like Gaity & HEP (along with their custom releases). Some flat-out crazed rockin' with primitive guitar!

"MINNESOTA ROCK-A-BILLY-ROCK" Vol. 1traxfromwax:
1. record hop - Tom Scott 2. i dig - Don & Jerry & The Screamers 3. rock the blues away - Jack & The Knights 4. mean mama blues - Ronnie Ray & The Vultures 5. the vulture - Ronnie Ray & The Vultures 6. sally-jo - Jim Thaxter & The Travelers 7. cyclon - Jim Thaxter & The Travelers 8. three bad habits - Hal Fritz & The Playboys 9. goin' out on you - Hal Fritz & The Playboys 10. switchblade - Ron Thompson & The Brougham's 11. queen bee - The Orbits 12. barnyard rock 'n' roll - The Harmony Twins 13. downbeat rock - Eddie Randall & The Downbeats 14. moonlight rock - Chuck Carson
...served by Gyro1966...
Link - Thu, 27 Mar 2008 02:43:50 GMT - Feed (2 subs)

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...In the midst of the excitement, I suddenly flashed back in my mind to the first time I had heard the song. I was in Berry Gordy Jr.s' office at Tamla Motown in Detroit, a very impressive structure with a huge sign reading: "Hitsville U.S.A.". This is where it all began...the song...the group...the band...the session...the sound...and then, the record....
Berry laid a lot of good sounds on me that hot july afternoon, but a dozen songs later, the first was still the best.A new group with a new sound! "Berry, the Contours have got themselves a smash hit", were my exact words. And I didn't leave the office until I had a copy securely in my possession. - liner notes by Paul Drew

The Contours "Do You Love Me" 1962 (Motown Rec)The first LP released on Gordy Records is also the Contours' first and only regular album release on Motown; a later collection also titled Do You Love Me was a greatest-hits compilation. This is worth a few bucks if you can find a copy. Three cuts were released on the Motown label before they were switched to Gordy ("The Stretch," "Funny," and "Whole Lotta Woman"); all stiffed. On Gordy, the group enjoyed their biggest hit the first time out in "Do You Love Me." "You Better Get In Line," a slick dance number, died as the flipside of "Shake Sherrie." A lively "You Must Be Love" has Billy Gordon swapping leads with Joe Billingslea. "Shake Sherrie" has a looping beat, a wandering baritone sax, and incredulous vocals from Gordon, Billingslea, Sylvester Potts, Billy Hogg, and Hubert Johnson. The rest suffer from a lack of identity; neither the group nor Motown had defined their sound when these were cut. ~ Andrew Hamilton, All Music Guidetraxfromwax:
1. Do You Love Me 2. Just a Little Misunderstanding 3. Shake Sherrie 4. Can You Do It 5. Don't Let Her Be Your Baby 6. First I Look at the Purse 7. Whole Lotta Woman 8. Can You Jerk Like Me? 9. It's So Hard Being a Loser 10. You Get Ugly
Link - Thu, 27 Mar 2008 05:19:26 GMT - Feed (2 subs)

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"THE ROCK-A-ROUND" Hair-Raising Rock 'n' Roll From The Vaults Of The National Recording Corporation... even for the cats with shorter mops on their tops too! The work here's all pulled from the vaults of the National Recording Corporation -- and it features a great mix of gritty rock and R&B, all issued to a surprisingly colorblind southern market in a flurry of releases on labels that include Rebel, NRC, Fox, Jax, and Scottie. The LP features 18 tracks that include "The Rock A Round" by Paul Peek, "I'm Snowed" by Joe South, "Wolf" by Four Mints, "Caveman" by Tommy Roe & The Satins, "Bop Hop" by Little Jimmy Dempsey, "I Love You So Much" by Chuck Wiley, "Splashin" by Shades, "The Naughty Coo" by Wayne Cochran, "Baby Please Don't Leave" by Sweetie Jones, and "The Cat" by Rod Willis.traxfromwax:
1. the rock-a-round - Paul Peek 2. i'm snowed - Joe South 3. wolf - Four Mints 4. i love you so much - Chuck Wiley 5. scratching my screen - Ric Cartey6. strollin' after dark - The Shades 7. bop hop - Little Jimmy Dempsey 8. caveman - Tommy Roe & The Satins 9. baby that's all right - Joe South 10. the cat - Rod Willis 11. baby please don't leave - Sweetie Jones 12. sweet skinny jenny - Paul Peek 13. splashin' - The Shades 14. will travel - Rod Willis 15. you shouldn't oughta done it - The Night Owls 16. the naughty coo - Wayne Cochran 17. chills - Joe South 18. vendetta - Link Wray & The Wraymen
...served by Mojo...
Link - Fri, 28 Mar 2008 04:35:55 GMT - Feed (2 subs)

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... that legendary producer Norman Petty shepherded to the top of the charts in the late 1950s and early 1960s. Their unprecedented success inspired a generation of instrumental combos, several of whom decided to follow in the Fireballs footsteps and beat a path to Petty's door.

"That's Swift" - Instrumentals from the Norman Petty Vaults / VA"That's Swift" compiles the very best of the non-Fireballs rock instrumentals that Norman Petty cut in the early 1960s, and a rocking little disc it is too. Established professionals like Canada's successful Wes Dakus' Rebels rub shoulders with obscure outfits such as the Tiaras and the Chandelles, all showcasing the patented excitement that Petty pioneered with the Fireballs. There's R&B flavoured items from the Gliders and the Chances, moody melodies from the Techniques, King Pins and Bentleys, and several quasi-surf classics such as 'Jetster', 'Riptide' and 'Termites'. Most of the acts are from New Mexico and West Texas, and feature local guitar heroes like John Wagner (Five Counts) and Ysidro Garcia (Gliders).
As with all of Ace's releases featuring Norman Petty-produced material, "That's Swift" benefits from years of meticulous tape research, and thus boasts much unissued material and top-notch sound. The packed booklet goes into depth about these recordings, the bands that cut them, and Petty's world-renowned production techniques. Utterly essential for all instrumental and Norman Petty fans alike. - Amazon

trax:
1. Door Banger aka Ninety Four Second Surf - THE KING PINS 2. El Gato - THE CHANDELLES 3. Riptide - THE IMPACTS V 4. Skuzzy - THE FIVE COUNTS 5. Sour Biscuits - WES DAKUS' REBELS 6. Exotique - THE RHYTHM MASTERS 7. Las Vegas Scene - THE CANADIAN NOMADS 8. Black Grass - THE CHANCES 9. Wild Jam - THE GLIDERS 10. Manipulator - WES DAKUS' REBELS 11. Torquette or Torquay - THE FIREBALLS 12. Mexican Rock - THE TIARAS 13. Dream Theme or King - THE TECHNIQUES 14. That's Swift - THE FIVE COUNTS 15. Boy Blue - THE KEYMEN 16. Jester - THE CHANDELLES 17. Portugal - THE BENTLEYS 18. Side Winder - WES DAKUS' REBELS 19. Rod Hot Rod - THE KING PINS 20. Termites - THE CORDS 21. Camelback - THE CHANCES 22. Wild Kitten - THE RHYTHM MASTERS 23. Bach's Back! - WES DAKUS' REBELS 24. Skokiaan - THE FAYROS
...served by Charles Vine...
Link - Thu, 27 Mar 2008 06:19:20 GMT - Feed (2 subs)

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... all from the original 45's! Other highlights are The Disillusioned Younger Generation (practically pre-teens!), The Boss Five, The Kings Court, The Emporers, and much more. Just put this on and enjoy.

"I LIVE IN THE SPRINGTIME" USA Garage Greats 1965-1967 (and beyond!) VA (GYRO RECORDS)traxfromwax:
1. it just ain't right (Date) - London & The Bridges 2. leave her alone (Date) - London & The Bridges 3. tell it to the preacher (Date) - London & The Bridges 4. city i was born in (Date) - London & The Bridges 5. i want my woman (Sabra) - The Emporers 6. and then (Sabra) - The Emporers 7. i need somebody - Ed Wool & The Nomads 8. psychedelic pill (No Label) - The Tyde 9. lost (No Label) - The Tyde 10. you cheat too much (Impact) - The Boss Five 11. please mr. president (Impact) - The Boss Five 12. don't put me on (Wheels 4) - The Kings Court 13. midnight hour (Wheels 4) - The Kings Court 14. baby please don't go (Tower) - The Moonrakers 15. i don't believe (Tower) - The Moonrakers 16. i live in the springtime (Rembrant) - The Lemon Drops 17. listen girl (Rembrant) - The Lemon Drops 18. walkin' shoes (No Label) - The Trolls 19. how do you expect me to trust you (No Label) - The Trolls 20. for my own (Thrush) - Jerry Waugh 21. i told her goodbye (Thrush) - Jerry Waugh 22. sorry (U-Doe) - The Palace Guards 23. better things to do (U-Doe) - The Palace Guards 24. who do you think you're fooling (DYG) - The Disillusioned Younger Generation 25. a man (DYG) - The Disillusioned Younger Generation 26. time and place (Mala) - The Oxfords 27. 'talkin' bout you (JOX) - The Sixth Edition 28. your kind of lovin' (JOX) - The Sixth Edition 29. extra girl (Columbia) - The Blue Beats 30. she's the one (Columbia) - The Blue Beats
...served by Gyro1966...
Link - Thu, 27 Mar 2008 02:28:26 GMT - Feed (2 subs)

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THE COASTERS "20 GREAT ORIGINALS" 1978Their undeniably funny lyrics and on-stage antics might have suggested a simple troupe of clowns, but Coasters records are no mere novelties -- their material, supplied by the legendary team of Jerry Leiber and Mike Stoller, is too witty, their arrangements too well-crafted, and the group itself too musically proficient. That engaging and infectious combination made them one of the most popular early R&B/rock & roll acts, as well as one of the most consistently entertaining doo wop/vocal groups of all time.traxfromwax:
1. Riot In Cell Block Number 9, 2. Smokey Joe´s Cafe, 3. Framed, 4. Turtle Dovin´, 5. Down In Mexico, 6. Young Blood, 7. Searchin´, 8. Idol With The Golden Head, 9. Yakety Yak, 10. Zing Went The Strings Of My Heart, 11. The Shadow Knows, 12. Charlie Brown, 13. Along Came Jones, 14. Poison Ivy (unedited), 15. What About Us (alternate), 16. I´m A Hog For You Baby, 17. Run Red Run (alternate), 18. Shoppin For Clothes, 19. Little Egypt, 20. Bad Blood (alternate)
ripped from wax in glorious monoloudarama!
Link - Thu, 27 Mar 2008 10:45:17 GMT - Feed (2 subs)

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"Van Dyke Parks has always been one of the great charlatans of US music history!" - SendMeRSS
Van Dyke Parks "Song Cycle" 1968Former child actor Van Dyke Parks had reinvented himself as a songwriter, arranger, raconteur, and budding conceptualist when Warner Bros. bankrolled this brave, baroque 1968 debut, which has achieved true notoriety in the annals of '60s California pop. More heard-of than heard, Song Cycle sailed against the tide of guitar-driven, blues-drenched rock to bet on the orchestral ambitions of Sgt. Pepper, weaving a conceptual tapestry from folk, Tin Pan Alley, and classical strands. In place of generational anthems or confessional love songs, Parks's coy, modest tenor offered intricate, impressionistic wordplay ripe with puns, multiple-entendres, and geopolitical allusions far beyond the pale of countercultural rock. On songs such as "The All Golden," "Palm Desert," and "Laurel Canyon Blvd.," you'll hear poetic links to Brian Wilson's most convoluted, internalized soundscapes, as well as a wily musical intelligence that will either intoxicate or infuriate you. Not unlike a brattier, Californian cousin to Stephen Sondheim, Parks revels in musical and thematic puzzles, and Song Cycle offers his most seductive and challenging ones. - Sam Sutherlandtrax:

1 Vine Street (Randy Newman)
2 Palm Desert (Van Dyke Parks)
3 Widow's Walk (Van Dyke Parks)
4 Laurel Canyon Blvd. (Van Dyke Parks)
5 The All Golden (Van Dyke Parks)
6 Van Dyke Parks (Public Domain)
7 Public Domain (Van Dyke Parks)
8 Donovan's Colours (Donovan Leitch)
9 The Attic (Van Dyke Parks)
10 Laurel Canyon Blvd. (Van Dyke Parks)
11 By The People (Van Dyke Parks)
12 Pot Pourri (Van Dyke Parks)
CD bonus track (on Rykodisc release):
13 The Eagle And Me (Arlen/Narberg)
Producer: Leonard Waronker
Link - Fri, 28 Mar 2008 04:37:10 GMT - Feed (2 subs)

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"WHAT IN THE WORLD" - USA Garage Greats 1965-1967 (and beyond!) VA (GYRO RECORDS)We have more monsters here like The Reasons Why, Nobody's Children,The William Penn Fyve and Danny's Reasons. How about the rare Kandy Kolored Konspiracy? There's so much more here... Gyro Records continues to release amazing comps- I really don't know how they are doing it! (Check out the top notch art work, and you have an ace comp.)traxfromwax:
1. What In The World (Analysis) - The Vectors 2. It's Been A Day Or Two (Analysis) - The Vectors 3. She's Gone (Mirimar) - The Dovers 4. What Am I Going To Do (Mirimar) - The Dovers 5. Night Time-Day Time (KM) - The Reasons Why 6. All I Really Need Is Love (KM) - The Reasons Why 7. Girl- I Need You (Kiderian) - Nobody's Children 8. As Fall The Leaves (1776) - The Patriots 9. Unkind Love (1776) - The Patriots 10. Walk Me Out (Jabberwock) - The Bethlehem Exit 11. Blues Concerning My Girl (Jabberwock) - The Bethlehem Exit 12. Strange One (Rowena) - The 4th Street Exit 13.One Million People (Media) - Kandy Kolored Konspiracy 14. Does The Circus Ever Close (DSP) - The Shandell 15. You Made Me Feel So Good (Cha Cha) - The Sonics 16. Introduction To The Sonics (Cha Cha) - The Sonics 17. Triangles (Carnaby) - Danny's Reasons 18. Swami (Thunderbird) - William Penn Fyve 19. Blow My Mind (Thunderbird) - William Penn Fyve 20. Like A Woman (Freeport) - The Group Inc. 21. Just Call Me Up (Freeport) - The Group Inc. 22. It's Not Fair (Gloria) - The Lost Souls 23. Enchanted Sea (Gloria) - The Lost Souls 24. I Still Care For You (USA) - Jimmy Null & The Inversions 25. Good Good Lovin' (USA) - Jimmy Null & The Inversions 26. Ya Gotta Be Good, Baby (Spirit) - The Fairviews 27. Twinkee Lee (Spirit) - The Fairviews 28. Love In Her Eyes (Earic) - Michael & Lee 29. It's You I'm Thinking Of (Earic) - Michael & Lee 30. Snookie Baby (Knoll) - Freddie & The Swingin' Bachelors 31. You Had Your Chance (Knoll) - Freddie & The Swingin' Bachelors 32. Girl (Syncro) - The Staccatos 33. Gypsy Girl (Syncro) - The Staccatos
...served by Gyro1966...
Link - Fri, 28 Mar 2008 02:39:50 GMT - Feed (2 subs)

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... but why that is is simply beyond me. Maybe it's because they're Swedish, and have simply been given the slip because of the success of so many other Swedish rawk'n'roll acts, who knows...

THE DEE-RANGERS "Five Spanish Minutes"... I guess it's a good thing we don't have to rely on hype to know what's good, right? Well, some of us don't, I suppose. The garage freaks in Europe seem to know what's up, as these guys have been invited to play at some pretty high-profile festivals over the past year or so, including Gearfest in Sweden this past June, the Primitive 2 Dutch International Garage Festival in July, and they're booked for the Spanish Beat Goes On festival that's taking place just a couple of weeks from now. And there's good reason why they're finally getting this much-deserved exposure. While these guys have been kicking some serious garage-punk ass for quite a while now, accumulating quite an impressive discography of singles on such great labels as Estrus, Rockin' Bones, and Munster, they haven't been able to put forth that one really great record that might just push them to the top of the heap… that is, perhaps, until now. Quite frankly,Five Spanish Minutes was one of the best rock'n'roll releases of 2005, yet unfortunately I don't think many people on this side of the Atlantic even knew about it. In fact, only one person even bothered to list it in the Best Albums of 2005 topic on the message board (go figure). This is simply a fantastic album, and, in this humble reviewer's opinion, is easily the band's best to date (the other two being 2002's So Far Out So Good and 2003's Pretty Ugly Beat—both on the now defunct White Jazz label). This new LP, which was released towards the tail-end of 2005 on Germany's Screaming Apple Records, is ripe with organ-driven, hip-shakin', swingin' '60s-flavored garage rock, and the album is not short on great songwriting that includes powerful hooks that make it one of the most memorable LPs I've heard in quite some time. But what impressed me most about this album was the band's obvious departure from the more Fleshtones-influenced sound of their previous records. I don't know if "matured" is the word I really wanna use here (since maturing in rock'n'roll is usually so closely related to suddenly sucking ass), but it's clear to me that they've really come into their own on this release and have nailed down a sound that is anything but bland or predictable retro-garage. Indeed, it's records like this that clearly show that this often overly crowded genre still has the potential to produce exciting music that takes the best elements of the past and throws them at ya with enough verocity that you can't help but be optimistic about the future of garage rock. Let's just hope that the Dee Rangers continue to be a part of that future. Enjoy the MP3s below. They're my top picks from Five Spanish Minutes. (garagepunk.com)trax:
1. You Gotta Understand 2. Hey Girl 3. Those Days Are Gone 4. Something I Don't Know 5. Easy To See 6. Empty House 7. Back In My Life 8. I Miss My Girl 9. Out In The Jungle 10. Girl I Know 11. Show Me 12. This Is Dee Day
...served by Gyro1966...
Link - Thu, 27 Mar 2008 02:25:45 GMT - Feed (2 subs)

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MAGIC SAM "Black Magic" 1968Absolutely essential for any one who loves urban electric blues. The singing is absolutely incredible --one of the most powerful and expressive voices in the history of the blues. His guitar playing, rhythmic drive, and arrangements are also excellent and unique-he died soon after these 2 albums were recorded just as he seemed about to break out into stardom. His slow songs exhibit a soulfulness that is incomparable and the faster songs have a drive and excitement that is also beyond compare. You can't go wrong with these two albums--highest recommendation possible. (Amazon)

traxfromwax:
1. i just want a little bit 2. what have i done wrong 3. easy, baby 4. you belong to me 5. it's all your fault 6. i have the same old blues 7. you don't love me, baby 8. san jose 9. stop! you're hurting me 10. keep loving me baby
...served by Gyro1966...
Link - Thu, 27 Mar 2008 02:35:04 GMT - Feed (2 subs)

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"MINNESOTA ROCK-A-BILLY-ROCK" - Vol. 2 VAtraxfromwax:
1. my little sue - Terry Lee & The Poorboys 2. driftin' - The Poorboys 3. dream night - The Houle Brothers 4. homocide - Myron Lee & The Caddies 5. watch your step - The Galaxies 6. minus one-blast off - The Sonics 7. wild party - The Vilados 8. mary's swingin' lamb - Myron Lee & The Caddies 9. bloodshot - The String Kings 10. the bash - The String Kings 11. hush hush little baby - Bob & Denny, The Dennis Brothers 12. guitar boogie - Andy Walsh 13. aw c'mon baby - Myron Lee & The Caddies 14. marlene - The Sonics 15. flyin' high - The Thundermen
...served by Gyro1966...
Link - Fri, 28 Mar 2008 06:34:38 GMT - Feed (2 subs)

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joestrummer.jpg

La última obra del director Julien Temple es un documental sobre la influyente vida y época de Joe Strummer, líder de The Clash, venerado icono del punk, locutor de radio y, en sus propias palabras, -tonto fanfarrón-.

La película utiliza una deslumbrante mezcla de varias entrevistas inéditas y escenas de la vida del artista con entrevistas originales con muchos de sus viejos amigos, componentes de grupos en los que estuvo y un montón de admiradores famosos, como Bono, Red Hot Chili Peppers, John Cusack, Johnny Depp y Martin Scorsese.Temple sigue los pasos del artista, desde su infancia como John Mellor a su (prematura) muerte, utilizando una enorme variedad de materiales, como dibujos, animación, viejas películas y anuncios, todo amalgamado con voces en off extraídas de los programas de radio de Strummer de los 90 para la emisora BBC World Service.Incluso si no conocías el trabajo de The Clash o de Strummer, no te pierdas este gran documental que además de entretenido y educativo tiene una banda sonora maravillosa.

PREESTRENO BARCELONA: Miércoles 3 de Abril. Cines Verdi (Sala 1) 22h.
PREESTRENO MADRID: Jueves 4 de Abril. Cines Verdi 22h.

Después del documental actuará The New Raemon interpretando 4 versiones de The Clash

TRAILER:
http://www.youtube.com/watch?v=xg3md__8IaQ

Link - Comments - jordi - Fri, 28 Mar 2008 05:14:43 GMT - Feed (1 subs)
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The Leather Nun once shocked an audience by showing a porno movie at a concert. While Sweden is often seen as the country that spawned disco queens ABBA, Leather Nun are its bastard sons. Careening from garage rock to goth and industrial, Leather Nun became cult heroes in their native land. Naming themselves after a London stripper, Leather Nun was formed in Goteborg, Sweden, in 1979 by Jonas Almqvist (vocals), Bengt "Aron" Aronsson (guitar), Freddie Wadling (bass), and Gert Claesson (drums). Inspired by both Throbbing Gristle and Lou Reed (Almqvist's half-spoken, half-sung vocals were obviously patterned after Reed's), Leather Nun recorded their debut EP, "Slow Death", in 1979. Wadling left Leather Nun in 1982 and joined Blue for Two. A handful of singles followed before Leather Nun released their first LP, "Alive", in 1985. The group's imported singles found their way onto U.S. college radio stations, earning substantial airplay with "Pink House," a deadpan parody of John Mellencamp's "Pink Houses." Leather Nun's American audience eventually eclipsed their small following in Sweden as they never took off at home. In 1988, Leather Nun were reviewed in Rolling Stone magazine, rare mainstream media coverage for the band. Aronsson recorded a solo album, "Purification", as Sister Aaron in 1993. [Source: AMG]

Track Listing:

1. I Can Smell Your Thoughts
2. Jesus Came Driving Along
3. Pink House
4. For The Love Of Your Eyes
5. 506
6. Desolation Avenue
7. Gimme Gimme Gimme (A Man After Midnight)
8. Prime Mover
9. Death Threats
10. Have Sex With Me

Blogload:
The Leather Nun - Force of Habit (1987)
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Este que les dejo es el EP del año 2000, de este es-pec-ta-cu-lar bandón punk londinense, formado allá por 1976.
  1. reclaim the street
  2. metro
  3. go home
  4. something in the air
  5. the revolution's here
  6. party in paris
  7. something in the air (dub)

descargar!!

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Este es el EP de 1982 de esta más que 'muy particular' banda hardcore punk de Austin, Texas, formada en 1979.
  1. nervous
  2. apolitical
  3. hollywood swinging
  4. prison
  5. we got soul
  6. fun, fun, fun

descargar!!

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Aquí les dejo este split de estos tres 'cachos' de bandas hardcore!! dr. know de Oxnard, California; fang de Berkeley, California; y the hellions de Palm Desert, California.
  1. life saver (dr. know)
  2. down at the bottom (dr. know)
  3. i'm so punk (dr. know)
  4. you know (dr. know)
  5. into the dirt (hellions)
  6. deathrow romeo (hellions)
  7. do what i want (hellions)
  8. mazzuki (hellions)
  9. boot party (fang)
  10. babes in crankland (fang)
  11. laidback (in o.d.) (fang)
  12. sin for me (fang)

descargar!!

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This has been the smoothest writing week for me in about a month. I did almost experience a problem with my mega post of the week about the Sprite Curse (it was supposed to go up last month but I ran into a wall while investigating it) but I was able to post it up (and edit it further this morning) with no problem.

I've also moved into sole possession of 1st place in Dallas Penn's NCAA Tournament Pick 'Em...too bad I didn't pick past the Final Four. This week several albums that will be dropping soon hit the internet and the bloggerverse, chief among them being the three I'll be reviewing today. In order they'll be LMNO & Kev Brown's "Selective Hearing", AZ's "Undeniable" and the long awaited C.R.A.C Knuckles "The Piece Talks".

Since so many of you are curious to hear (or read) my take on these albums I won't waste any more time and just get to business. I don't rate albums on a scale or assign them a numerical value out of 5 or 10, instead I merely answer the all important question of "Is it worth buying or not?". Here's how my "Cop It Or Not" ratings system breaks down below:

Oh No! This CD is a drink coaster/table balancer/doorstop/gerbil/hamster room divider/frisbee/discus/makeshift shield/last ditch choice for a visor/alternate shuriken choice. Sell this shit to whoever is dumb enough to buy it from you.

Maeby (Maybe)! Depending on your own set of personal preferences you might like this joint. Give it a listen first to see if it's in your lane or not.

Mos Def! Cop the album when it drops...'Nuff said.

I drop bombs like bad receivers © AG


LMNO and Kev Brown collaborated on a new project called "Selective Hearing". Kev Brown is a well respected Hip Hop producer from the Maryland/D.C. area and LMNO is a West Coast rhyme veteran with some solo classic under his belt as well as some classic material recorded with his group The Visionaries (if you've never heard "Blessings" or "If You Can't Say Love" then I pity you, fool). LMNO is also a Christian (with some Rastafarian undertones) and he doesn't hesitate to mention it in his rhymes. Did the Christian Rap aspect hurt the album at all in my opinion? Read below:

Best Joints: Fanfare, The Beat Tape, Who's That, Show Up, Selective Hearing, Get Away (This song references camping, hiking, veggie links, soy bacon and Jesus...I still like it. Kev Brown, you're a beast!), The Cause, We Got This, Unheard (Jesus Alert!), Make A Way, Raise

Hot Garbage: N/A

Dart's Take: If you're a fan of LMNO, The Visionaries or Kev Brown than this album is a no brainer definite buy already. For those of you not familiar with LMNO (God forbid you've never at least heard "Grin And Bear It") at all then his rhyme style might grate on your nerves. Between Kev Brown's ill production work and verses plus guest appearances from Oh No, Dudley Perkins, Georgia Anne Muldrow ("I stay woke") and Ariano this is a nice album (though it's a little on the short side).

The bonus is the Kev Brown instrumentals (which I've been killing!) more than make up for the length of the album. I give this one a recommended maybe because some people don't expect a dude to profess his love for Jesus repeatedly while his rhyming. Definitely worth checking out.




AZ is one of my favorite all time emcees and he has been since I heard his first recorded verse on Nas' "Life's A Bitch" back in 1994. Now, almost 15 years later the one known as The Visualizer hasn't shown a sign any signs of rust. Ever since his 2002 LP "Aziatic" he's been on a roll making excellent album after excellent album, does AZ's hot streak continue? Read my take on it below:

Best Joints: The Game Don't Stop, Superstar, Life On The Line, Fire, What Would You Do, Dead End, Parking Lot Pimpin', Undeniable, Go Getta (between this joint and the Styles P song, Ray J's on quite a run!), Now I Know, A. Game, The Hardest, You Can't Be Serious (Bonus track)

Hot Garbage: N/A

Dart's Take: AZ's masterful flow allows him to kill tracks that 80% of rappers would sound absolutely horrible on. Every track he's on is an enjoyable listen because AZ can carry the listeners attention and never bore you. He absolutely kills joints like "The Game Don't Stop", "Life On The Line", "Fire", "Dead End" and "Parkin' Lot Pimpin". I have been playing this album damn near nonstop since I first got it (even during this review). I give this a mos def. Go out and cop it April 1st when it hits stores and iTunes.




Blu (Lifted EP, Below The Heavens, Powders & Oils) and Ta'Raach (LOVEE, The Fevers, The Breakfast Club) are C.R.A.C Knuckles (pronounced "crass"). They have both collaborated on the hotly anticipated LP "The Piece Talks". If you've ever listened to Blu's tracks off of his MySpace page or heard any of Ta'Raach's music with The Lovelution then you'll know that it's going to be some off the wall type shit. Did the final product live up to all of the hype from all of the blogs that have been talking about it for months? I'll let you all know right now:

Best Joints: What Up (Part2), Buy Me Lunch, Love Don't, Major Way, Activate Too, CRACHAUSE, Respect, Pop Dem Boyz, 2.16.05, Mr. Big Fizz, Chill, Hello!?, Go!, Activate...As Well, Bullet Through Me, Credits, Shake & Ready (listen past the phone conversation labeled "Ready" and there are two more songs I've named "Shake" and "Ready" (it was either that or "One Two").

Hot Garbage: N/A (This album might frustrate some people...I'll get into it all in detail below)

Dart's Take: This album isn't just straightforward beats and rhymes all the way through. There are some tracks that are just mostly music with ill instrumentation and arrangements. Tracks like "Buy Me Lunch", "CRACHAUSE" and "Credits" don't have any rhymin' on them at all. Joints like "What Up (Part2)", "Major Way","2.16.05", "Chill", "Hello!?", "Activate Too" and "As Well" are mad short. Some songs are on the "off the wall" side ("Buy Me Lunch", "Go!", "Bullet Through Me" and "Ready") and may throw some people off.

After it initially leaked from Nobodysmiling.com, it made the rounds to every music site and blog. Robbie on Unkut.com didn't know what to make of it. Some posters on Okayplayer thought it was too unfocused and all over the place. A few heads that had only just heard of Blu and never heard any of Ta'Raachs previous material were completely lost like Bobby and Cindy Brady on a vacation to the Grand Canyon.

My advice is not to overthink it, just play the whole album and listen to it. Go for a walk. Ride the train. Take a drive and just let it play. I guarantee you won't be able to get "Buy Me Lunch" out of your head (Just like the many bloggers that have had this album for months and not once did it leak)

A lot of people wanted this whole project to be like "Love Don't", "Respect" and "Pop Dem Boyz" but you can't take artists and expect them to put restraints on their creativity because you as a listener aren't more open minded. Just go with it. I give this album a mos def, easy. Do the right thing this April 22nd and cop it.




Late Passes (For Doz Dat Slept):



Albums I'm Looking Forward To Reviewing Once They Leak...I Mean Drop:

I'm Also Looking Forward To Reviewing The Following Projects:

Tanya Morgan-The Bridge EP
Rhymefest-El Che
Skillz-Million Dollar Backpack
Joe Budden-Padded Room
Jay Electronica-Act II: Patents Of Nobility
Jay Electronica-Abracadabra: Let There Be Light
Soul Assassins III-DJ Muggs vs. King Madallions (Planet Asia)
Big Boi-Sir Luscious Leftfoot
Magnif & J Dilla-Detroit Royalty
Blu-God Is Good
Snowgoons-Black Snow
N.E.R.D-Seeing Sounds
Platinum Pied Pipers-Abundance
Method Man & Redman-Blackout 2
Redman-Muddy Waters 2


Dart's Fat Tape/CD-R (as of March 28th, 2008):

Gotta Believe-Saigon f/Just Blaze (co-prod. by Just Blaze & Kanye West)
The Game Don't Stop-AZ
Crash-Che Grand
Hard Day's Night-The Knux
Guarantees-Atmosphere
I Don't Know-Danny f/Von Pea of Tanya Morgan (prod. by Danny Swain)
Crazy-Royce Da 5'9"
Cappaccino Remix-The Knux
Shake-C.R.A.C Knuckles (Blu & Ta'Raach)
We Got This-LMNO & Kev Brown f/Oh No (prod, by Kev Brown)
Let's Go!-Focus f/Chino XL & DJ Revolution
The Luv-Really Doe
Swing-Che Grand
The Grind-Fairmount Park Commission (Clean Guns, Triple Nickels & 2ew Gun Ciz)
ChicaGo Getter-Naledge of Kidz In Hall
Touch And Go-Joe Budden
K-1 Attack-Mickey Factz f/Nakim
Original-Praverb (prod. by Dirty Beats)
Amazing-The Knux
Fire-AZ
Where You Goin'-Danny f/Maria (prod. by Danny Swain)
Ignite The People Like Obama-6th Sense
Raise-LMNO & Kev Brown (prod. by Kev Brown)
Plastic-Really Doe f/Kanye West (prod. by Kanye West)
Gorgeous-Pacific Division


..like King Kong with a White girl in my left palm climbing the side of a building that's tall © Black Milk


One.
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Marion Walter Jacobs in Marksville, LA, and raised in Alexandria, LA) (May 1, 1930 - February 15, 1968) was a blues singer, harmonica player, and guitarist.
Jacobs is generally included among blues music greats: his revolutionary harmonica technique has earned comparisons to Charlie Parker and Jimi Hendrix in its impact: There were great musicians before and after, but Jacobs' virtuosity and musical innovations reached heights of expression never previously imagined, and fundamentally altered many listeners' expectations of what was possible on blues harmonica. His body of work earned Little Walter a spot in The Rock and Roll Hall of Fame in the sideman category on March 10, 2008.
Jacobs' own career took off when he recorded as a bandleader for Chess' subsidiary label Checker Records on 12 May 1952; the first completed take of the first song attempted at his debut session was a hit, spending eight weeks in the #1 position on the Billboard magazine R&B charts - the song was "Juke", and it was the first and only harmonica instrumental to become a #1 hit on the R&B charts. (Three other harmonica instrumentals by Little Walter also reached the Billboard R&B top 10: "Off the Wall" reached #8, "Roller Coaster" achieved #6, and "Sad Hours" reached the #2 position while Juke was still on the charts.) "Juke" was the biggest hit to date for Chess and its affiliated labels, and secured Walter's position on the Chess artist roster for the next decade. Little Walter scored fourteen top-ten hits on the R&B charts between 1952 and 1958, including two #1 hits (the second being "My Babe" in 1955), a feat never achieved by his former boss Waters, nor by his fellow Chess blues artists Howling Wolf and Sonny Boy Williamson. Many of Walter's numbers were originals which he, or Chess A&R man, Willie Dixon wrote. In general his sound was more modern and uptempo than the popular Chicago blues of the day, with a jazzier feel than other contemporary blues harmonica players.
His legacy has been enormous: he is widely credited by blues historians as the artist primarily responsible for establishing the standard vocabulary for modern blues and blues rock harmonica players. - His influence can be heard in virtually every modern blues harp player who came along in his wake, from blues greats such as Junior Wells, James Cotton, George "Harmonica" Smith, Carey Bell, and Big Walter Horton, through modern-day masters Kim Wilson, Rod Piazza, William Clarke, and Charlie Musselwhite, in addition to blues-rock crossover artists such as Paul Butterfield and John Popper of Blues Traveler.

Little Walter - The Chess Years 1952-1963
101. Juke
102. Can't Hold Out Much Longer
103. Blue Midnight
104. Boogie
105. Mean Old World
106. Sad Hours
107. Don't Have To Hurt No More
108. Crazy Legs
109. Tonight With A Fool
110. Off The Wall
111. Tell Me Mama
112. Quarter To Twelve
113. Blues With A Feeling
114. Last Boogie
115. Too Late
116. Fast Boogie
117. Light Out
118. Fast Large One
119. You're So Fine
120. Come Back Baby
121. Rocker
122. Oh Baby
123. I Got To Find My Baby
124. Big Leg Mama
201. Mercy Babe
202. Last Night
203. You'd Better Watch Yourself
204. Blue Eight
205. Last Night
206. Mollow Down Easy
207. Thunderbird
208. My Babe
209. Roller Coaster
210. I Got To Go
211. Little Girl
212. Crazy For Me Baby
213. Cant't Stop Loving You
214. Hate To See You Go
215. One More Chance With You
216. Who
217. Boom, Boom Out Goes The Lights
218. It Ain't Right
219. Flying Saucer
220. It's Too Late Brother
221. Teenage Beat
222. Take Me Back
223. Just A Feeling
301. Nobody But You
302. Temperature
303. Shake Dancer
304. Everybody Needs Somebody
305. Temperature
306. Ah'm Baby
307. I Had My Fun
308. The Toddle
309. Confessin' The Blues
310. Key To The Highway
311. Rock Bottom
312. You Gonna Be Sorry
313. Baby
314. My Baby Sweeter
315. Crazy Mixed Up World
316. Worried Life
317. Everything's Going To Be Alright
318. Mean Old Frisco
319. Back Track
320. One Of These Mornings
321. Blue And Lonesome
322. Me And Piney Brown
323. Break It Up
324. Goin' Down Slow
401. I Don't Play
402. As Long As I Have You
403. You Don't Know
404. Just Your Fool
405. Up The Line
406. I'm A Business Man
407. Dead President
408. Southern Feeling
409. Juke ( Alternate Take)
410. Blue Midnight (Alternate Take)
411. Off The Wall (Alternate Take)
412. My Kind Of Baby
413. I Love You So
414. Instrumental
415. Temperature ( Take 30)
416. Temperature ( Take 35-36)
417. Ah'w Baby (Alternate Take)
418. Rock Bottom (Alternate Take)
419. Walkin' On (Alternate Take)
420. Everything's Gonna Be Alright (Take 1)
421. Everything's Gonna Be Alright (Alternate Take)
422. Mean Old Frisco ( Take 1-2)
423. Blue And Lonesome ( Take 1)
424. My Babe

part1 part2 part3 part4 part5

pw = posted_first_at_chocoreve

Links fixed now, please accept my apologies.
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1.Alex Hill / Stompin' 'Em Down
2.Alex Hill / Tack Head Blues
3.Frank Melrose / Pass the Jug
4.Frank Melrose / Jelly Roll Stomp
5.Kansas City Frank / Jelly Roll Stomp
6.Kansas City Frank / Pass the Jug
7.Broadway Rastus / Rock My Soul
8.Broadway Rastus / Whoopee Stomp
9.Kansas City Frank and His Footwarmers / Wailing Blues
10.Kansas City Frank and His Footwarmers / St. James' Infirmary Blues
11.Frank Melrose / Market Street Jive
12.Frank Melrose / Piano Breakdown
13.Frank Melrose / Whoopee Stomp
14.Frank Melrose / Distant Moan
15.Frank Melrose / Cosmics
16.Smith and Irvine / Lonesome Road Blues
17.Cassino Simpson / Tea for Two
18.Cassino Simpson / It Don't Mean a Thing (2 parts)
19.Cassino Simpson / Blue Variations
20.Cassino Simpson / Variations
21.Cassino Simpson / Moonglow
22.Cassino Simpson / Song of the Wanderer
23.Cassino Simpson / Little Joe
24.Cassino Simpson / Lost in a Fog

http://lix.in/7f5fee4b

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No se como no habia subido nada de ellos aun. Ruido son una banda de California, formados el 96' y que cantan tambien en ingles (este trabajo esta integramente en castellano). Han sacado un varios 7'', splits, y material en otros formatos, y la verdad es que este trabajo es el que mas me gusta, suena mas crust (referencias ... como Ruidosa Inmundicia, los primeros Crudos, la escena latina hardcore de EEUU, etc ... ), luego tomarian rumbos mas grindcore y sucios. Este EP es del 98 y suena genial (eso si, mi amigo que paso el vinilo a formato mp3 lo dejo algo bajo de volumen respecto al original, cosas de oficio nada mas ... ). A ver si en el futuro sigo compartiendo mas de esta tremenda banda. Mas que recomendable, para los crusties. Su myspace.

01 De Aqui En Adelante
02 Me Haces Nada
03 Mi Tio Samuel
04 Estoy Confundido
05 Quitame Mi Dignidad
06 Solo Venganza
07 Kosovocidio
08 Mudo Auxilio
09 Nunca Jamas

Para bajar, entra:
  • AQUI
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    El otro dia un amigo llego todo excitado hablandome de esta banda , diciendo que esto, que escuchalo, bla bla... le hice caso. Con lo genial del internet que uno se puede conseguir ests tipo de material mas facil (eso de pasarse casets cd's y copiarlos es una practica cada vez mas obsoleta y, a mi criterio, se pierde el esfuerzo y ansia que uno tenia al leer un comentario en una revista y el deseo de buscarlo; eso hace que tengamos mas discos pero que algunos pocos valoremos. Termina siendo cosa de cantidad y no del gusto, etc... es mas, por eso no subo 60 o 100 discos por mes como otros blogs, otro dia profundizo de ello).
    Y bueno, aqui yacen 8 temas de gran calidad combinando el Crossover con caracteristicas Grindcore que rayan la locura, porque el objetivo central de este tipo musical es el caos y la incitacion a mover la cabeza hasta que se te caiga (o en otros casos, a un mosh pit brutal), en base a temnas cortos, con ritmos muy intercalados predominando lo rapido y feroz. La voz, si bien sigue el patron de todas las bandas del estilo, solo cumple. En palabras cortas, es un 7'' increible, para amantes de bandas como Crucial Unit, Charles Bronson y demas. Su myspace aqui.

    01 Circle Pit Caserole
    02 My Lai Massacre
    03 Letter Bomb to Real Estate Company Is Less ...
    04 The Symptom Undiagnosed
    05 Terror Through Exile
    06 Power Client Power Washing
    07 Workers Pride To Die
    08 Thrash Unit 3 5 5

    Para bajar, entra:
  • AQUI
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    jueves 27 de marzo de 2008

    Presentando a los candidatos a mejor artísta de todos los tiempos, para empezar The Beatles. The Beatles fue un grupo musical inglés de pop rock de la década de los 60 que se formó en la ciudad de Liverpool, Inglaterra en 1957 y se disolvió en abril de 1970, que lideró la "Invasión británica" en los Estados Unidos. El grupo estaba compuesto por: * John Winston Lennon, (John Lennon) (Liverpool,
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    Devotchkas é uma banda americana de streetpunk de Long Island, NY. Formada somente por mulheres, o nome da banda deriva do popular filme "Laranja Mecânica", onde "devotchka" na linguagem clokwork nadsat significa "garota".
    Foi formada em 1996 por 3 amigas e diversas bateristas passaram pela banda, finalmente em 1999 Gabrielle completou o line-up.
    O primeiro EP veio em 98 pela Punk Core Records e vendeu rapidamente 5.000 cópias, o que é um número considerável para um EP de estréia, especialmente em formato vinil.
    Logo depois do lançamento do EP, a vocalista Stephanie deixou a banda e foi substituida por JJ, que é a vocalista do primeiro álbum "Live Fast, Die Young". Após isso, a banda decidiu mudar o nome para The 99's.
    A vocalista JJ também deixou o grupo em pouco tempo e foi substituida por Jessica. Resolvendo voltar o nome para Devotchkas, a banda acabou pouco tempo depois.
    Abaixo, links pra download tanto do EP como do primeiro álbum.



    Devotchkas - Annihilation E.P.


    Tracklist:
    1. One-Sided Society
    2. Disappointed
    3. Hip Hop Kids
    4. Annihilation
    5. Sorry (4 Skins)
    6. Oi! Toy
    7. Shit For Dreams
    8. Damaged Goods
    9. Coppers In Force
    10. Mr. School Psychology
    11. Oi! Toy (Demo)

    DOWNLOAD
    password: drunksongs.blogspot.com


    -
    Devotchkas - Live Fast Die Young



    Tracklist:
    1. Pseudo Personality
    2. Wicked Heart
    3. Negative Reaction
    4. Pushed To The Limit
    5. Live Fast Die Young
    6. Travel In Packs
    7. What Happened?
    8. Transparent Creed
    9. Gone Crazy
    10. Her Love Is Innocence
    11. Like Animals
    12. Poogly
    13. Burping (Bonus Track)
    14. Talking (Bonus Track)

    DOWNLOAD
    password: drunksongs.blogspot.com

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    Last night, the Boston Celtics bodied the Phoenix Suns 117-97 in front of a national audience (ESPN aired the game) to stop a two game skid and raise their record to an NBA best 56-15. On Friday, the Celtics host the New Orleans Hornets, the one team in the entire league they've played and not beaten. I guarantee you that David West will not get off too many open jumpers on that night. My sister, brother in law and mother all went to the game and I watched it at home switching back in forth between Comcast Sportsnet and ESPN.

    Gordan Giricek couldn't guard a damn lamp! Steve Nash got shook by Rondo all night and Kendrick "The Incredible Hulk" Perkins held it down in the middle. Kevin Garnett and Paul Pierce were unstoppable and Ray Allen was a decoy and racked up 8 assists while knocking down jumpers at opportune times.

    The Celtics are looking at this game on Friday as their final chance to send a message to the entire NBA that they are the team to beat come playoff time. Just 11 games left to go in this regular season while three squads battle for the honor of being crushed by the Green machine in the first round of the 2008 NBA Playoffs. Atlanta, New Jersey or Indiana? It's all good!

    One.
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    Over the years, there have been several real or imagined curses ranging from the legendary Curse Of The Bambino to smaller curses like the covers of Sports Illustrated and EA Sports' NBA Live and Madden games. One of the most discussed in social circles is the "Sprite Curse" said to affect those that appear in Sprite commercials. Is the Sprite Curse just an urban myth, a coincidence or is it something much more real? I'll tackle that very subject here in this blog. Let's start at the beginning:

    1986


    Kurtis Blow is the first Hip Hop artist to appear in a commercial for a soft drink. This year, Kurtis Blow would star in the film "Krush Groove" and record the final hit of his recording career "If I Ruled The World". Kurtis Blow's style was too old school and his career went into decline. In 1988, he released "Back By Popular Demand" to a lukewarm reception and abysmal sales. The Hip Hop audience had moved on to acts like Rakim, KRS One, Big Daddy Kane, Kool G Rap, Public Enemy, Ice T and N.W.A. He retired from rapping shortly afterwards.


    1990
    Heavy D. & The Boyz were riding the success of their breakout album "Big Tyme" when they appeared in their Sprite commercial. Months after the spot first aired, Trouble T. Roy of The Boyz died in a freak accident while on tour. In 1991, a celebrity basketball game/concert starring Heavy D. & The Boyz was oversold and didn't have sufficient security in place leading to a stampede that killed 9 people and injured hundreds. Both incidents sank Heavy D into a long depression (that he has long since emerged from).


    1991
    Kid N' Play was hot off of their hit album "Funhouse" and their successful film "House Party" when they hawked the lymony beverage. Kid N' Play would release one more album ("Face The Nation") as well as several movies before their deal with Select Records dissolved and fourth album tentatively titled "Void" was shelved after the lukewarm sales of the "House Party 3" soundtrack and their final single "Bounce".

    Kid N' Play broke up officially in 1995 and shortly thereafter Play's clothing line IV Plai and his line of barbershops called Playtime were in dire financial straits. Soon, Play's marriage would end and he'd be charged with failure to pay child support. Kid was able to continue working as a producer, actor, show host and a touring stand up comedian. Play was recently in a car accident but escaped with minor injuries.


    1993


    Jermaine Dupri's newest discovery Kriss Kross went quadruple Platinum with their first album "Totally Krossed Out" and they had released their second LP "Da Bomb" when they appeared in their Sprite ad. Their sophomore album barely went Platinum and their singles sold nowhere as well as the previous project.

    Group member Chris Kelly also had to deal with issues stemming from him having leukemia, Jermaine Dupri focused on Da Brat, Xscape and outside production. When Kriss Kross finally returned in 1996 with the "Young, Rich & Dangerous" EP they managed two minor hits and barely went Gold. They claim to have had material for a fourth album for years but Jermaine Dupri hasn't even attempted to get back to them. I guess he missed the bus.


    1994
    A Tribe Called Quest was the next group to appear in a Sprite commercial. They had just come off up their classic "Midnight Marauders" album and they were breaking into the mainstream market. In 1996, they would release their least acclaimed project by both fans and critics "Beats, Rhymes and Life". Tribe's newest album yeilded only two singles and neither of them fared very well. Two years later, they announced that they would break up and "The Love Movement" would be their final album as a group.

    Shortly thereafter, Q Tip, Phife and Ali Shaheed Muhammad would all release other projects. Phife's "Da Ventilation LP" was filled with several scathing verses aimed at Tip. Eventually, all beefs were deaded and A Tribe Called Quest got back together and toured last summer. As of the writing of this blog, no album is forthcoming.


    1995
    Large Professor appeared in a Sprite commercial with Grand Puba. He had signed a solo deal with Geffen Records to release his album titled "The LP". He released two singles and videos for the songs "Mad Scientist" and "Ijusswannachill". The singles did moderately well but Geffen expected them to do a lot better sales and chartswise. Politics, red tape and internal drama at the label led to "The LP" being shelved and Large Professor was released from his deal. Large Professor didn't release a solo album until 2002 when his Matador LP "1st Class" hit shelves (when you bought it online you got a copy of "The LP" along with it).

    Grand Puba was fresh off the release of his new LP "2000". The album failed to produce hits like his previous album did and didn't sell very well. Grand Puba didn't release another solo album until his indie LP "Understand This" in 2001. He was recorded several projects with Brand Nubian who continue to go strong.

    Pete Rock & CL Smooth appeared in the other Sprite commercial featuring two emcee freestyling in the studio. Shortly after it first hit the air, the group announced that they were breaking up after twoclassic efforts that failed to move a significant amount of units. Pete Rock released several project and featured CL several times in recent years but CL Smooth has since come out and said that they'd never work together again. CL Smooth has released the mixtape "Man On Fire"and the LP "American Me" last year on Shaman Work while earlier this year Pete Rock dropped "NY's Finest".

    1997/98
    The Lost Boyz appeared in a new Sprite campaign based on the classic film "Wild Style". The Lost Boyz had gone Gold with their two previous projects and were working on their third album "LB IV Life". In March 1999, group member Freaky Tah was shot and killed months before the album could be released. It would be the first time that an LB album would fail to sell well. They had a breif reunion before group member DJ Spigg Nice would be found guilty on several counts of armed robbery and sentenced to 37 years in jail.



    Nas and AZ appeared together in another Sprite commercial based on Double Trouble's legendary "Stoop Rap". Nas would go on to record his two most critically panned projects "I Am" and "Nastadamus" while AZ would release his album "Pieces Of A Man" that would just come short of going Gold. Due to problems at his record label AZ was released from his deal.

    AZ made the independent album "S.O.S.A. (Save Our Streets, AZ)" and that sold an excess of 100,000 copies independently which secured him another deal. His subsequent major label albums have all had dissapointing sales but AZ is still one of the most well respected lyricists in all of Hip Hop. His new album "Undeniable" drops April 1st, 2008.


    1998


    Sprite unleashes the new Voltron ad campaign on the public featuring different emcees and groups representing different regions of the country and they each occupied one of Voltrons lions:

    Goodie Mob was enjoying the success that came with their sophomore album "Still Standing". Soon they'd switch labels and change their sound on the third LP, the critically panned and commercially disappointing "World Party". The fallout from "World Party" lead to Cee Lo leaving the group. The group released two more projects on the indie circuit and have since reunited. An album is reportedly forthcoming.

    Mack 10 of Westside Connection was fresh off of his album "The Recipe". His subsequent albums began to sell less and less and his marriage to T-Boz of TLC turned ugly in a short time. He was released from his label deal and signed with Cash Money Records, when that album also failed to move units he was released from that deal as well. He is still the owner of his own record label but he's never returned to his former place in the Rap world.

    Fat Joe's career actually took off in 1998 and he began to make hit singles and pervade the mainstream market. Ever since 2005, beginning with his album "All Or Nothing" his albums have been selling less and less and his music is becoming less and less inspired since he entered a feud with 50 Cent who won't let up on him even for a moment. His last two albums "Me, Myself And I" and "The Elephant In The Room" have had meager sales and the Terror Squad as we knew it is no more.

    Common was between two classic albums "One Day It Will All Make Sense" and "Like Water For Chocolate". Soon afterwards, he'd enter a relationship with Erykah Badu and change his image even more than he had previously. This lead to his worst received album "Electric Circus". It wasn't until three years later when Kanye West took the reigns and cosigned Common that his career took off again. He is now one of the biggest artists and up and coming actors in the industry today.


    1999
    Sprite began a new campaign based on the Kung Fu classic film "The Five Deadly Venoms" but in the place of the original Venoms are five female emcees:

    Kool Keith appeared as a villain in the commercials that did battle with the Venoms. His major label debut album "Black Elvis" Lost In Space" was about to drop on Ruffhouse/Columbia. His vinyl had an odd printing defect in which the entire first run of his album's vinyl pressing repeated side A an all four sides of the two piece vinyl. To make things worse, shortly after his album was released Ruffhouse/Columbia ceased operations and the project wasn't promoted well and few copies were pressed. Kool Keith is back to recording underground albums for his core audience.

    Eve was coming off of her double Platinum debut album when she appeared in this commercial. Even though she's had hits, film roles and a television show her sales have gone down with each album (from double Platinum to Platinum to Gold). Her present project "Here I Am" had two singles released that went nowhere and it's been pushed back a full year since "Tambourine" first came out at the time of this writing. Ya gotta love Aftermath!

    Angie Martinez released her albums "Up Close And Personal" and "Animal House" to modest sales after appearing in this commercial. She's managed a few hits in her rapping career and has since retired from recording.

    Amil was pretty much just used for guest appearances and hooks when she appeared in these commercials. Her album "All Money Is Legal" was released in 2000 and it failed to sell or produce a hit after "4 Da Fam" and "I Got That" featuring Beyonce both caught a brick. Amil was relesed from her Roc A Fella deal and is currentlty working on an indie project.

    Mia X had released three well recieved albums on No Limit Records and was riding the success of her 1998 album "Mama Drama" when she appeared in this Sprite campaign. She ended up leaving No Limit Records shortly thereafter and as of this time she has never recorded another album although she did appear on a mixtape back in 2006.


    2000
    Sprite started up a new campaign called "What Are You Thinking?" that featured artists in scenarios where people and their own prejudices and issues with racial stereotypes were examined:

    Beanie Sigel had several issues with the law and ended up going to jail in 2005 after he recorded the album "The B. Coming". His group State Property dissolved and Roc A Fella Records fell apart while he was incarcerated. He returned to the world and switched from Dame Dash to Jay-Z and Def Jam. His new album "The Solution" has been out for about six months and has still failed to crack 100,000 units in sales.

    Mos Def has since failed to get back to the heights that he was at when he recorded "Black On Both Sides". His albums "The New Danger" and "True Magic" have both failed commercially. His marriage of 10 years also fell apart in 2005 and he's been dogged by accusations that he hasn't been paying child support in full.

    Pharoahe Monch had a 7 year gap between studio albums (2000's "Internal Affairs" and 2007's "Desire") and his long rumored deal with Interscope's Shady Records fell through at the last minute. Several songs that should've made that album couldn't due to sample clearance issues.


    Other victims of the Sprite Curse:

    Arsenio Hall: After his talk show ended it's run he struggled to find work or pitch new projects to networks. His friend Jay Leno (whom he used to kill in the ratings back in the day) kept him employed and let him do segments for "The Tonight Show".



    Hi-Five: After enjoying much success, shortly after Hi-Fives Sprite commercial aired in 1992 one of their members (Roderick "Pooh" Clark) was seriously injured in a car accident and was never able to perform again. Their next album flopped, they broke up and lead singer Tony Thompson went solo. He was found dead in June 2007 in what has been called a huffing accident.


    EnVogue: Found out after the release of their album "Funky Divas" that they signed a bad deal that gave them a poor percentage of royalties. They were broke although they had every possible accolade imaginable. Dawn Robinson left in 1997 just to sign with Aftermath. Wow.



    Grant Hill: Between 200o-2004 Grant Hill's ankle only allowed him to play in 47 total games. He almost died from complications caused by a staph infection in 2003.


    Keith Murray: Did a voice over for a Sprite commercial back in 1996. He went to jail in 1999 and got out in 2001. He signed to Def Jam and got into a fight in the Def Jam offices because they failed to properly promote his project. He was dropped from Def Jam two weeks before his album "He's Keith Murray!" was released.



    Allen Iverson: A scrapped Hip Hop album on MCA Records and some trouble with the law lie amongst a disappointing showing as captain of the USA Men's Basketball Team at the Summer Olympics. C0-captain Tim Duncan also appeared in a Sprite ad as well. Coincidence?



    Kobe Bryant: Eagle, Colorado in 2003 Kobe Bryant allegedly sexually assaulted a 19 year old hotel employee. This commercial was pulled shortly after he was charged along with several other endorsements.





    One.
    Link - Thu, 27 Mar 2008 15:29:11 GMT - Feed (2 subs)

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    A Million Dollars Worth Of Doo-Wop - Vol. 10
    01 - The Jupiters - I Want
    02 - Bobby Starr & Group - Please Give Me A Chance
    03 - The Whirlwinds - Heartbeat
    04 - The Lions - Two Timing Lover
    05 - The Climatics - My Gift From Heaven
    06 - The Sunsets - Lydia
    07 - The Creators - Out Of A Million Girls
    08 - The Volchords - Bongo Love
    09 - The Cardinals - Why Don't You Write Me
    10 - The Spotlites - Trav'lin
    11 - The Sunny Boys - Chapel Bells
    12 - Bernie Williams & Group - Why Fool Yourself
    13 - Jerry Carmen & Group - Cherry Pie
    14 - The Sevilles - Girl In The Drug Store
    15 - Frankie Ervin & Group - Some Other Guy
    16 - The Beatnicks - Blue Angel
    17 - The Arrows - Shufflin Jive
    18 - The Chess Men - Lola
    19 - The Extremes - The Bells
    20 - The Del-Rios - Oh What A Feeling
    21 - Rocky & The Millionaires - Remember Me
    22 - The True-Tones - Honey, Honey
    23 - The Rollettes - An Understanding
    24 - The Fabulous Cry-Tels - Left Front Row
    25 - The Rivals - I Need You
    26 - The Pearls - It Must Be Love
    27 - The Vibes - What's Her Name
    28 - The Sonics - It's You
    29 - John Baker & Group - Satisfy Me
    30 - James Artamer & Group - Congratulations

    part1 part2

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    France Gall - France Gall
    01 Bébé requin
    02 Jazz à gogo
    03 Ne sois pas si bête
    04 Sacré Charlemagne
    05 Teenie weenie boppie
    06 Les rubans et la fleur
    07 Christiansen
    08 Nous ne sommes pas des anges
    09 L'Amérique
    10 Poupée de cire, poupée de son
    11 Les sucettes
    12 Baby pop
    13 N'écoute pas les idoles
    14 Le coeur qui jazze
    15 Attends ou va-t-en
    16 Laisse tomber les filles
    17 Pense à moi
    18 Ne dis pas aux copains

    part1

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    A Million Dollars Worth Of Doo-Wop - Vol. 11
    01 - The Castaleers - You're My Dream
    02 - Frankie Val & Group - Mr. Echo
    03 - The Carousels - I've Cried Enough
    04 - The Vibes - Misunderstood
    05 - The Joylarks - Betty My Love
    06 - Little Sammy & Group - Can You Love Me
    07 - The Webs - Question
    08 - The Equalos - Patty-Patty
    09 - The Four Kings - Walking At Your Will
    10 - The Calendars - I'm Gonna Laugh At You
    11 - The Fairlanes - Writing This Letter
    12 - The Corvairs - Love Her So
    13 - Linda Carr & The Impossibles - Shy One
    14 - The Kings Five - I Hear The Rain
    15 - The Varnells - Who Created Love
    16 - The Implaceables - My Foolish Pride
    17 - The Keystoners - Sleep And Dream
    18 - Mable King & Group - Love
    19 - The Trinadads - Don't Say Goodbye
    20 - The Four Dots - Pleading For Your Love
    21 - Johnny Till & Group - Dreamy Eyes
    22 - The Deli-Cados - Now I've Confessed
    23 - The Love-Lords - Burning Love
    24 - The Kilts - I'll Be True
    25 - The Carterays - Bless You
    26 - The Velveteers - Tell Me You're Mine
    27 - Dee Impulse & Group - Till I Come Home To You
    28 - The Royal Masters - You're The One
    29 - The Universals - Never Was A Girl
    30 - The Nu-Trends - Together

    part1 part2

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    huskerdu_front.jpghuskerdu_back.jpghuduvinyla.jpghuduvinylb.jpgOne of the mightiest trios in music - Grant Hart, Greg Norton and Bob Mould’s HÜSKER DÜ were one of the bands that you just couldn’t ignore in the 80s and probably one of the most influental rock bands ever. Who wouldn’t remember the endless debates over “New Day Rising” («Is this still Punk????») or “Candy Apple Grey” («Major labels support nuclear war!!!!!»). At least for me, things were always very clear: The “fastest record in the world” never impressed me too much (”Land Speed Record”), though “Everything falls apart” was like a punch in the testicles. But to me, “New Day Rising” has been one of my all time fave albums since it came out (and the euro tour that followed was fantastic too!). And “Candy Apple Grey” is one milestone too, couldn’t count the times that “Eifel Tower high” or “Don’t wanna know if you’re lonely” saved my life.
    In fact, looking back over the band’s career, it’s kinda obvious that the HC days weren’t the “true” HüDü at all - as you can hear, it started pretty experimental with this one, then it got fast and faster, before things got really exciting. When you listen to the later Hüsker Dü, it makes you wonder how “Grunge” could have been reviewed as a refreshing style in the 90s. Dammit, they all owe to Hüsker Dü!
    These two songs may not be my favourite pick when it comes to the Hüskers, but I still ove this record. Everything seems like in a fetal state here: The song writing, the musicianship, even the production by later super-knob-turner Steve Fjelstad: They all were still learning, so it seems. Maybe that’s what always makes me compare this with the first BIG BLACK 12″. As amateurish (never forget - the adjective come from the latin verb “amare” which means “to love”!) as this may sound, it’s totally HÜSKER DÜ already, you will recognize it at once, I’m sure.

    Get the second 7″ from Peter!

    Amusement.mp3
    Statues.mp3

    Link - Comments - Download - Admin - Tue, 25 Mar 2008 13:37:32 GMT - Feed (1 subs)
    User comment: By: Fernando
    "Fernando: So you still believe in concepts such as "truth". I see." Of course! Plato rules :D And the Hüskers agree; otherwise what's "The biggest lie" about?
    User comment: By: Admin
    Fernando: So you still believe in concepts such as "truth". I see. Yeah Justin - Peter and I are the duo infernale of blogging!
    User comment: By: justin
    First the Worst and now Husker Du, you and Peter really know how to tag team don't you? You guys have reminded me of my appreciation for this band. "amare" huh, I can go with that. Thanx for another terrific post.
    User comment: By: Jan
    ah, HÜSKA! thanks for this great post. wonderful band and an extreme good lucking band when watching their (promo) photos, ha ha. i remember with age 15 or 16 listening to everything falls apart with my then girl friend and she laughed about me because i wasnt able to open her bra. ha! nothing felt apart. oh yeah, always love this "in a free land", the lang speed record for sure, aber i think i am on erich side. metal circus is so fantastic but new day rising is also my favorite one. i mean, girl who lives an heaven hill or i apologize... does anyone also likes the Flip your Wig Record? love that too...makes no sense at all. too young to saw them live, is that true that bob mould played from the beginning (or at least on the european tours) on that flying v guitar? cheers jan P:S: erich, you will get sth. in the post in 2 weeks :)
    User comment: By: Fernando
    I guess the easiest answer comes taking 'music' in a wide meaning, like pop music, which is a complex, vielseitiger form of art, that includes lyrics, theatrics and pose and even clothes and hairdos, haha. The lie wouldn't be the music itself then, but the lyrics, the pose. Like retropunk, hahaha. Besides that, pure music can be used to give a false image like, say, when Bach's Brandenburgischer concerts are used on TV to glorify the parades of power, implying its deep harmony. Moreover, if music is expression, feeling, or language, there's always a theoretical possibility of faking all that, isn't it.
    User comment: By: Admin
    How can you lie with / thru music, Fernando?
    User comment: By: Fernando
    Well, since nobody's mentioning Zen arcade, I do. I loved that one, too. I think "Amusement" has some Joy Division in it (check, say, Means to an end from Closer), maybe this confirms a bit what Pedro said. Yeah, the demos sound so different. Eric from SILT had this great post full of rarities, there's a gig from ca 7/81 that, if memory serves, sounds more like this single, but it was recorded around the same time as Land speed record. So, probably these guys played a totally different repertoire depending of... who knows what. As for true music... Der Jargon der Eigentlichkeit or what? haha. But then it may have still some meaning, as (quite obviously methinks) one can lie with / thru music Saludos :)
    User comment: By: Admin
    Yes Pedro - totally agree. Talking about "true" music is in fact rather idiotic. Of course, I only meant that I prefer the latter HüDü. Didn't know that the band picked these songs in order to sound different. The early demos do sound totally different. Frank: Never forget - Peter and I have unmonster cocks. I guess that explains it all.
    User comment: By: Frank Mossi
    I don't like this 7". But I think it's just INCREDIBLE to see all the rare records Peter and you are posting. I'm so JEALOUS!!!! :-)
    User comment: By: Pedro Carvalho
    There's a story about this firs single being as "experimental" and slow as it is as a popularity measure to win the college radio crowd because bands like PIL were the rage at the time. Makes sense I guess, because the early demos sound much more like the Ramones or even like their own subsequent records than this EP. So I guess this is not the "true Dü" after all. Maybe there isn't one, hehe.
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    Flying Saucer Attack es una de las bandas más destacadas de la camada de agrupaciones independientes que surgieron a principios de la década 90 y que se enmarcaron en el nuevo estilo denominado post-rock, en donde se combinan de una forma única tradiciones como la del ambient, el rock experimental y el space rock. Formados en Bristol, Inglaterra en 1993, como un proyecto de avant-noise pop, Flying Saucer Attack, en una primera etapa estaba formado por los cantantes y guitarristas David Pearce y Rachel Brook, ambos profundamente interesados en la experimentación sónica. Fuertemente influenciados por el krautrock de grupos como Can, Faust y Amon Düül II, el folk y el dream pop, editaron su álbum debut homónimo en 1994. Un año más tarde editaron dos álbumes más, entre ellos este Further, un trabajo hipnotizante que transportó al grupo a las guitarras hipnóticas y las experimentaciones electrónicas. Su música influiría posteriormente en el sonido de muchas bandas de los sellos Kranky y Constellation, junto a My Bloody Valentine, que se llevaron toda la fama.

    Tracks:
    1. Rainstorm Blues
    2. In The Light Of Time
    3. Come And Close My Eyes
    4. For Silence
    5. Still Point
    6. Here Am I
    7. ToThe Shore
    8. She Is The Daylight

    Flying Saucer Attack - Further
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    Más canela de los Reigning Sound. A diferencia del que sería su siguiente trabajo, "Too much guitar" (2004), "Time bomb high school" se abre a influencias más allá del garage que practicaban con los Oblivians, su anterior grupo, incorporando sonidos más propios de la americana e incluso ramalazos surf como en el tema que abre el disco "Stormy weather". Se trata de un disco reposado y con un sonido mucho más limpio, como demuestran "Wait and see", "I walk by your house", "I'm holding out" entre otras, pero Reigning Sound no olvidan sus raíces y eso se nota en temazos vitamínicos como el propio "Time Bomb High school", "Stormy weather", "Reptile style" o "Straight shooter. "Time Bomb High School" es para mi el mejor disco de los de Greg Cartwright. Esta es la segunda entrega de una discografía impecable que los coloca entre las bandas más interesantes de la década. Solo hay que esperar que el tiempo los ponga en su lugar, y el disco con Mary Weiss del año pasado ha sido una grandísima oportunidad para darse a conocer.

    Tracks:
    1. Stormy Weather 2:11
    2. Straight Shooter 1:33
    3. You're Not As Pretty 2:55
    4. Brown Paper Sack 2:13
    5. Wait And See 2:33
    6. I Walk By Your House 2:49
    7. Time Bomb High School 1:35
    8. I Don't Believe 2:44
    9. She's Bored With You 2:11
    10. Reptile Style 3:22
    11. I'm Holding Out 2:43
    12. I Don't Know How To Tell You 2:29
    13. Dressy 2:54
    14. I'd Much Rather Be With The Boys 2:17
    15. You're So Strange 3:11

    Time Bomb High School
    Link - Wed, 26 Mar 2008 08:33:22 GMT - Feed (1 subs)

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    La banda fue formada en 1986 en Boston, por los estudiantes de antropología y compañeros de universidad Joey Santiago y Black Francis, quienes reclutaron a Kim Deal, también conocida como Mrs. John Murphy y David Lovering por medio de un aviso clasificado en un diario. Su personal estilo ejerció gran influencia sobre muchas de las bandas de rock de la escena grunge y alternativa de principios de la década de 1990. A pesar de que su estilo es muy melódico, son capaces de ser tremendamente cáusticos. Esto se ve reflejado en las letras que Francis, el cantante y escritor principal del grupo, que intrepreta con un estilo de voz desesperado. Los temas de sus letras suelen ser girar sobre temas misteriosos, como el fenómeno OVNI o el surrealismo. También, las referencias a temas como la inestabilidad mental, imágenes violentas tomadas de la Biblia, el incesto o daños físicos, son muy frecuentes en las letras de la banda. Durante un concierto con la banda Throwing Muses, el productor Gary Smith se fijó en ellos e inmediatamente después del show habló con ellos. Smith se convirtió en el manager de la banda y con él grabaron la primera demo de la banda en los renombrados estudios Fort Apache. Smith envió la demo de 17 temas a Ivo Watts-Russell, responsable del sello 4AD, quien elige ocho temas de la demo y edita a través de dicho sello el primer EP de la banda bajo el nombre de Come on Pilgrim (1987), título extraído de una frase de la letra de la canción Levitate Me. Los temas restantes circularon durante años en copias piratas conocidas como The Purple Tape hasta que finalmente fueron editados oficialmente con el nombre Pixies (2002), aunque la mayoría de las canciones fueron posteriormente incluidas en los discos de la banda.



    Tracks:
    1. Caribou
    2. Vamos (pilgrim)
    3. Isla De Encanta
    4. Ed Is Dead
    5. The Holiday Song
    6. Nimrod's Son
    7. I've Been Tired
    8. Levitate Me

    Pixies - Come On Pilgrim
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    Euphobia Records - 2.008



    Especialmente recomendado.

    Say Hi han abreviado su nombre (Say Hi To Your Mom) para lanzar este "The Wishes and the Glitch", pedazo de albún al que no di importancia al principio, pero que se pega como una lapa con las escuchas y que tuvo a bien parme el amigo Lydon.
    Son de Seatle y es el proyecto de Eric Elbogen, compositor, creador y cerebro de la banda.
    Pese a que su música se basa en cajas de ritmos y sintetizadores acompañado por amigos al resto de los instrumentos, no podemos incluirles dentro de la inditrónica o el shynt-pop. Quizá están mas cercanos a un britpop pasado por el filtro americano. Y ya que no sabría clasificarles, pues a lo fácil, al cajón de sastre que viene a ser el "indie pop". Lo que está claro es que Say Hi tiene una personalidad própia y una calidad fuera de duda.
    Quizá junto con "Cloud Cult", de lo mejorcito y más diferenciado que llevo escuchado en lo que va de año.


    Link - Tue, 25 Mar 2008 13:59:35 GMT - Feed (1 subs)

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    Third Man Records (2008)

    El pasado 25 de Marzo salió al mercado el segundo y esperado disco de The Raconteurs, que se ha publicado en tres formatos: vinilo, CD y digital. Se puede descargar desde la página web de la banda en formato MP3 en calidad 320Kb, pero no te lo puedes bajar gratis tal como hizo Radiohead, hay que pagar 9,99 €. Incluye un total de 14 canciones, unos 56 minutos de música. "Salute your solution" es su primer single, cuyo vídeo salió el mismo día 25. El lanzamiento se anunció solo con una semana de antelación, sin hacer promoción. La banda lo quiso así porque quería que tanto los fans como los medios tuvieran el disco al mismo tiempo y que cada cual se formara su propia opinión sin importar la crítica de los "expertos".

    Mi opinión como fan y después de un par de escuchas es... me la guardo para mi, no creo que mi opinión importe y no quiero influenciar a nadie, solo decir que si te gustó su primer disco este también te gustará. The Raconteurs han publicado sus primeras fechas de presentación en Europa y lamentablemente no hay ninguna en España, por ahora solo incluyen conciertos en festivales de Noruega, Reino Unido e Irlanda en Junio y Julio.


    Link - Thu, 27 Mar 2008 12:01:43 GMT - Feed (1 subs)

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